Rosie Lee Tompkins PDF Download

Author: Lawrence Rinder
Publisher:
ISBN: 9780983881384
Category :
Languages : en
Pages : 206

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Author: Rosie Lee Tompkins
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 36

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Author: Sherri Lynn Wood
Publisher: Abrams
ISBN: 1683351886
Category : Crafts & Hobbies
Languages : en
Pages : 561

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Book Description
An exciting new approach for beginning to advanced quilters who want to improvise on their own, with a friend, or with a community of fellow makers. Forget step-by-step instructions and copycat designs. In The Improv Handbook for Modern Quilters, Sherri Lynn Wood presents a flexible approach to quilting that breaks free of old paradigms. Instead of traditional instructions, she presents 10 frameworks (or scores) that create a guiding, but not limiting, structure. To help quilters gain confidence, Wood also offers detailed lessons for stitching techniques key to improvisation, design and spontaneity exercises, and lessons on color. Every quilt made from one of Wood’s scores will have common threads, but each one will look different because it reflects the maker’s unique interpretation. Featured throughout the book are Wood’s own quilts and a gallery of contributor works chosen from among the hundreds submitted when she invited volunteers to test her scores during the making of this groundbreaking work. “Wood offers a series of techniques, guidelines and lessons on color choice for those ready to explore improvisational quilting. Her book is loaded with full-color photos and examples to inspire.” —Dallas Morning News “Despite how it may “seam,” quilting isn’t all about rules! Quilting can be an exhilarating way to channel your creativity and express yourself. This book is focused more on exploration than explanation—a perfect mindset for beginners!” —Powell’s Books Staff Pick

Author: Heather Jones
Publisher: Abrams
ISBN: 168335558X
Category : Crafts & Hobbies
Languages : en
Pages : 164

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Book Description
The renowned Ohio quilt artist draws on places and objects in her daily life to craft beautiful modern quilts, encouraging your own creative journey. For Heather Jones, inspiration can be anywhere. For her debut book, Quilt Local, she designed a collection of twenty quilts, each inspired by objects and places close to home—country roads, cityscapes, street signs—the landscape of her existence. Then, in a fascinating exercise in color theory and design play, she reworked each one in a second palette to show what a striking difference just a few basic changes can make. Pattern by pattern, Jones takes readers behind the scenes of her process, sharing photographs of her sources of inspiration, sketchbook pages, and the finished quilts. In addition, she offers an accessible lesson in color theory as it applies to quiltmaking. “Jones, founder of the Cincinnati Modern Quilt Guild, translates architecture into quilt patterns that have ‘a strong visual component’ . . . The simplicity of her designs is well suited for beginners, while the modern aesthetic will attract more experienced quilters.” —Publishers Weekly “The author takes quilters inside her studio for a firsthand look at her process for designing and piecing . . . Modern quilters who enjoy a minimalist style are likely familiar with Jones’s work and will appreciate the insights into her process. The presentation is reminiscent of Denyse Schmidt’s Modern Quilts, Traditional Inspiration.” —Library Journal

Author: Lynne Cooke
Publisher: University of Chicago Press
ISBN: 9780226522272
Category : Art and society
Languages : en
Pages : 396

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Book Description
Some 250 works explore three distinct periods in American history when mainstream and outlier artists intersected, ushering in new paradigms based on inclusion, integration, and assimilation. The exhibition aligns work by such diverse artists as Charles Sheeler, Christina Ramberg, and Matt Mullican with both historic folk art and works by self-taught artists ranging from Horace Pippin to Janet Sobel and Joseph Yoakum. It also examines a recent influx of radically expressive work made on the margins that redefined the boundaries of the mainstream art world, while challenging the very categories of "outsider" and "self-taught." Historicizing the shifting identity and role of this distinctly American version of modernism's "other," the exhibition probes assumptions about creativity, artistic practice, and the role of the artist in contemporary culture. The exhibition is curated by Lynne Cooke, senior curator, special projects in modern art, National Gallery of Art.--Provided by publisher.

Author: Ron Nagle
Publisher: Artbook ] D.A.P.
ISBN: 9780983881339
Category : Art
Languages : en
Pages : 160

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Book Description
An illustrated scholarly publication to accompany the first museum exhibition since 1993 of work made by San Francisco-based artist Ron Nagle. The first major institutional volume on Nagle, it is the book of record on the artist.

