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Author: Olivia Hussey Publisher: Kensington Publishing Corporation ISBN: 1496717082 Category : Biography & Autobiography Languages : en Pages : 353
Book Description
"In 1968, Olivia Hussey became one of the most famous faces in the world, immortalized as the definitive Juliet in Franco Zeffirelli's Romeo & Juliet. Now the iconic girl on the balcony shares the ups and downs of her truly remarkable life and career ... In this candid memoir, Olivia Hussey tells her story: from being an "It Girl" in swinging 60s London and her enduring friendship with Romeo & Juliet co-star Leonard Whiting, through three tumultuous marriages, motherhood, stage-four breast cancer, debilitating agoraphobia, bankruptcy, and ultimately, a journey of self-discovery in India that led her on a path to fulfillment"--Back cover
Author: Olivia Hussey Publisher: Kensington Publishing Corporation ISBN: 1496717082 Category : Biography & Autobiography Languages : en Pages : 353
Book Description
"In 1968, Olivia Hussey became one of the most famous faces in the world, immortalized as the definitive Juliet in Franco Zeffirelli's Romeo & Juliet. Now the iconic girl on the balcony shares the ups and downs of her truly remarkable life and career ... In this candid memoir, Olivia Hussey tells her story: from being an "It Girl" in swinging 60s London and her enduring friendship with Romeo & Juliet co-star Leonard Whiting, through three tumultuous marriages, motherhood, stage-four breast cancer, debilitating agoraphobia, bankruptcy, and ultimately, a journey of self-discovery in India that led her on a path to fulfillment"--Back cover
Author: Douglas Brode Publisher: Oxford University Press ISBN: 019972802X Category : Performing Arts Languages : en Pages : 268
Book Description
Shakespeare is now enjoying perhaps his most glorious--certainly his most popular--filmic incarnation. Indeed, the Bard has been splashed across the big screen to great effect in recent adaptations of Hamlet, Henry V, Othello, Twelfth Night, Romeo and Juliet, Much Ado About Nothing, Richard II, A Midsummer Night's Dream, and of course in the hugely successful Shakespeare in Love. Unlike previous studies of Shakespeare's cinematic history, Shakespeare in the Movies proceeds chronologically, in the order that plays were written, allowing the reader to trace the development of Shakespeare as an author--and an auteur--and to see how the changing cultural climate of the Elizabethans flowered into film centuries later. Prolific film writer Douglas Brode provides historical background, production details, contemporary critical reactions, and his own incisive analysis, covering everything from the acting of Marlon Brando, Laurence Olivier, Richard Burton, and Gwyneth Paltrow, to the direction of Orson Welles, Kenneth Branagh, and others. Brode also considers the many films which, though not strict adaptations, contain significant Shakespearean content, such as West Side Story and Kurosawa's Ran and Throne of Blood. Nor does Brode ignore the ignoble treatment the master has sometimes received. We learn, for instance, that the 1929 version of The Taming of the Shrew (which featured the eyebrow-raising writing credit: "By William Shakespeare, with additional dialogue by Sam Taylor"), opens not so trippingly on the tongue--PETRUCHIO: "Howdy Kate." KATE: "Katherine to you, mug." For anyone wishing to cast a backward glance over the poet's film career and to better understand his current big-screen popularity, Shakespeare in the Movies is a delightful and definitive guide.
Author: Paul Du Noyer Publisher: Hachette UK ISBN: 1473609038 Category : Biography & Autobiography Languages : en Pages : 335
Book Description
In June 1989, Paul Du Noyer was contacted by Paul McCartney's office in London and asked to interview the star as they had met once before and enjoyed a good raport. In the years that followed, Paul Du Noyer continued to meet, interview and work for Paul McCartney on a regular basis, producing magazine articles, tour programmes, album liner notes, press materials and website editorial. It's likely that Du Noyer has spent more hours in formal, recorded conversation with McCartney than any other writer. Conversations with McCartney is the culmination of Du Noyer's long association with McCartney and his music. It draws from their interview sessions across 35 years, coupling McCartney's own, candid thoughts with his observations and analysis.
