Author: David Franklin
Publisher:
ISBN: 9780300058932
Category : Art
Languages : en
Pages : 326
Book Description
Rosso Fiorentino was one of the most original painters and draftsmen of the entire Renaissance period and a crucial figure among the so-called Mannerists. This book focuses on Rosso's life and works until about 1530, when he abandoned Italy for France and the court of Francis I and finally received the recognition he deserved. Illustrated with some of the most powerful works of the Renaissance, this book provides a new basis for the assessment of Rosso and opens up fresh perspectives for the study of sixteenth-century painting and design.
Rosso in Italy
Author: David Franklin
Publisher:
ISBN: 9780300058932
Category : Art
Languages : en
Pages : 326
Book Description
Rosso Fiorentino was one of the most original painters and draftsmen of the entire Renaissance period and a crucial figure among the so-called Mannerists. This book focuses on Rosso's life and works until about 1530, when he abandoned Italy for France and the court of Francis I and finally received the recognition he deserved. Illustrated with some of the most powerful works of the Renaissance, this book provides a new basis for the assessment of Rosso and opens up fresh perspectives for the study of sixteenth-century painting and design.
Publisher:
ISBN: 9780300058932
Category : Art
Languages : en
Pages : 326
Book Description
Rosso Fiorentino was one of the most original painters and draftsmen of the entire Renaissance period and a crucial figure among the so-called Mannerists. This book focuses on Rosso's life and works until about 1530, when he abandoned Italy for France and the court of Francis I and finally received the recognition he deserved. Illustrated with some of the most powerful works of the Renaissance, this book provides a new basis for the assessment of Rosso and opens up fresh perspectives for the study of sixteenth-century painting and design.
Pontormo and Rosso Fiorentino
Author: Carlo Falciani
Publisher:
ISBN: 9788874612161
Category : Art
Languages : en
Pages : 0
Book Description
In 1956, Palazzo Strozzi hosted the exhibition 'Pontormo and Early Florentine Mannerism', in which Pontormo's work was displayed alongside that of Rosso Fiorentino, Beccafumi and other adepts of the new and unconventional trend in painting. Almost sixty years later, Palazzo Strozzi has decided to hold an exhibition devoted to only two of that movement's leading lights, Pontormo and Rosso Fiordentino. In exploring the work of the two greatest Florentine exponents of what 20th-century critics christened 'Mannerism', the exhibition, and this accompanying volume, aims to track the chronological development of the movement.
Publisher:
ISBN: 9788874612161
Category : Art
Languages : en
Pages : 0
Book Description
In 1956, Palazzo Strozzi hosted the exhibition 'Pontormo and Early Florentine Mannerism', in which Pontormo's work was displayed alongside that of Rosso Fiorentino, Beccafumi and other adepts of the new and unconventional trend in painting. Almost sixty years later, Palazzo Strozzi has decided to hold an exhibition devoted to only two of that movement's leading lights, Pontormo and Rosso Fiordentino. In exploring the work of the two greatest Florentine exponents of what 20th-century critics christened 'Mannerism', the exhibition, and this accompanying volume, aims to track the chronological development of the movement.
Pontormo, Rosso Fiorentino
Author: Elisabetta Marchetti Letta
Publisher:
ISBN:
Category : Mannerism (Art)
Languages : en
Pages : 84
Book Description
Publisher:
ISBN:
Category : Mannerism (Art)
Languages : en
Pages : 84
Book Description
Rosso Fiorentino
Author: Eugene A. Carroll
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 400
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 400
Book Description
Blood, Milk, Ink, Gold
Author: Rebecca Zorach
Publisher: University of Chicago Press
ISBN: 9780226989372
Category : Art
Languages : en
Pages : 360
Book Description
Most people would be hard pressed to name a famous artist from Renaissance France. Yet sixteenth-century French kings believed they were the heirs of imperial Rome and commissioned a magnificent array of visual arts to secure their hopes of political ascendancy with images of overflowing abundance. With a wide-ranging yet richly detailed interdisciplinary approach, Rebecca Zorach examines the visual culture of the French Renaissance, where depictions of sacrifice, luxury, fertility, violence, metamorphosis, and sexual excess are central. Zorach looks at the cultural, political, and individual roles that played out in these artistic themes and how, eventually, these aesthetics of exuberant abundance disintegrated amidst perceptions of decadent excess. Throughout the book, abundance and excess flow in liquids-blood, milk, ink, and gold-that highlight the materiality of objects and the human body, and explore the value (and values) accorded to them. The arts of the lavish royal court at Fontainebleau and in urban centers are here explored in a vibrant tableau that illuminates our own contemporary relationship to excess and desire. From marvelous works by Francois Clouet to oversexed ornamental prints to Benvenuto Cellini's golden saltcellar fashioned for Francis I, Blood, Milk, Ink, Gold covers an astounding range of subjects with precision and panache, producing the most lucid, well-rounded portrait of the cultural politics of the French Renaissance to date.