Author: John Beardsley
Publisher: Tinwood Books
ISBN: 9780965376648
Category : Art
Languages : en
Pages : 200

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Since the 19th century, the women of Gee s Bend in southern Alabama have created stunning, vibrant quilts. Beautifully illustrated with 110 color illustrations, The Quilts of Gee s Bend includes a historical overview of the two hundred years of extraordinary quilt-making in this African-American community, its people, and their art-making tradition. This book is being.released in conjunction with a national exhibition tour including The Museum of Fine Art, Houston, and the Whitney Museum of American Art."

Author: Nicholas Fox Weber
Publisher: Phaidon
ISBN: 9781838661427
Category : Art
Languages : en
Pages : 0

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Book Description
A spectacular and unprecedented visual biography of the leading pioneers and protagonists of modern art and design Josef - painter, designer, and teacher - and Anni Albers - textile artist and printmaker - are among the twentieth century's most important abstract artists, and this is the first monograph to celebrate the rich creative output and beguiling relationship of these two masters in one elegant volume. It presents their life and work as never before, from their formative years at the Bauhaus in Germany to their remarkable influence at Black Mountain College in the United States through their intensely productive period in Connecticut. Accessibly written, the book is packed with more than 750 artworks, archival images, and documents - many published here for the first time - all tracing the remarkable lives and careers of this legendary couple. Dispersed throughout area series of short essays on artists that focuses on the Alberses relationship with a number of important artists and architects of the 20th century, like Ruth Asawa, Marcel Breuer, Merce Cunningham, Philip Johnson, Paul Klee, Jacob Lawrence, and many more. The beautifully cloth-bound package utilizes an elegant color palette and design that speaks to the work of both artists. This comprehensive visual biography showcases the artists' rich and dynamic lives, and their infinite influence on each other, as they shared the profound conviction that art was central to human existence.

Author: Teresa Duryea Wong
Publisher: Schiffer Craft
ISBN: 9780764348747
Category : Crafts & Hobbies
Languages : en
Pages : 0

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Book Description
Discover how quilting came to be a favorite pastime for an estimated 3 million quilters in Japan today, as well as a multimillion-dollar business. For 40 years, Japan looked to America and imported quilts for ideas and inspiration. Now, contemporary Japanese quilters, with their own style, seek inspiration, museum shows, and audiences in the West, while modern-day Western quilters admire the distinct aesthetics of their Japanese counterparts. Meet more than a dozen award-winning quilters, including Yoko Saito, Keiko Goke, Noriko Endo, and Yoshiko Jinzenji. Each has a well-defined, individual style, yet they share the impeccable technical standards common to Japanese artists. Learn the inside stories of former painters, seamstresses, homemakers, graphic designers, and manga artists who have all made careers in quilting. More than 200 photographs show the Japanese artists' quilts and studios, and the antique American quilts that once inspired them.

Author: Eli Leon
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 186

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Book Description
This exuberantly illustrated book celebrates the sophistication, vivacity, and significance of improvisational African-Aemrican quilts, both as artistic achievements and as expressions of African-American traditions. The knowledge, attitudes, and values carried across the Atlantic by enslaved Africans appear to have informed a quiltmaking tradition so powerful that, to this day, it preserves its identity in a special province of African-American quilts. Such "Afro-traditional" quilts are made by people who have no formal art training and who usually do not consider themselves artists; they learned their craft and absorbed its aesthetics by watching and helping their mothers, aunts, and grandmothers who, in turn, learned form previous generations. The resulting--often highly idiosyncratic--quilts call out to be seen as the works of art that they are. The brilliance of this work must be partially credited to a tradition which encourages individual expression and provides a context in which the talents of individual artists can flourish. Improvisation, pervasive in black African art and familiar as a basic element of many African-American musical forms, is a vital force in this tradition. The artists maintain a generous attitude toward the accidental, embracing innovations that originate beyond the conscious domain. they use approximate measurement and "flexible patterning," in which the design, conceived of as a an invitation to variation, will not repeat, but will materialize in a sequence of visual elaborations. Afro-traditional attitudes and methods are antithetical to the standard American quiltmaking tradition--practiced by both whites and blacks--in which great value is placed on precise measurement and exact pattern replication. Instead they bear a keen likeness to the improvisatory practices of the textile-makers of Kongo and West Africa, regions from which American slaves were taken. These antipathies and affinities suggest an enduring African influence on the Afro-traditional quilt.