Author: Edith W. Clowes
Publisher: Princeton University Press
ISBN: 1400863538
Category : Literary Criticism
Languages : en
Pages : 253
Book Description
In the three decades following Stalin's death, major underground Russian writers have subverted Soviet ideology by using parody to draw attention to its basis in utopian thought. Referring to utopian writing as diverse as Defoe's Robinson Crusoe, Dostoevsky's Notes from Underground, and Orwell's Animal Farm, they have tested notions of truth, reality, and representation. They have gone beyond their precursors by experimenting with the tensions between ludic and didactic art. Edith Clowes explores these "meta-utopian" narratives, which address a wide range of attitudes toward utopia, to expose the challenge that literary play poses to dogmatism and to elucidate the sense of renewal it can bring to social imagination. Using both structural analysis and reception theory, she introduces readers outside Russia to a fascinating body of literature that includes Aleksandr Zinoviev's The Yawning Heights, Abram Terts's Liubimov, Vladimir Voinovich's Moscow 2042, and Liudmila Petrushevskaia's "The New Robinsons.". Not advocating its own utopian alternative to current social realities, meta-utopian fiction investigates the function of a deep human impulse to imagine, project, and enforce alternative social orders. Clowes examines the technical innovations meta-utopian writers have made in style, image, and narrative structure that inform fresh modes of social imagination. Her analysis leads to an inquiry into the intended and real audiences of this fiction, and into the ways its authors try to move them toward more sophisticated social discourse. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Russian Experimental Fiction
Author: Edith W. Clowes
Publisher: Princeton University Press
ISBN: 1400863538
Category : Literary Criticism
Languages : en
Pages : 253
Book Description
In the three decades following Stalin's death, major underground Russian writers have subverted Soviet ideology by using parody to draw attention to its basis in utopian thought. Referring to utopian writing as diverse as Defoe's Robinson Crusoe, Dostoevsky's Notes from Underground, and Orwell's Animal Farm, they have tested notions of truth, reality, and representation. They have gone beyond their precursors by experimenting with the tensions between ludic and didactic art. Edith Clowes explores these "meta-utopian" narratives, which address a wide range of attitudes toward utopia, to expose the challenge that literary play poses to dogmatism and to elucidate the sense of renewal it can bring to social imagination. Using both structural analysis and reception theory, she introduces readers outside Russia to a fascinating body of literature that includes Aleksandr Zinoviev's The Yawning Heights, Abram Terts's Liubimov, Vladimir Voinovich's Moscow 2042, and Liudmila Petrushevskaia's "The New Robinsons.". Not advocating its own utopian alternative to current social realities, meta-utopian fiction investigates the function of a deep human impulse to imagine, project, and enforce alternative social orders. Clowes examines the technical innovations meta-utopian writers have made in style, image, and narrative structure that inform fresh modes of social imagination. Her analysis leads to an inquiry into the intended and real audiences of this fiction, and into the ways its authors try to move them toward more sophisticated social discourse. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 1400863538
Category : Literary Criticism
Languages : en
Pages : 253
Book Description
In the three decades following Stalin's death, major underground Russian writers have subverted Soviet ideology by using parody to draw attention to its basis in utopian thought. Referring to utopian writing as diverse as Defoe's Robinson Crusoe, Dostoevsky's Notes from Underground, and Orwell's Animal Farm, they have tested notions of truth, reality, and representation. They have gone beyond their precursors by experimenting with the tensions between ludic and didactic art. Edith Clowes explores these "meta-utopian" narratives, which address a wide range of attitudes toward utopia, to expose the challenge that literary play poses to dogmatism and to elucidate the sense of renewal it can bring to social imagination. Using both structural analysis and reception theory, she introduces readers outside Russia to a fascinating body of literature that includes Aleksandr Zinoviev's The Yawning Heights, Abram Terts's Liubimov, Vladimir Voinovich's Moscow 2042, and Liudmila Petrushevskaia's "The New Robinsons.". Not advocating its own utopian alternative to current social realities, meta-utopian fiction investigates the function of a deep human impulse to imagine, project, and enforce alternative social orders. Clowes examines the technical innovations meta-utopian writers have made in style, image, and narrative structure that inform fresh modes of social imagination. Her analysis leads to an inquiry into the intended and real audiences of this fiction, and into the ways its authors try to move them toward more sophisticated social discourse. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Routledge Companion to Experimental Literature
Author: Joe Bray
Publisher: Routledge
ISBN: 1136301747
Category : Literary Criticism
Languages : en
Pages : 562
Book Description
What is experimental literature? How has experimentation affected the course of literary history, and how is it shaping literary expression today? Literary experiment has always been diverse and challenging, but never more so than in our age of digital media and social networking, when the very category of the literary is coming under intense pressure. How will literature reconfigure itself in the future? The Routledge Companion to Experimental Literature maps this expansive and multifaceted field, with essays on: the history of literary experiment from the beginning of the twentieth century to the present the impact of new media on literature, including multimodal literature, digital fiction and code poetry the development of experimental genres from graphic narratives and found poetry through to gaming and interactive fiction experimental movements from Futurism and Surrealism to Postmodernism, Avant-Pop and Flarf. Shedding new light on often critically neglected terrain, the contributors introduce this vibrant area, define its current state, and offer exciting new perspectives on its future. This volume is the ideal introduction for those approaching the study of experimental literature for the first time or looking to further their knowledge.
