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Author: CLIFF BROOKS Publisher: Mel Bay Publications ISBN: 1610658582 Category : Music Languages : en Pages : 112
Book Description
This book is designed to take your soloing ability from 0 to 90 MPH on the quinto, conga drum, bongo or timbales while mastering the clave rhythm at the same time. It is rich with authentic phrasing. Volume 2 has much to offer for beginners and veterans alike. the book will widened your soloing horizons, and is something you will continually refer back to for ideas and inspiration. You will enjoy learning many of these unique and interesting flavorsThis teaching method brings together two different learning approaches for Afro-Cuban Drumming. the first approach is to learn by way of reading written notation; the second is to learn solely by listening and feeling. Three types of Afro-Cuban syncopated expressions are transcribed in this book: Quinto Ride, Quinto Phrase, and Quinto Solo. the helpful companion CDs allows one to hear these expressions ensuring proper comprehension of the concepts taught in this lesson.
Author: CLIFF BROOKS Publisher: Mel Bay Publications ISBN: 1610658582 Category : Music Languages : en Pages : 112
Book Description
This book is designed to take your soloing ability from 0 to 90 MPH on the quinto, conga drum, bongo or timbales while mastering the clave rhythm at the same time. It is rich with authentic phrasing. Volume 2 has much to offer for beginners and veterans alike. the book will widened your soloing horizons, and is something you will continually refer back to for ideas and inspiration. You will enjoy learning many of these unique and interesting flavorsThis teaching method brings together two different learning approaches for Afro-Cuban Drumming. the first approach is to learn by way of reading written notation; the second is to learn solely by listening and feeling. Three types of Afro-Cuban syncopated expressions are transcribed in this book: Quinto Ride, Quinto Phrase, and Quinto Solo. the helpful companion CDs allows one to hear these expressions ensuring proper comprehension of the concepts taught in this lesson.
Author: KOKONASU RUMBA Publisher: VIZ Media - Children's ISBN: 9781974727032 Category : Juvenile Fiction Languages : en Pages : 0
Book Description
Join your favorite characters from Animal Crossing™: New Horizons for all-new adventures in this official manga! What do the residents of Animal Crossing™: New Horizons get up to when you’re not around? Find out all about their antics in this hilarious manga filled with goofy gags and silly stories! Get ready to meet more characters from Animal Crossing™: New Horizons! Enjoy their silly adventures with our four goofy residents on a deserted island!
Author: Bob W. White Publisher: Duke University Press ISBN: 0822389266 Category : History Languages : en Pages : 327
Book Description
Mobutu Sese Seko, who ruled Zaire (now the Democratic Republic of Congo) from 1965 until 1997, was fond of saying “happy are those who sing and dance,” and his regime energetically promoted the notion of culture as a national resource. During this period Zairian popular dance music (often referred to as la rumba zaïroise) became a sort of musica franca in many parts of sub-Saharan Africa. But how did this privileged form of cultural expression, one primarily known for a sound of sweetness and joy, flourish under one of the continent’s most brutal authoritarian regimes? In Rumba Rules, the first ethnography of popular music in the Democratic Republic of Congo, Bob W. White examines not only the economic and political conditions that brought this powerful music industry to its knees, but also the ways that popular musicians sought to remain socially relevant in a time of increasing insecurity. Drawing partly on his experiences as a member of a local dance band in the country’s capital city Kinshasa, White offers extraordinarily vivid accounts of the live music scene, including the relatively recent phenomenon of libanga, which involves shouting the names of wealthy or powerful people during performances in exchange for financial support or protection. With dynamic descriptions of how bands practiced, performed, and splintered, White highlights how the ways that power was sought and understood in Kinshasa’s popular music scene mirrored the charismatic authoritarianism of Mobutu’s rule. In Rumba Rules, Congolese speak candidly about political leadership, social mobility, and what it meant to be a bon chef (good leader) in Mobutu’s Zaire.
