Author: Alfred Maskell
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 358
Book Description
Russian Art and Art Objects in Russia
Russian Painting
Author: Peter Leek
Publisher: Parkstone International
ISBN: 1780429754
Category : Art
Languages : en
Pages : 272
Book Description
From the 18th century to the 20th, this book gives a panorama of Russian painting not equalled anywhere else. Russian culture developed in contact with the wider European influence, but retained strong native intonations. It is a culture between East and West, and both influences in together. The book begins with Icons, and it is precisely Icon-painting which gave Russian artist their peculiar preoccupation with ethical questions and a certain kind of palette. It goes on the expound the duality of their art, and point out the originality of their contribution to world art. The illustrations cover all genres and styles of painting in astonishing variety. Such figures as Borovokovsky, Rokotov, Levitsky, Brullov, Fedatov, Repin, Shishkin and Levitan and many more are in these pages.
Publisher: Parkstone International
ISBN: 1780429754
Category : Art
Languages : en
Pages : 272
Book Description
From the 18th century to the 20th, this book gives a panorama of Russian painting not equalled anywhere else. Russian culture developed in contact with the wider European influence, but retained strong native intonations. It is a culture between East and West, and both influences in together. The book begins with Icons, and it is precisely Icon-painting which gave Russian artist their peculiar preoccupation with ethical questions and a certain kind of palette. It goes on the expound the duality of their art, and point out the originality of their contribution to world art. The illustrations cover all genres and styles of painting in astonishing variety. Such figures as Borovokovsky, Rokotov, Levitsky, Brullov, Fedatov, Repin, Shishkin and Levitan and many more are in these pages.
Rasputin
Author: Douglas Smith
Publisher: Farrar, Straus and Giroux
ISBN: 0374711232
Category : Biography & Autobiography
Languages : en
Pages : 849
Book Description
On the centenary of the death of Rasputin comes a definitive biography that will dramatically change our understanding of this fascinating figure A hundred years after his murder, Rasputin continues to excite the popular imagination as the personification of evil. Numerous biographies, novels, and films recount his mysterious rise to power as Nicholas and Alexandra's confidant and the guardian of the sickly heir to the Russian throne. His debauchery and sinister political influence are the stuff of legend, and the downfall of the Romanov dynasty was laid at his feet. But as the prizewinning historian Douglas Smith shows, the true story of Rasputin's life and death has remained shrouded in myth. A major new work that combines probing scholarship and powerful storytelling, Rasputin separates fact from fiction to reveal the real life of one of history's most alluring figures. Drawing on a wealth of forgotten documents from archives in seven countries, Smith presents Rasputin in all his complexity--man of God, voice of peace, loyal subject, adulterer, drunkard. Rasputin is not just a definitive biography of an extraordinary and legendary man but a fascinating portrait of the twilight of imperial Russia as it lurched toward catastrophe.
Publisher: Farrar, Straus and Giroux
ISBN: 0374711232
Category : Biography & Autobiography
Languages : en
Pages : 849
Book Description
On the centenary of the death of Rasputin comes a definitive biography that will dramatically change our understanding of this fascinating figure A hundred years after his murder, Rasputin continues to excite the popular imagination as the personification of evil. Numerous biographies, novels, and films recount his mysterious rise to power as Nicholas and Alexandra's confidant and the guardian of the sickly heir to the Russian throne. His debauchery and sinister political influence are the stuff of legend, and the downfall of the Romanov dynasty was laid at his feet. But as the prizewinning historian Douglas Smith shows, the true story of Rasputin's life and death has remained shrouded in myth. A major new work that combines probing scholarship and powerful storytelling, Rasputin separates fact from fiction to reveal the real life of one of history's most alluring figures. Drawing on a wealth of forgotten documents from archives in seven countries, Smith presents Rasputin in all his complexity--man of God, voice of peace, loyal subject, adulterer, drunkard. Rasputin is not just a definitive biography of an extraordinary and legendary man but a fascinating portrait of the twilight of imperial Russia as it lurched toward catastrophe.
A Dictionary of Russian and Soviet Artists, 1420-1970
Author: John Milner
Publisher: ACC Distribution
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 494
Book Description
This provides the background to more that 500 years of Russian and Soviet art and artists with over 5,000 individual entries. The book also gives access to important information hitherto available mostly in Russian and should be a useful reference for scholars and collectors.