Publisher: Routledge
ISBN: 1136301747
Category : Literary Criticism
Languages : en
Pages : 562
Book Description
What is experimental literature? How has experimentation affected the course of literary history, and how is it shaping literary expression today? Literary experiment has always been diverse and challenging, but never more so than in our age of digital media and social networking, when the very category of the literary is coming under intense pressure. How will literature reconfigure itself in the future? The Routledge Companion to Experimental Literature maps this expansive and multifaceted field, with essays on: the history of literary experiment from the beginning of the twentieth century to the present the impact of new media on literature, including multimodal literature, digital fiction and code poetry the development of experimental genres from graphic narratives and found poetry through to gaming and interactive fiction experimental movements from Futurism and Surrealism to Postmodernism, Avant-Pop and Flarf. Shedding new light on often critically neglected terrain, the contributors introduce this vibrant area, define its current state, and offer exciting new perspectives on its future. This volume is the ideal introduction for those approaching the study of experimental literature for the first time or looking to further their knowledge.
Library of Congress Subject Headings
Author: Library of Congress
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1736
Book Description
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1736
Book Description
Library of Congress Subject Headings
Author: Library of Congress. Cataloging Policy and Support Office
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1422
Book Description
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1422
Book Description
Only Among Women
Author: Anne Eakin Moss
Publisher: Northwestern University Press
ISBN: 0810141043
Category : Literary Criticism
Languages : en
Pages : 418
Book Description
Only Among Women reveals how the idea of a community of women as a social sphere ostensibly free from the taint of money, sex, or self-interest originated in the classic Russian novel, fueled mystical notions of unity in turn-of-the-century modernism, and finally assumed a privileged place in Stalinist culture, especially cinema.
Publisher: Northwestern University Press
ISBN: 0810141043
Category : Literary Criticism
Languages : en
Pages : 418
Book Description
Only Among Women reveals how the idea of a community of women as a social sphere ostensibly free from the taint of money, sex, or self-interest originated in the classic Russian novel, fueled mystical notions of unity in turn-of-the-century modernism, and finally assumed a privileged place in Stalinist culture, especially cinema.
Russia on the Edge
Author: Edith W. Clowes
Publisher: Cornell University Press
ISBN: 0801461146
Category : Literary Criticism
Languages : en
Pages : 201
Book Description
Since the dissolution of the Soviet Union in 1991, Russians have confronted a major crisis of identity. Soviet ideology rested on a belief in historical progress, but the post-Soviet imagination has obsessed over territory. Indeed, geographical metaphors—whether axes of north vs. south or geopolitical images of center, periphery, and border—have become the signs of a different sense of self and the signposts of a new debate about Russian identity. In Russia on the Edge Edith W. Clowes argues that refurbished geographical metaphors and imagined geographies provide a useful perspective for examining post-Soviet debates about what it means to be Russian today. Clowes lays out several sides of the debate. She takes as a backdrop the strong criticism of Soviet Moscow and its self-image as uncontested global hub by major contemporary writers, among them Tatyana Tolstaya and Viktor Pelevin. The most vocal, visible, and colorful rightist ideologue, Aleksandr Dugin, the founder of neo-Eurasianism, has articulated positions contested by such writers and thinkers as Mikhail Ryklin, Liudmila Ulitskaia, and Anna Politkovskaia, whose works call for a new civility in a genuinely pluralistic Russia. Dugin’s extreme views and their many responses—in fiction, film, philosophy, and documentary journalism—form the body of this book. In Russia on the Edge literary and cultural critics will find the keys to a vital post-Soviet writing culture. For intellectual historians, cultural geographers, and political scientists the book is a guide to the variety of post-Soviet efforts to envision new forms of social life, even as a reconstructed authoritarianism has taken hold. The book introduces nonspecialist readers to some of the most creative and provocative of present-day Russia’s writers and public intellectuals.
