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Author: William F. Sater Publisher: U of Nebraska Press ISBN: 080320759X Category : History Languages : en Pages : 457
Book Description
The year 1879 marked the beginning of one of the longest, bloodiest conflicts of nineteenth-century Latin America. The War of the Pacific pitted Peru and Bolivia against Chile in a struggle initiated over a festering border dispute. The conflict saw Chile's and Peru's armored warships vying for control of sea lanes and included one of the first examples of the use of naval torpedoes.
Author: William F. Sater Publisher: U of Nebraska Press ISBN: 080320759X Category : History Languages : en Pages : 457
Book Description
The year 1879 marked the beginning of one of the longest, bloodiest conflicts of nineteenth-century Latin America. The War of the Pacific pitted Peru and Bolivia against Chile in a struggle initiated over a festering border dispute. The conflict saw Chile's and Peru's armored warships vying for control of sea lanes and included one of the first examples of the use of naval torpedoes.
Author: Adrian Shubert Publisher: Hodder Education ISBN: 9780340662281 Category : History Languages : en Pages : 389
Book Description
The history of Spain has been revitalized since the death of Franco in 1975 and the restoration of democracy. Taking advantage of unprecedented access to archives, historians have explored long-standing issues more fully as well as bringing new questions to bear, adopting new methodologies,and developing new interpretations. The traditional view of Spain as somehow beyond the orbit of other European countries is in retreat and it is part of the purpose of the present volume to mark this reintegration of Spanish history into the history of western Europe as a whole.Leading Spanish scholars--whose work is rarely available to an anglophone audience--have combined with North American and British historians to produce a major re-evaluation of modern Spanish history, the first for some 20 years. Exploring the main issues in social, economic, cultural, and politicalhistory, within a clear chronological framework, the book reflects the liveliness and diversity of the field and provides points of entry to key issues for students and scholars alike.
Author: Michael H. Kater Publisher: Oxford University Press ISBN: 019535107X Category : History Languages : en Pages : 344
Book Description
Is music removed from politics? To what ends, beneficent or malevolent, can music and musicians be put? In short, when human rights are grossly abused and politics turned to fascist demagoguery, can art and artists be innocent? These questions and their implications are explored in Michael Kater's broad survey of musicians and the music they composed and performed during the Third Reich. Great and small--from Valentin Grimm, a struggling clarinetist, to Richard Strauss, renowned composer--are examined by Kater, sometimes in intimate detail, and the lives and decisions of Nazi Germany's professional musicians are laid out before the reader. Kater tackles the issue of whether the Nazi regime, because it held music in crassly utilitarian regard, acted on musicians in such a way as to consolidate or atomize the profession. Kater's examination of the value of music for the regime and the degree to which the regime attained a positive propaganda and palliative effect through the manner in which it manipulated its musicians, and by extension, German music, is of importance for understanding culture in totalitarian systems. This work, with its emphasis on the social and political nature of music and the political attitude of musicians during the Nazi regime, will be the first of its kind. It will be of interest to scholars and general readers eager to understand Nazi Germany, to music lovers, and to anyone interested in the interchange of music and politics, culture and ideology.
Author: Georgina Born Publisher: Univ of California Press ISBN: 0520220846 Category : Art Languages : en Pages : 374
Book Description
"[Western Music and Its Others] will be taken as an important book signalling a new turn within the field. It takes the best features of traditional, rigorous scholarship and brings these to bear upon contemporary, more speculative questions. The level of theoretical sophistication is high. The studies within it are polemical and timely and of lasting scholarly value."—Will Straw, co-editor of Theory Rules: Art as Theory/ Theory and Art "The great value of this collection lies in the wealth of questions that it raises--questions that together crystallize the recent concerns of musicology with force and clarity. But it also lies in the authors' resistance to the easy 'postmodernist' answers that threaten to turn new musicology prematurely grey. The editors' comprehensive, intellectually adventurous introduction exemplifies the sort of eager yet properly skeptical receptivity to scholarly innovation that fosters lasting disciplinary reform. It alone is worth the price of the book." —Richard Taruskin, author of Stravinsky and the Russian Traditions: A Biography of the Works Through " Mavra" "When cultural-studies methods first appeared in musicology 15 years ago, they triggered a storm of polemics that sometimes overshadowed the important issues being raised. As the canon wars recede, however, scholars are finding it possible to focus on the concerns that led them to cultural criticism in the first place: the study of music and its political meanings. Western Music and Its Others brings together leading musicologists, ethnomusicologists, and specialists in film and popular music to explore the ways European and North American musicians have drawn on or identified themselves in tension with the musical practices of Others. In a series of essays ranging from examination of the Orientalist tropes of early 20th-century Modernists to the tangled claims for ownership in today's World Music, the authors in this collection greatly advance both our knowledge of specific case studies and our intellectual awareness of the complexity and urgency of these problems. A timely intervention that should help push music studies to the next level." —Susan McClary, author of Conventional Wisdom: The Content of Musical Form (2000) "This collection provides a sophisticated model for using theory to interrogate music and music to interrogate theory. The essays both take up and challenge the dominance of notions of representation in cultural theory as they explore the relevance of the concepts of hybridity and otherness for contemporary art music. Sophisticated theory, erudite scholarship and a very real appreciation for the specificities of music make this a powerful and important addition to our understanding of both culture and music." —Lawrence Grossberg, author of Dancing in Spite of Myself
Author: Anselm Gerhard Publisher: University of Chicago Press ISBN: 9780226288574 Category : History Languages : en Pages : 540
Book Description
Why do so many operas end in suicide, murder, and death? Why do many characters in large-scale operas exhibit neurotic behaviors worthy of psychoanalysis? Why are the legendary grands operas - much celebrated in their time - so seldom performed today?
Author: William F. Sater
Author: William F. Sater
Author: Ohio. General Assembly. Senate
Author: United States. Congress. House. Committee on Agriculture
Author: United States. Interstate Commerce Commission
Author: United States. Animal and Plant Health Inspection Service
Author: Magnus Mörner
Author: Adrian Shubert
Author: Michael H. Kater
Author: Georgina Born
Author: Anselm Gerhard