Publisher: ACC Distribution
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 494
Book Description
This provides the background to more that 500 years of Russian and Soviet art and artists with over 5,000 individual entries. The book also gives access to important information hitherto available mostly in Russian and should be a useful reference for scholars and collectors.
From Russia
Author: Museum Kunst Palast (Düsseldorf, Germany)
Publisher: Royal Academy Books
ISBN:
Category : Art
Languages : en
Pages : 342
Book Description
The rich tradition of French painting was an important influence on Russian art from the mid-nineteenth century to the 1920s, a period that saw the rise of many of the most important movements in modern art. A magnificent visual record of an unprecedented event, this book, the catalogue of an ambitious exhibition of master paintings from the four greatest museums of Russia, examines the interaction of these two great cultures. Drawing on the collections of the State Russian Museum and the Pushkin Museum in Moscow and the Tretyakov Gallery and the State Hermitage Museum in St. Petersburg, the book presents outstanding examples of Salon painting, Impressionism, Fauvism, and Cubism in France, and related movements in Russia, among them The Wanderers, Constructivism, and Suprematism. Paintings by Renoir, Cezanne, Van Gogh, Gauguin, and Matisse are reproduced, along with works by Kandinsky, Tatlin, and Malevich. Key episodes in the story of this fascinating exchange include the vital role played by the great Russian collectors Ivan Morosov and Sergei Shchukin, whose preeminent collections of French art were an inspiration to the Russian avant-garde; the ballet impresario Sergei Diaghilev's promotion of Russian art in France in 1906; and Henri Matisse's visit to Russia in 1911.
Publisher: Royal Academy Books
ISBN:
Category : Art
Languages : en
Pages : 342
Book Description
The rich tradition of French painting was an important influence on Russian art from the mid-nineteenth century to the 1920s, a period that saw the rise of many of the most important movements in modern art. A magnificent visual record of an unprecedented event, this book, the catalogue of an ambitious exhibition of master paintings from the four greatest museums of Russia, examines the interaction of these two great cultures. Drawing on the collections of the State Russian Museum and the Pushkin Museum in Moscow and the Tretyakov Gallery and the State Hermitage Museum in St. Petersburg, the book presents outstanding examples of Salon painting, Impressionism, Fauvism, and Cubism in France, and related movements in Russia, among them The Wanderers, Constructivism, and Suprematism. Paintings by Renoir, Cezanne, Van Gogh, Gauguin, and Matisse are reproduced, along with works by Kandinsky, Tatlin, and Malevich. Key episodes in the story of this fascinating exchange include the vital role played by the great Russian collectors Ivan Morosov and Sergei Shchukin, whose preeminent collections of French art were an inspiration to the Russian avant-garde; the ballet impresario Sergei Diaghilev's promotion of Russian art in France in 1906; and Henri Matisse's visit to Russia in 1911.
Visualizing Russia
Author: Cynthia Hyla Whittaker
Publisher: BRILL
ISBN: 9004191852
Category : History
Languages : en
Pages : 216
Book Description
The Romantic search for a national past was a European preoccupation in the first half of the nineteenth century. In Russia, this process led to the formation of the Russian style that has to today so captivated the world's imagination. While the manifestations of this style are easily recognizable in gleaming gilt, vibrant colors, onion domes, peasant costume, and tsarist regalia, hardly anyone has realized the pioneering and defining role that Fedor Solntsev (1801-1892) played in the development of a Russian national aesthetic. This book rescues Solntsev from obscurity and celebrates his major contributions to the arts, archaeology, architecture, ethnography, icon painting, restoration work, and Russian nationalist ideology as well as place his work in a general European context. Contributors include: Marc Raeff, Wendy Salmond, Richard Wortman, Anne Odom, Irina Bogatskaia, Marina Evtushenko, Olenka Pevny, Irina Reyfman, Nathaniel Knight, Lauren M. O'Connell, and J. Robert Wright.
Publisher: BRILL
ISBN: 9004191852
Category : History
Languages : en
Pages : 216
Book Description
The Romantic search for a national past was a European preoccupation in the first half of the nineteenth century. In Russia, this process led to the formation of the Russian style that has to today so captivated the world's imagination. While the manifestations of this style are easily recognizable in gleaming gilt, vibrant colors, onion domes, peasant costume, and tsarist regalia, hardly anyone has realized the pioneering and defining role that Fedor Solntsev (1801-1892) played in the development of a Russian national aesthetic. This book rescues Solntsev from obscurity and celebrates his major contributions to the arts, archaeology, architecture, ethnography, icon painting, restoration work, and Russian nationalist ideology as well as place his work in a general European context. Contributors include: Marc Raeff, Wendy Salmond, Richard Wortman, Anne Odom, Irina Bogatskaia, Marina Evtushenko, Olenka Pevny, Irina Reyfman, Nathaniel Knight, Lauren M. O'Connell, and J. Robert Wright.