Publisher: Cornell University Press
ISBN: 0801461146
Category : Literary Criticism
Languages : en
Pages : 201
Book Description
Since the dissolution of the Soviet Union in 1991, Russians have confronted a major crisis of identity. Soviet ideology rested on a belief in historical progress, but the post-Soviet imagination has obsessed over territory. Indeed, geographical metaphors—whether axes of north vs. south or geopolitical images of center, periphery, and border—have become the signs of a different sense of self and the signposts of a new debate about Russian identity. In Russia on the Edge Edith W. Clowes argues that refurbished geographical metaphors and imagined geographies provide a useful perspective for examining post-Soviet debates about what it means to be Russian today. Clowes lays out several sides of the debate. She takes as a backdrop the strong criticism of Soviet Moscow and its self-image as uncontested global hub by major contemporary writers, among them Tatyana Tolstaya and Viktor Pelevin. The most vocal, visible, and colorful rightist ideologue, Aleksandr Dugin, the founder of neo-Eurasianism, has articulated positions contested by such writers and thinkers as Mikhail Ryklin, Liudmila Ulitskaia, and Anna Politkovskaia, whose works call for a new civility in a genuinely pluralistic Russia. Dugin’s extreme views and their many responses—in fiction, film, philosophy, and documentary journalism—form the body of this book. In Russia on the Edge literary and cultural critics will find the keys to a vital post-Soviet writing culture. For intellectual historians, cultural geographers, and political scientists the book is a guide to the variety of post-Soviet efforts to envision new forms of social life, even as a reconstructed authoritarianism has taken hold. The book introduces nonspecialist readers to some of the most creative and provocative of present-day Russia’s writers and public intellectuals.
Between Dog & Wolf
Author: Sasha Sokolov
Publisher: Columbia University Press
ISBN: 0231543727
Category : Fiction
Languages : en
Pages : 290
Book Description
This “intricate and rewarding” novel by the renowned author of A School for Fools is “a Russian Finnegan’s Wake” finally available in English translation (Vanity Fair). One of contemporary Russia’s greatest novelists, Sasha Sokolov is celebrated for his experimental, verbally playful prose. Written in 1980, his novel Between Dog and Wolf has long been considered impossible to translate because of its complex puns, rhymes, and neologisms. But in this acclaimed translation, Alexander Boguslawski has achieved “a masterful feat…remarkably faithful to the subtleties of Sokolov's language” (Olga Matich, University of California, Berkeley). Alternating between the voices of an old, one-legged knife-sharpener, a game warden who writes poetry, and Sokolov himself, this language-driven novel unfolds a story of life on the upper Volga River, in which time, characters, and death all prove unstable. The one constant is the Russian landscape, where the Volga is a more-crossable River Styx, especially when it freezes in winter.
Publisher: Columbia University Press
ISBN: 0231543727
Category : Fiction
Languages : en
Pages : 290
Book Description
This “intricate and rewarding” novel by the renowned author of A School for Fools is “a Russian Finnegan’s Wake” finally available in English translation (Vanity Fair). One of contemporary Russia’s greatest novelists, Sasha Sokolov is celebrated for his experimental, verbally playful prose. Written in 1980, his novel Between Dog and Wolf has long been considered impossible to translate because of its complex puns, rhymes, and neologisms. But in this acclaimed translation, Alexander Boguslawski has achieved “a masterful feat…remarkably faithful to the subtleties of Sokolov's language” (Olga Matich, University of California, Berkeley). Alternating between the voices of an old, one-legged knife-sharpener, a game warden who writes poetry, and Sokolov himself, this language-driven novel unfolds a story of life on the upper Volga River, in which time, characters, and death all prove unstable. The one constant is the Russian landscape, where the Volga is a more-crossable River Styx, especially when it freezes in winter.
