Rondo in C

Rondo in C PDF Author: Paul Fleischman
Publisher: Harpercollins
ISBN: 9780060218577
Category : Piano
Languages : en
Pages : 29

Book Description
As a young piano student plays Beethoven's Rondo in C at her recital, each member of the audience is stirred by memories.

Adagio and rondo in C minor, K. 617, for piano, flute, oboe, viola and cello

Adagio and rondo in C minor, K. 617, for piano, flute, oboe, viola and cello PDF Author: Wolfgang Amadeus Mozart
Publisher: Alfred Music Publishing
ISBN: 9780769281889
Category : Music
Languages : en
Pages : 36

Book Description
Mozart's Adagio and Rondo (K. 617) was written for the armonica, or musical glasses (a set of tuned glass bowls) and a quartet consisting of flute, oboe, viola, and cello. The music is effective played as an organ solo. The Adagio may be registered "forte," in the style of Mozart's Fantasia (K. 608). The Rondo should be played on the flute stops. Arranged for organ by E. Power Briggs.

First Harp Book

First Harp Book PDF Author: B. Paret
Publisher: Hal Leonard Publishing Corporation
ISBN: 9780793555239
Category : Music
Languages : en
Pages : 40

Book Description
Harp

Days of Rondo

Days of Rondo PDF Author: Evelyn Fairbanks
Publisher: Minnesota Historical Society Press
ISBN: 0873518136
Category : Juvenile Nonfiction
Languages : en
Pages : 196

Book Description
Evelyn Fairbanks lived along Rondo Avenue-the heart of St. Paul's largest black community-from the 1930s through the 1950s. Her memoir tells warm and human stories recalling those years in a vibrant community that vanished with the coming of the freeways in the 1960s.

Adult Piano Adventures Classics Book 2 - Symphony Themes, Opera Gems and Classical Favorites

Adult Piano Adventures Classics Book 2 - Symphony Themes, Opera Gems and Classical Favorites PDF Author: Nancy Faber
Publisher: Hal Leonard Corporation
ISBN: 1616779195
Category : Music
Languages : en
Pages : 80

Book Description
(Faber Piano Adventures ). In this inspiring collection, late-elementary to early-intermediate pianists will find appealing arrangements that advance skills while exploring masterworks of Western music. The famous orchestral, keyboard, and operatic repertoire here spans four periods of music history. In the Baroque & Classical section, discover the elegance of Bach, the beauty of Mozart and the passion of Beethoven. Through the pages of the Romantic & Impressionistic section, sample the lyricism of Chopin, the drama of Grieg, and the atmosphere of Debussy. May the melodies of these and many other composers open an enduring world of expression and sound.

Sonata No. 3 in C Major

Sonata No. 3 in C Major PDF Author: Beethoven
Publisher: Createspace Independent Publishing Platform
ISBN: 9781986949293
Category :
Languages : en
Pages : 34

Book Description
Sonata no. 3 in C major is one of the first three Beethoven's sonatas (opus 2) written in 1795 and dedicated to Joseph Haydn. This UTEXT edition is based on early original editions, which Beethoven personally supervised. The fingerings are provided by the editor.

Piano Pronto

Piano Pronto PDF Author:
Publisher:
ISBN: 9781942751021
Category :
Languages : en
Pages :

Book Description


Easy Classics to Moderns

Easy Classics to Moderns PDF Author: Denes Agay
Publisher: Rt Books
ISBN: 9787288974254
Category : Music
Languages : en
Pages : 0

Book Description
Easy Classics to Moderns Compiled and Edited by Denes Agay These 142 pieces by the masters of piano literature date from the second half of the 17th century to the present day.

The Musical World

The Musical World PDF Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 940

Book Description


Elements of Sonata Theory

Elements of Sonata Theory PDF Author: James Hepokoski
Publisher: Oxford University Press
ISBN: 0198033451
Category : Music
Languages : en
Pages : 692

Book Description
Elements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, and concertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated as constellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may be assessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and of grasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos.