Author: Walter Taylor FieldPublisher:
ISBN:
Category : Rome (Italy)
Languages : en
Pages : 316
Book Description
Rome: The Rome of the popes and the Rome of the artists
Author: Walter Taylor FieldPublisher:
ISBN:
Category : Rome (Italy)
Languages : en
Pages : 316
Book Description
The Artist and the Eternal City
Author: Loyd GrossmanPublisher: Simon and Schuster
ISBN: 1643137417
Category : History
Languages : en
Pages : 256
Book Description
This brilliant vignette of seventeenth-century Rome, its Baroque architecture, and its relationship to the Catholic Church brings to life the friendship between a genius and his patron with an ease of writing that is rare in art history. By 1650, the spiritual and political power of the Catholic Church was shattered. Thanks to the twin blows of the Protestant Reformation and the Thirty Years War, Rome—celebrated both as the Eternal City and Caput Mundi (the head of the world)—had lost its preeminent place in Europe. Then a new Pope, Alexander VII, fired with religious zeal, political guile, and a mania for creating new architecture, determined to restore the prestige of his church by making Rome the key destination for Europe's intellectual, political, and cultural elite. To help him do so, he enlisted the talents of Gianlorenzo Bernini, already celebrated as the most important living artist—no mean feat in the age of Rubens, Rembrandt, and Velazquez.
Rome
Author: Marcia B. HallPublisher: Cambridge University Press
ISBN: 9780521624459
Category : Art
Languages : en
Pages : 424
Book Description
Publisher Description
The Renaissance in Rome
Author: Charles L. StingerPublisher: Indiana University Press
ISBN: 9780253334916
Category : History
Languages : en
Pages : 490
Book Description
From the middle of the fifteenth century a distinctively Roman Renaissance occurred. A shared outlook, a persistent set of intellectual concerns, similar cultural assumptions and a commitment to common ideological aims bound Roman humanists and artists to a uniquely Roman world, different from Florence, Venice, and other Italian and European centers.This book provides the first comprehensive portrait of the Roman Renaissance world. Charles Stinger probes the basic attitudes, the underlying values and the core convictions that Rome's intellectuals and artists experienced, lived for, and believed in from Pope Eugenius IV's reign to the Eternal City in 1443 to the sacking of 1527. He demonstrates that the Roman Renaissance was not the creation of one towering intellectual leader, or of a single identifiable group; rather, it embodied the aspirations of dozens of figures, active over an eighty-year period.Stinger illuminates the general aims and character of the Roman Renaissance. Remaining mindful of the economic, social, and political context--Rome's retarded economic growth, the papacy's increasing entanglement in Italian politics, papal preoccupation with the crusade against the Ottomans, and the effects of papal fiscal and administrative practices--Stinger nevertheless maintains that these developments recede in importance before the cultural history of the period. Only in the context of the ideological and cultural commitments of Roman humanists, artists, and architects can one fully understand the motivation for papal policies. Reality for Renaissance Romans was intricately bound up with the notion of Rome's mythic destiny.The Renaissance in Rome is cultural history at its best. It evokes the moods, myths, images, and symbols of the Eternal City, as they are manifested in the Liturgy, ceremony, festivals, oratory, art, and architecture of Renaissance Rome. Throughout, Stinger focuses on a persistent constellation of fundamental themes: the image of the city of Rome, the restoration of the Roman Church, the renewal of the Roman Empire, and the fullness of time. He describes and analyzes the content, meaning, origin, and implications of these central ideas of Roman Renaissance.This book will prove interesting to both Renaissance and Reformation scholars, as well as to general readers, who may have visited (or plan to visit) Rome and have become fascinated and affected by this extraordinary city. "There is no other book like it in any language," says Renaissance historian John O'Malley. "It presents a coherent view of Roman culture....collects and presents a vast amount of information never before housed under one roof. Anyone who teaches the Italian Renaissance," O'Malley stresses, "will have to know this book."
From Raphael to Carracci
Author: Carlo GasparriRome
Author: Walter Taylor FieldPublisher: Palala Press
ISBN: 9781358667558
Category :
Languages : en
Pages : 0
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Roman Art
Author: Nancy Lorraine ThompsonPublisher: Metropolitan Museum of Art
ISBN: 1588392228
Category : Art, Roman
Languages : en
Pages : 218
Book Description
A complete introduction to the rich cultural legacy of Rome through the study of Roman art ... It includes a discussion of the relevance of Rome to the modern world, a short historical overview, and descriptions of forty-five works of art in the Roman collection organized in three thematic sections: Power and Authority in Roman Portraiture; Myth, Religion, and the Afterlife; and Daily Life in Ancient Rome. This resource also provides lesson plans and classroom activities."--Publisher website.