Oxota
Author: Lyn Hejinian
Publisher: Wesleyan University Press
ISBN: 0819578770
Category :
Languages : en
Pages : 305
Book Description
Over the course of nearly a decade (1983–1991), author Lyn Hejinian visited the USSR seven times, staying frequently with her friends the poet Arkadii Dragomoshchenko and his wife Zina in Leningrad. During this period, she embarked on translating into English several volumes of Dragomoshcheko's poetry, and the two poets began an extensive correspondence, exchanging hundreds of letters until Dragomoshchenko's death in 2012. During her fifth visit, in conversation with Dragomoshchenko and other poets, she decided to write a novel reflecting her experiences of literary and lived life in Leningrad and Moscow. Cognizant of a general sense that the Russian novel is stereotypically "long," she determined that hers would be "short." What resulted is an experimental novel whose structure (284 chapters, each 14 lines long) pays homage to Alexander Pushkin's Eugene Onegin, which is generally regarded to be the first Russian novel: a verse novel composed in 14-line stanzas. From time to time, various members of Dragomoshchenko's circle of friends offered suggestions for the novel, as readers will note. There's abundant narrative content, but anecdotes and events are presented in non-linear form, since they unfolded over extended periods of time and thus came to Hejinian's attention piecemeal. Oxota (which means variously "huntress," "hunt," and "desire" in Russian) is a novel in which contexts, rather than contents, are kept in the foreground. Allen Ginsberg, who himself visited the USSR, did not like Oxota. He said that it wasn't realistic; Hejinian thinks that it is.
Publisher: Wesleyan University Press
ISBN: 0819578770
Category :
Languages : en
Pages : 305
Book Description
Over the course of nearly a decade (1983–1991), author Lyn Hejinian visited the USSR seven times, staying frequently with her friends the poet Arkadii Dragomoshchenko and his wife Zina in Leningrad. During this period, she embarked on translating into English several volumes of Dragomoshcheko's poetry, and the two poets began an extensive correspondence, exchanging hundreds of letters until Dragomoshchenko's death in 2012. During her fifth visit, in conversation with Dragomoshchenko and other poets, she decided to write a novel reflecting her experiences of literary and lived life in Leningrad and Moscow. Cognizant of a general sense that the Russian novel is stereotypically "long," she determined that hers would be "short." What resulted is an experimental novel whose structure (284 chapters, each 14 lines long) pays homage to Alexander Pushkin's Eugene Onegin, which is generally regarded to be the first Russian novel: a verse novel composed in 14-line stanzas. From time to time, various members of Dragomoshchenko's circle of friends offered suggestions for the novel, as readers will note. There's abundant narrative content, but anecdotes and events are presented in non-linear form, since they unfolded over extended periods of time and thus came to Hejinian's attention piecemeal. Oxota (which means variously "huntress," "hunt," and "desire" in Russian) is a novel in which contexts, rather than contents, are kept in the foreground. Allen Ginsberg, who himself visited the USSR, did not like Oxota. He said that it wasn't realistic; Hejinian thinks that it is.
