Author: Nottingham Castle Museum
Publisher:
ISBN:
Category : Art, British
Languages : en
Pages : 82

View

Book Description

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 72

View

Book Description

Author: Charlotte Yeldham
Publisher: Routledge
ISBN: 1351559249
Category : Art
Languages : en
Pages : 231

View

Book Description
Maria Spilsbury Taylor (1776-1820) lived and worked in London and Ireland and was patronized by the Prince Regent. A painter of portraits, genre scenes, biblical subjects and large crowd compositions - an unusual feature in women's art of this period - she is represented in major museums and art galleries as well as in numerous private collections. Her work, hitherto considered on a purely decorative level, merits closer attention. For the first time, this volume argues the relevance of Spilsbury's religious background, and in particular her evangelical and Moravian connections, to the interpretation of her art and examines her pervasive, and often inovert references to the Bible, hymnody and religious writing. The art that emerges is distinctly Protestant and evangelical, offering a vivid illustration of the mood of patriotic, Protestant fervour that characterized the quarter century succeeding the French revolution. This focus may be situated in the general context of increasing interest in the religious faith of historical actors - men and women - in the eighteenth century, and in the related contexts of growing acknowledgement of a religious aspect to "enlightenment" art, as well as investigations into Protestant culture in Ireland. The book is extensively illustrated and contains a list of all of Spilsbury's known works.

Author: Adam White
Publisher: Springer
ISBN: 3319538594
Category : Literary Criticism
Languages : en
Pages : 332

View

Book Description
This book offers a major reassessment of John Clare’s poetry and his position in the Romantic canon. Alert to Clare’s knowledge of the work of his Romantic contemporaries and near contemporaries, it puts forward the first extended series of comparisons of Clare’s poetry with texts we now think of as defining the period – in particular poems by Robert Burns, William Wordsworth, Lord Byron, and John Keats. It makes fully evident Clare’s original contribution to the aesthetic culture of the age by analysing how he explores a wide range of concerns and preoccupations which are central to, and especially privileged in, Romantic-period poetics, including ‘fancy’, the sublime, childhood, ruins, joy, ‘poesy’, and a love lyric marked by a peculiar self-consciousness about sincere expression. At the heart of this book is the claim that the hitherto under-scrutinised subjective stances, transcendent modes, and abstract qualities of Clare’s lyric poetry situate him firmly within, and as fundamentally part of, Romanticism, at the same time as his writing constitutes a distinctive contribution to one of the most fascinating eras of English literature.

Author: Pramod K. Nayar
Publisher: Routledge
ISBN: 113413150X
Category : Literary Collections
Languages : en
Pages : 225

View

Book Description
This book explores the formations and configurations of British colonial discourse on India through a reading of prose narratives of the 1600-1920 period. Arguing that colonial discourse often relied on aesthetic devices in order to describe and assert a degree of narrative control over Indian landscape, Pramod Nayar demonstrates how aesthetics furnished a vocabulary and representational modes for the British to construct particular images of India. Looking specifically at the aesthetic modes of the marvellous, the monstrous, the sublime, the picturesque and the luxuriant, Nayar marks the shift in the rhetoric – from the exploration narratives from the age of mercantile exploration to that of the ‘shikar’ memoirs of the late nineteenth and early twentieth century’s extreme exotic. English Writing and India provides an important new study of colonial aesthetics, even as it extends current scholarship on the modes of early British representations of new lands and cultures.

Author: Donald J. McNutt
Publisher: Taylor & Francis
ISBN: 1000947718
Category : Literary Criticism
Languages : en
Pages : 202

View

Book Description
This study reexamines the ethos of national progress by analyzing how American writers import images of ruins from European aesthetics to cast the city as a site of instability and cultural impermanence. While highlighting the transatlantic currency of ruin imagery, the study demonstrates through interdisciplinary analyses of architecture and material culture how American images of ruin intersect with the symbolic geographies of city and home to shape and reflect citizenship, law, and perceptions of race. Arguing that ruin imagery works to disclose the culture's inner dimensions, the study incorporates deep archival research and synthesizes theories on geography and architecture to read unstable settings in the works of Philip Freneau, Charles Brockden Brown, Poe, and Melville. The study focuses on the ways these writers relied on ruin imagery to interpret such subjects as Anglo-Indian relations in the nation's early capital; the dialogue between secrecy and yellow fever in 1790s Philadelphia; the impact of antebellum penitentiaries on conceptions of mind and domestic space; and the mutability of nationhood in the decade just before the Civil War. The book provides dynamic ways of reading the relationships among urban culture, ruin, concepts of instability, and the formation of American literature.

Author: Christopher Wright
Publisher:
ISBN:
Category : Art, British
Languages : en
Pages : 268

View

Book Description

Author: Stephen Donald Borys
Publisher: Allen Memorial Art Museum Oberlin College
ISBN:
Category : Art
Languages : en
Pages : 208

View

Book Description

Author: Andrew Wilton
Publisher: Te Neues Publishing Company
ISBN:
Category : Art
Languages : en
Pages : 348

View

Book Description
"The revolution in watercolours of the later eighteenth century and its Victorian aftermath is acknowledged to be one of the greatest triumphs of British art. Its effect was to transform the modest tinted drawing of the topographer into a powerful and highly flexible means of expression for some of the Romantic era's greatest artists, among them Thomas Girtin, J.M.W. Turner and John Constable. The painters of the next generation were no less ambitious, and the range of subject-matter and technical inventiveness that was sustained for much of the Victorian period was to set a standard in watercolour painting that was without equal abroad." "In this magnificently illustrated survey of the great age of British watercolours, Andrew Wilton and Anne Lyles trace the development of attitudes to landscape and to the human figure in the landscape from 1750 to 1880. They show how once the traditional pen and ink drawing and its augmented washes of colour had been abandoned in order to paint directly in watercolours without pen outlines, the way was open for the powerful Romantic landscapes of the following decade and beyond, many of which were painted in the wild mountainous regions of Wales and Scotland." "During the nineteenth century, as the gilt-framed exhibition watercolour began to challenge the long-established oil painting in terms of size and in brilliance of colour and effect, the range of subject-matter was broadened to include scenes of country and town life from every part of Britain and, increasingly, from the Continent too. By mid-century the Near East was attracting many of the greatest Victorian watercolourists, including J. E. Lewis, David Roberts and Edward Lear. Other leading Victorians who regularly worked in watercolour include the Pre-Raphaelite painters John Everett Millais and William Holman Hunt, and the American-born James McNeill Whistler, all of whom are included in this book."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Author: Brian Dillon
Publisher: Tate
ISBN: 9781849763011
Category : Architecture
Languages : en
Pages : 63

View

Book Description
Ruin Lust offers a guide to the mournful, thrilling, comic, and perverse uses of ruins in art from the 17th century to the present day. This book, which accompanied a major Tate Britain exhibition, includes more than 100 works by artists such as J. M. W Turner, John Constable, John Martin, Eduardo Paolozzi, Paul Nash, and Rachel Whiteread. Beginning in the midst of the craze that sent artists, writers, architects, and tourists in search of ruins and picturesque landscapes in the 18th century, it shows how ruins have continued to be a source of visual and emo­tional fascination at particular historical moments. Thoroughly illustrated, Ruin Lust explores how ruin has become a way of thinking about art itself and its connection to both the past and the future.