Russian Art
Author: Dmitriĭ Vladimirovich Sarabʹi︠a︡nov
Publisher: ABRAMS
ISBN:
Category : Architecture
Languages : en
Pages : 328
Book Description
As Dmitri Sarabianov tells us in this lively book, Russia first turned its face to Europe at the beginning of the eighteenth century. By the start of the nineteenth century, European ideas had been assimilated into the rich substratum of Russian culture and a unique amalgam began to emerge. Indigenous subjects became the focus of Russian art. In 1870, the Society for Traveling Art Exhibitions, whose members were known as the Wanderers, was founded. Its dual purpose was to educate the people through traveling exhibitions and to work for social reform. At the turn of the century, the dominant mode was Symbolism. But Modernist tendencies and other currents were gaining strength. These diverse aesthetics had to be rethought in 1917, when the Revolution brought the Bolsheviks to power. Functional, applied design came to the forefront. It is here, with the close of the most brilliant and innovative period in Russia's artistic life so far, that Professor Sarabianov ends his account of the pivotal years that led to the dazzling abstract, geometrical breakthroughs of Russian art. -- From publisher's description.
Publisher: ABRAMS
ISBN:
Category : Architecture
Languages : en
Pages : 328
Book Description
As Dmitri Sarabianov tells us in this lively book, Russia first turned its face to Europe at the beginning of the eighteenth century. By the start of the nineteenth century, European ideas had been assimilated into the rich substratum of Russian culture and a unique amalgam began to emerge. Indigenous subjects became the focus of Russian art. In 1870, the Society for Traveling Art Exhibitions, whose members were known as the Wanderers, was founded. Its dual purpose was to educate the people through traveling exhibitions and to work for social reform. At the turn of the century, the dominant mode was Symbolism. But Modernist tendencies and other currents were gaining strength. These diverse aesthetics had to be rethought in 1917, when the Revolution brought the Bolsheviks to power. Functional, applied design came to the forefront. It is here, with the close of the most brilliant and innovative period in Russia's artistic life so far, that Professor Sarabianov ends his account of the pivotal years that led to the dazzling abstract, geometrical breakthroughs of Russian art. -- From publisher's description.
Russian Stage Design
Russia Art and Art Objects in Russia
Author: Alfred Maskell
Publisher: Legare Street Press
ISBN: 9781019434031
Category :
Languages : en
Pages : 0
Book Description
Published in 1902, this book serves as a guide to the rich artistic heritage of Russia. Alfred Maskell, a noted British art historian, provides a detailed overview of Russian art from its earliest roots to the contemporary era. He also offers readers an insider's glimpse into the great museums and art collections of Russia, highlighting some of the country's most important works of art. With beautiful illustrations and insightful commentary, this book is an essential resource for anyone interested in the art and culture of Russia. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Legare Street Press
ISBN: 9781019434031
Category :
Languages : en
Pages : 0
Book Description
Published in 1902, this book serves as a guide to the rich artistic heritage of Russia. Alfred Maskell, a noted British art historian, provides a detailed overview of Russian art from its earliest roots to the contemporary era. He also offers readers an insider's glimpse into the great museums and art collections of Russia, highlighting some of the country's most important works of art. With beautiful illustrations and insightful commentary, this book is an essential resource for anyone interested in the art and culture of Russia. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Comradely Objects
Author: Yulia Karpova
Publisher: Studies in Design and Material Culture
ISBN: 9781526139870
Category : Art
Languages : en
Pages : 0
Book Description
This book offers a new perspective on the history of Soviet design. It argues that the 'comradely objects' of Russian productivism were not just shabby copies of western commodities - they were agents of progressive social relations with a discernible inheritance from the 1920s avant-garde.
Publisher: Studies in Design and Material Culture
ISBN: 9781526139870
Category : Art
Languages : en
Pages : 0
Book Description
This book offers a new perspective on the history of Soviet design. It argues that the 'comradely objects' of Russian productivism were not just shabby copies of western commodities - they were agents of progressive social relations with a discernible inheritance from the 1920s avant-garde.