Human Forms
Author: Ian Duncan
Publisher: Princeton University Press
ISBN: 0691194181
Category : Literary Criticism
Languages : en
Pages : 312
Book Description
A major rethinking of the European novel and its relationship to early evolutionary science The 120 years between Henry Fielding's Tom Jones (1749) and George Eliot's Middlemarch (1871) marked both the rise of the novel and the shift from the presumption of a stable, universal human nature to one that changes over time. In Human Forms, Ian Duncan reorients our understanding of the novel's formation during its cultural ascendancy, arguing that fiction produced new knowledge in a period characterized by the interplay between literary and scientific discourses—even as the two were separating into distinct domains. Duncan focuses on several crisis points: the contentious formation of a natural history of the human species in the late Enlightenment; the emergence of new genres such as the Romantic bildungsroman; historical novels by Walter Scott and Victor Hugo that confronted the dissolution of the idea of a fixed human nature; Charles Dickens's transformist aesthetic and its challenge to Victorian realism; and George Eliot's reckoning with the nineteenth-century revolutions in the human and natural sciences. Modeling the modern scientific conception of a developmental human nature, the novel became a major experimental instrument for managing the new set of divisions—between nature and history, individual and species, human and biological life—that replaced the ancient schism between animal body and immortal soul. The first book to explore the interaction of European fiction with "the natural history of man" from the late Enlightenment through the mid-Victorian era, Human Forms sets a new standard for work on natural history and the novel.
Publisher: Princeton University Press
ISBN: 0691194181
Category : Literary Criticism
Languages : en
Pages : 312
Book Description
A major rethinking of the European novel and its relationship to early evolutionary science The 120 years between Henry Fielding's Tom Jones (1749) and George Eliot's Middlemarch (1871) marked both the rise of the novel and the shift from the presumption of a stable, universal human nature to one that changes over time. In Human Forms, Ian Duncan reorients our understanding of the novel's formation during its cultural ascendancy, arguing that fiction produced new knowledge in a period characterized by the interplay between literary and scientific discourses—even as the two were separating into distinct domains. Duncan focuses on several crisis points: the contentious formation of a natural history of the human species in the late Enlightenment; the emergence of new genres such as the Romantic bildungsroman; historical novels by Walter Scott and Victor Hugo that confronted the dissolution of the idea of a fixed human nature; Charles Dickens's transformist aesthetic and its challenge to Victorian realism; and George Eliot's reckoning with the nineteenth-century revolutions in the human and natural sciences. Modeling the modern scientific conception of a developmental human nature, the novel became a major experimental instrument for managing the new set of divisions—between nature and history, individual and species, human and biological life—that replaced the ancient schism between animal body and immortal soul. The first book to explore the interaction of European fiction with "the natural history of man" from the late Enlightenment through the mid-Victorian era, Human Forms sets a new standard for work on natural history and the novel.
The Routledge Companion to Experimental Literature
Author: Joe Bray
Publisher: Routledge
ISBN: 1136301755
Category : Literary Criticism
Languages : en
Pages : 561
Book Description
What is experimental literature? How has experimentation affected the course of literary history, and how is it shaping literary expression today? Literary experiment has always been diverse and challenging, but never more so than in our age of digital media and social networking, when the very category of the literary is coming under intense pressure. How will literature reconfigure itself in the future? The Routledge Companion to Experimental Literature maps this expansive and multifaceted field, with essays on: the history of literary experiment from the beginning of the twentieth century to the present the impact of new media on literature, including multimodal literature, digital fiction and code poetry the development of experimental genres from graphic narratives and found poetry through to gaming and interactive fiction experimental movements from Futurism and Surrealism to Postmodernism, Avant-Pop and Flarf. Shedding new light on often critically neglected terrain, the contributors introduce this vibrant area, define its current state, and offer exciting new perspectives on its future. This volume is the ideal introduction for those approaching the study of experimental literature for the first time or looking to further their knowledge.
Publisher: Routledge
ISBN: 1136301755
Category : Literary Criticism
Languages : en
Pages : 561
Book Description
What is experimental literature? How has experimentation affected the course of literary history, and how is it shaping literary expression today? Literary experiment has always been diverse and challenging, but never more so than in our age of digital media and social networking, when the very category of the literary is coming under intense pressure. How will literature reconfigure itself in the future? The Routledge Companion to Experimental Literature maps this expansive and multifaceted field, with essays on: the history of literary experiment from the beginning of the twentieth century to the present the impact of new media on literature, including multimodal literature, digital fiction and code poetry the development of experimental genres from graphic narratives and found poetry through to gaming and interactive fiction experimental movements from Futurism and Surrealism to Postmodernism, Avant-Pop and Flarf. Shedding new light on often critically neglected terrain, the contributors introduce this vibrant area, define its current state, and offer exciting new perspectives on its future. This volume is the ideal introduction for those approaching the study of experimental literature for the first time or looking to further their knowledge.