Author: Bradford Tatum Publisher: HarperCollins ISBN: 0062428764 Category : Fiction Languages : en Pages : 265
Book Description
“Classic horror buffs will race through this novel that blends historical fiction with uncanny elements of the gothic. A perfect read for Halloween.” —BookPage With Lon Cheney and Boris Karloff among its characters, this sweeping and stylish love letter to the golden age of horror cinema tells the wonderful, tragic story of Maddy Ulm. It takes readers through her rise from the complicated shadows of Berlin’s first experiments with expressionist cinema to the glamorous deserts of Hollywood. For Maddy has a secret. A secret that has given her incredible insight into the soul of horror. A secret that has a terrible price as well. A young girl awakens in a hastily dug grave—vague memories of blood and fever, her mother performing a mysterious ceremony before the world went away. Germany has lost the first great war and Europe has lost millions more to the Spanish Flu epidemic. But Maddy has not only survived, she has changed. No longer does she eat, sleep, or age. No longer can she die. After taking up with a pair of street performers, she shocks and fascinates the crowds with her ability to survive outrageous traumas. But at a studio in Berlin, Maddy discovers her true calling: film. With her intimate knowledge of fear, death, and realms beyond the living, she practically invents the modern horror genre on the spot. Before long, she travels to California and insinuates herself in Hollywood as the genius secretly behind The Phantom of the Opera, Dracula, and Frankenstein. And yet she must remain in the shadows—a chilling apparition suspended eternally between worlds. Clever, tragic, and thoroughly entertaining, Only the Dead Know Burbank introduces readers to one of the most unique, unforgettable characters in fiction.
Author: Stephen M. Buhler Publisher: State University of New York Press ISBN: 0791489752 Category : Social Science Languages : en Pages : 227
Book Description
Offering a comprehensive look at the strategies that filmmakers have employed in adapting Shakespeare's plays to the cinema, this book investigates what the task of Shakespearean adaptation reveals about film in general and focuses on patterns and approaches shared by various cinematic works. Buhler provides concise histories of each general strategy, which include non-illusionistic cinema, documentary interpretations, mass-market productions, transgressive and transnational cinema, and approaches that see film as either distinct from the stage or as an extension of theatrical traditions. The book spans more than a century of film, starting with the 1899 King John and extending through Michael Hoffman's A Midsummer Night's Dream, Julie Taymor's Titus, and later releases.
Author: Bodo Heil Publisher: GRIN Verlag ISBN: 3638269809 Category : Literary Criticism Languages : en Pages : 74
Book Description
Examination Thesis from the year 2002 in the subject English Language and Literature Studies - Literature, grade: 1,3 (A), University of Trier (English Department Trier), language: English, abstract: The paper is organised in three main parts, theoretics, application and evaluation. The first part will deal with issues necessary to fully apprehend Shakespearean moviemaking. I will examine the history of it and explain what made the two films discussed herein possible and what eventually led to them. Furthermore, I will depict the two directors’ different backgrounds and how they lead on to their individual styles. I will consider some other films that have paved the way for Zeffirelli and Luhrmann. A chapter is dedicated to the filmic realisation, which will consider the cuts, rearrangements and general approach of the films and their directors. These issues will be confirmed by the secondary literature used herein. The second part will apply these issues to single and in my opinion particularly revealing film-scenes, which will be examined to perceive Zeffirelli’s and Luhrmann’s access to the characters, early and latter scientific reception and how Zeffirelli’s approach might differ due to the times his motion picture was made in and how both may or may not have succeeded in mirroring its times. The second part will thus rely on my interpretation and less on secondary literature. The third part will try to bring these perceptions to a conclusive evaluation. These are subjective and thus liable to objection. They cannot be universally valid, but since I am dealing with art, nothing is. Luhrmann was obviously firmly affected by Zeffirelli’s work, and moreover used it as a guiding line for his film, which gives rise to the question, if he was merely an epigone, or maybe rather struck by Zeffirelli’s scenic ideas as being plausible and practical. This is a question which I shall seek to respond to, if I cannot answer it, in the progress of this paper. Furthermore, I will try to point out Morris’s2 dictum, that Shakespeare movies are an art form and a genre in their own right and should not be confused with or compared to a theatrical production of Shakespeare, but have an aesthetic language of their own. [...] 2 Morris, Peter. Shakespeare On Film. Canadian Film Institute/Institut canadien du film. Ottawa: 1972
Author: Olivia Hussey
Author: Olivia Hussey
Author: 
Author: Alan Denson
Author: George Henry Lewes
Author: William Shakespeare
Author: Douglas Brode
Author: Paul Du Noyer
Author: Bradford Tatum
Author: Stephen M. Buhler
Author: Bodo Heil