Author: Arturo Rodriguez Publisher: Mel Bay Publications ISBN: 1619113929 Category : Music Languages : en Pages : 106
Book Description
Interact and Learn is the overriding theme of this outstanding book and companion online audio. This progressive self-study course is designed to exposethe percussion student to the seductive and complex Cuban rumba style knownas guaguanco. The author offers a generous dose of text and percussion charts to be used with the recorded exercises. The rumba ensemble typically includes: claves; low, midrange, and high-pitched conga drums; the madruga (shaker) palitos (sticks applied to a hollow wooden cylinder), and vocal elements. The comprehensive quality of this book might best be illustrated by the author's emphasison using the three conga drums as pitched, melodic instruments. Sitting and hand positions and drum techniques are clearly illustrated with photographs as is the convenient instrumental glossary.This book also provides useful courseand lesson objectives for self-evaluation. The companion Audio presents percussion concepts and instruments individually and in conversation. All in all, this Book/Audio package offers a fabulous introduction. Includes access to online audio
Author: Brooks CLIFF Publisher: ISBN: 9780786689217 Category : Languages : en Pages :
Book Description
This book is designed to take your soloing ability from 0 to 90 MPH on the quinto, conga drum, bongo or timbales while mastering the clave rhythm at the same time.It is rich with authentic phrasing. Volume 2 has much to offer for beginners andveterans alike. The book will widened your soloing horizons, and is something you will continually refer back to for ideas and inspiration. You will enjoy learning many of these unique and interesting flavors. This teaching method brings together two different learning approaches for Afro-Cuban Drumming. The first approach is to learn by way of reading written notation; the second is to learn solely by listening and feeling. Three types ofAfro-Cuban syncopated expressions are transcribed in this book: Quinto Ride, Quinto Phrase, and Quinto Solo. The helpful audio is one to hear theseexpressions ensuring proper comprehension of the concepts taught in this lesson
Author: Maya Roy Publisher: ISBN: Category : History Languages : en Pages : 266
Book Description
Native Americans supplied the maracas. African slaves brought drums and ritual music, and Spaniards brought guitars, brass instruments, and clarinets along with European ballroom dancing. The advent of blues and jazz gave new forms to styles of songs, notably feeling songs, which joined the more traditional styles of trova and bolero. Cuban culture represents a convergence of these diverse backgrounds, and the musical heritage presented in this book reflects these traditions as well. In colonial times, African ritual sounds mixed with Catholic liturgies and brass bands of the Spanish military academies. Ballroom dances, including French music from Haiti popular in 18th-century Havana society, existed side by side with the cabildos (guilds and carnival clubs) and the plantations. The son, considered the expression of Cuban musical identity, had its origins in a rural setting in which African slaves and small farmers from Andalusia worked and played music together, developing many variations over the years, including big band music. Cuban music is now experiencing a major renaissance, and is enjoyed throughout the world.
Author: Tomas Cruz Publisher: Mel Bay Publications ISBN: 1619117428 Category : Music Languages : en Pages : 89
Book Description
Volume II is aimed at two distinct categories of readers: 1) Intermediate players who are ready for a wider range of rhythms to study and use in live playing situations; and 2) Experienced congueros who have digested Volume I and now seek to understand the roots of the modern Cuban conga style. Having assimilated the material in Volume I, the student should be able to play basic Son Montuno, Salsa, Chachacha, and Bolero. Volume II moves on to Guaguanco, Iyesa, 6/8, Changui, Afro, Mozambique, Pilon, Songo, Merengue, Bomba, Cumbia and other rhythms that a professional conguero will be expected to know. Each rhythm is accompanied by an article reflecting on its history and role in the "big picture" of Latin music and offering listening recommendations. Like Volume I, it uses the Step by Step online video Method. A special 8-page appendix explains the often infuriatingly complex subject of "clave" with an unprecedented level of clarity and insight. Includes access to online video.
Author: CLIFF BROOKS
Author: CLIFF BROOKS
Author: Gary Stewart
Author: KOKONASU RUMBA
Author: Norman E. Whitten
Author: Bob W. White
Author: Arturo Rodriguez
Author: Brooks CLIFF
Author: Maya Roy
Author: Giles Andreae
Author: Tomas Cruz