Rome in the Eighth Century
Author: John OsbornePublisher: Cambridge University Press
ISBN: 1108834582
Category : Architecture
Languages : en
Pages : 313
Book Description
A history of Rome in the critical eighth century CE focusing on the evidence of material culture and archaeology.
Byzantine Rome and the Greek Popes
Author: Andrew J. EkonomouPublisher: Lexington Books
ISBN: 0739133861
Category : Religion
Languages : en
Pages : 360
Book Description
Byzantine Rome and the Greek Popes examines the scope and extent to which the East influenced Rome and the Papacy following the Justinian Reconquest of Italy in the middle of the sixth century through the pontificate of Zacharias and the collapse of the exarchate of Ravenna in 752. A combination of factors resulted in the arrival of significant numbers of easterners in Rome, and those immigrants had brought with them a number of eastern customs and practices previously unknown in the city. Greek influence became apparent in art, religious ceremonial and liturgics, sacred music, the rhetoric of doctrinal debate, the growth of eastern monastic communities, and charitable institutions, and the proliferation of the cults of eastern saints and ecclesiastical feast days and, in particular, devotion to the Theotokos or Mother of God. From the late seventh to the middle of the eighth century, eleven of the thirteen Roman pontiffs were the sons of families of eastern provenance. While conceding that over the course of the seventh century Rome indeed experienced the impact of an important Greek element, some scholars of the period have insisted that the degree to which Rome and the Papacy were 'orientalized' has been exaggerated, while others argue that the extent of their 'byzantinization' has not been fully appreciated. The question has also been raised as to whether Rome's oriental popes were responsible for sowing the seeds of separatism from Byzantium and laying the foundation for a future papal state, or whether they were loyal imperial subjects ever steadfast politically, although not always so in matters of the faith, to the reigning sovereign in Constantinople. Finally, there is the important issue of whether one could still speak of a single and undivided imperium Roman christianum in the seventh and early eighth centuries or whether the concept of imperial unity in the epoch following Gregory the Great was a quaint and fanciful fiction as East and West, ignoring and misunderstanding one another, began to go their separate ways. Byzantine Rome and the Greek Popes provides a guide through this complicated and often contradictory history.
The History of Rome in Painting
Author: Maria Theresa CaraccioloPublisher: National Geographic Books
ISBN: 0789211033
Category : Art
Languages : en
Pages : 0
Book Description
A sumptuously illustrated history of Rome, the Eternal City—the capital of Italy and world art—as captured by painters from the Antiquity through the twentieth century, in one luxurious hardcover volume with slipcase. From its ancient status as the jewel of an empire to its modern incarnation as a troubled, yet culturally vibrant European capital, Rome has compelled the imagination of artists for over two thousand years. Now, in The History of Rome in Painting, that entire span is brought to life through the visions of the greatest painters of the past millennium. As two previous Abbeville volumes, The History of Paris in Painting and The History of Venice in Painting, did for their respective cities, Rome provides the most luxurious possible visual presentation of one of the world’s most beautiful places. Editors Maria Teresa Caracciolo and Roselyne de Ayala, with the help of six other expert contributors, guide the reader through the colorful and tumultuous history of the Eternal City, from its humble origins as a village on the Palatine Hill to the cultural explosion of the Renaissance, from its reinvention as the capital of modern Italy to the watershed of the Lateran Treaty and beyond. Here you will find portraits of the city’s most famous and controversial leaders—from Julius Caesar to Mussolini—as well as its long succession of popes and aristocratic families. Depicted also, in brilliant detail, are the city’s architectural and sculptural landmarks: Saint Peter’s Basilica, Trajan’s Column, the Fontana di Trevi, and many more. With its more than three hundred full-color illustrations, including four spectacular gatefolds; its insightful text, written by leading art historians; and its valuable apparatus, including capsule biographies of 175 artists; The History of Rome in Painting is an important achievement in scholarship and publishing and a fitting tribute to the Eternal City. It is a true feast for art lovers, travelers, and historians alike. In art history as in the ancient Empire, "all roads lead to Rome"; here in one volume is the city as generations of painters have sought it, dreamed it, and captured it for all time. Like its predecessors The History of Venice in Painting and The History of Paris in Painting, it belongs in every art lover’s library.