Publisher: University of Chicago Press
ISBN: 9780226989372
Category : Art
Languages : en
Pages : 360
Book Description
Most people would be hard pressed to name a famous artist from Renaissance France. Yet sixteenth-century French kings believed they were the heirs of imperial Rome and commissioned a magnificent array of visual arts to secure their hopes of political ascendancy with images of overflowing abundance. With a wide-ranging yet richly detailed interdisciplinary approach, Rebecca Zorach examines the visual culture of the French Renaissance, where depictions of sacrifice, luxury, fertility, violence, metamorphosis, and sexual excess are central. Zorach looks at the cultural, political, and individual roles that played out in these artistic themes and how, eventually, these aesthetics of exuberant abundance disintegrated amidst perceptions of decadent excess. Throughout the book, abundance and excess flow in liquids-blood, milk, ink, and gold-that highlight the materiality of objects and the human body, and explore the value (and values) accorded to them. The arts of the lavish royal court at Fontainebleau and in urban centers are here explored in a vibrant tableau that illuminates our own contemporary relationship to excess and desire. From marvelous works by Francois Clouet to oversexed ornamental prints to Benvenuto Cellini's golden saltcellar fashioned for Francis I, Blood, Milk, Ink, Gold covers an astounding range of subjects with precision and panache, producing the most lucid, well-rounded portrait of the cultural politics of the French Renaissance to date.
Rosso Fiorentino, Benventuto Cellini and Clement Marot
Author: Andrew Carl Weislogel
Publisher:
ISBN:
Category : Europe
Languages : en
Pages : 376
Book Description
Publisher:
ISBN:
Category : Europe
Languages : en
Pages : 376
Book Description
Born Under Saturn
Author: Rudolf Wittkower
Publisher: New York Review of Books
ISBN: 9781590172131
Category : Art
Languages : en
Pages : 460
Book Description
A rare art history classic that The New York Times calls a “delightful, scholarly and gossipy romp through the character and conduct of artists from antiquity to the French Revolution.” Born Under Saturn is a classic work of scholarship written with a light and winning touch. Margot and Rudolf Wittkower explore the history of the familiar idea that artistic inspiration is a form of madness, a madness directly expressed in artists’ unhappy and eccentric lives. This idea of the alienated artist, the Wittkowers demonstrate, comes into its own in the Renaissance, as part of the new bid by visual artists to distinguish themselves from craftsmen, with whom they were then lumped together. Where the skilled artisan had worked under the sign of light-fingered Mercury, the ambitious artist identified himself with the mysterious and brooding Saturn. Alienation, in effect, was a rung by which artists sought to climb the social ladder. As to the reputed madness of artists—well, some have been as mad as hatters, some as tough-minded as the shrewdest businessmen, and many others wildly and willfully eccentric but hardly crazy. What is certain is that no book presents such a splendid compendium of information about artists’ lives, from the early Renaissance to the beginning of the Romantic era, as Born Under Saturn. The Wittkowers have read everything and have countless anecdotes to relate: about artists famous and infamous; about suicide, celibacy, wantonness, weird hobbies, and whatnot. These make Born Under Saturn a comprehensive, quirky, and endlessly diverting resource for students of history and lovers of the arts. “This book is fascinating to read because of the abundant quotations which bring to life so many remarkable individuals.”–The New York Review of Books
Publisher: New York Review of Books
ISBN: 9781590172131
Category : Art
Languages : en
Pages : 460
Book Description
A rare art history classic that The New York Times calls a “delightful, scholarly and gossipy romp through the character and conduct of artists from antiquity to the French Revolution.” Born Under Saturn is a classic work of scholarship written with a light and winning touch. Margot and Rudolf Wittkower explore the history of the familiar idea that artistic inspiration is a form of madness, a madness directly expressed in artists’ unhappy and eccentric lives. This idea of the alienated artist, the Wittkowers demonstrate, comes into its own in the Renaissance, as part of the new bid by visual artists to distinguish themselves from craftsmen, with whom they were then lumped together. Where the skilled artisan had worked under the sign of light-fingered Mercury, the ambitious artist identified himself with the mysterious and brooding Saturn. Alienation, in effect, was a rung by which artists sought to climb the social ladder. As to the reputed madness of artists—well, some have been as mad as hatters, some as tough-minded as the shrewdest businessmen, and many others wildly and willfully eccentric but hardly crazy. What is certain is that no book presents such a splendid compendium of information about artists’ lives, from the early Renaissance to the beginning of the Romantic era, as Born Under Saturn. The Wittkowers have read everything and have countless anecdotes to relate: about artists famous and infamous; about suicide, celibacy, wantonness, weird hobbies, and whatnot. These make Born Under Saturn a comprehensive, quirky, and endlessly diverting resource for students of history and lovers of the arts. “This book is fascinating to read because of the abundant quotations which bring to life so many remarkable individuals.”–The New York Review of Books
Painting in Renaissance Florence, 1500-1550
Author: David Franklin
Publisher: Yale University Press
ISBN: 0300083998
Category : Art
Languages : en
Pages : 292
Book Description
Franklin's unprecedented examination of Vasari's work as a painter in relation to his vastly better-known writings fully illuminates these dual strands in Florentine art and offers us a clearer understanding of sixteenth-century painting in Florence than ever before." "The volume focuses on twelve painters: Perugino, Leonardo de Vinci, Piero di Cosimo, Michelangelo, Fra Bartolomeo, Ridolfo Ghirlandaio, Andrea del Sarto, Franciabigio, Rosso Fiorentino, Jacopo da Pontormo, Francesco Salviati and Giorgio Vasari."--BOOK JACKET.
Publisher: Yale University Press
ISBN: 0300083998
Category : Art
Languages : en
Pages : 292
Book Description
Franklin's unprecedented examination of Vasari's work as a painter in relation to his vastly better-known writings fully illuminates these dual strands in Florentine art and offers us a clearer understanding of sixteenth-century painting in Florence than ever before." "The volume focuses on twelve painters: Perugino, Leonardo de Vinci, Piero di Cosimo, Michelangelo, Fra Bartolomeo, Ridolfo Ghirlandaio, Andrea del Sarto, Franciabigio, Rosso Fiorentino, Jacopo da Pontormo, Francesco Salviati and Giorgio Vasari."--BOOK JACKET.
Master Drawings from the Yale University Art Gallery
Author: Yale University (New Haven, Conn.). Art Gallery
Publisher: Yale University Press
ISBN: 0300114338
Category : Art
Languages : en
Pages : 316
Book Description
This beautiful and important book highlights the collection of European drawings at the Yale University Art Gallery, one of America's premier university museums. From intimate studies to exquisite finished compositions, this selection of works documents the history of European drawing practices beginning with late-medieval model books and progressing to the verge of the modern period. The accompanying text--written by a team of scholars--offers a unique introduction to various critical and technical aspects of the study of master drawings, brought to life through drawings from a range of national schools and in a variety of media. Among the drawings examined in this handsomely produced volume are an animated pen and ink sketch by Giulio Romano, a pastoral landscape by Claude Lorrain, a forceful and humorous caricature by Guercino, a scene from the epic poem Orlando Furioso by Jean-Honoré Fragonard, and a delicate portrait by Edgar Degas.
Publisher: Yale University Press
ISBN: 0300114338
Category : Art
Languages : en
Pages : 316
Book Description
This beautiful and important book highlights the collection of European drawings at the Yale University Art Gallery, one of America's premier university museums. From intimate studies to exquisite finished compositions, this selection of works documents the history of European drawing practices beginning with late-medieval model books and progressing to the verge of the modern period. The accompanying text--written by a team of scholars--offers a unique introduction to various critical and technical aspects of the study of master drawings, brought to life through drawings from a range of national schools and in a variety of media. Among the drawings examined in this handsomely produced volume are an animated pen and ink sketch by Giulio Romano, a pastoral landscape by Claude Lorrain, a forceful and humorous caricature by Guercino, a scene from the epic poem Orlando Furioso by Jean-Honoré Fragonard, and a delicate portrait by Edgar Degas.
Parmigianino
Author: David Ekserdjian
Publisher: Yale University Press
ISBN: 0300108273
Category : Art
Languages : en
Pages : 328
Book Description
The definitive book on one of the most original and inventive artists of the Renaissance period
Publisher: Yale University Press
ISBN: 0300108273
Category : Art
Languages : en
Pages : 328
Book Description
The definitive book on one of the most original and inventive artists of the Renaissance period