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Author: Shirin Fozi Publisher: Penn State Press ISBN: 0271089172 Category : Art Languages : en Pages : 245
Book Description
Framed by evocative inscriptions, tumultuous historical events, and the ambiguities of Christian death, Romanesque tomb effigies were the first large-scale figural monuments for the departed in European art. In this book, Shirin Fozi explores these provocative markers of life and death, establishing early tomb figures as a coherent genre that hinged upon histories of failure and frustrated ambition. In sharp contrast to later recumbent funerary figures, none of the known European tomb effigies made before circa 1180 were commissioned by the people they represented, and all of the identifiable examples of these tombs were dedicated to individuals whose legacies were fraught rather than triumphant. Fozi draws on this evidence to argue that Romanesque effigies were created to address social rather than individual anxieties: they compensated for defeat by converting local losses into an expectation of eternal victory, comforting the embarrassed heirs of those whose histories were marked by misfortune and offering compensation for the disappointments of the world. Featuring numerous examples and engaging the visual, historical, and theological contexts that inform them, this groundbreaking work adds a fresh dimension to the study of monumental sculpture and the idea of the individual in the northern European Middle Ages. It will appeal to scholars of art history and medieval studies.
Author: Shirin Fozi Publisher: Penn State Press ISBN: 0271089172 Category : Art Languages : en Pages : 245
Book Description
Framed by evocative inscriptions, tumultuous historical events, and the ambiguities of Christian death, Romanesque tomb effigies were the first large-scale figural monuments for the departed in European art. In this book, Shirin Fozi explores these provocative markers of life and death, establishing early tomb figures as a coherent genre that hinged upon histories of failure and frustrated ambition. In sharp contrast to later recumbent funerary figures, none of the known European tomb effigies made before circa 1180 were commissioned by the people they represented, and all of the identifiable examples of these tombs were dedicated to individuals whose legacies were fraught rather than triumphant. Fozi draws on this evidence to argue that Romanesque effigies were created to address social rather than individual anxieties: they compensated for defeat by converting local losses into an expectation of eternal victory, comforting the embarrassed heirs of those whose histories were marked by misfortune and offering compensation for the disappointments of the world. Featuring numerous examples and engaging the visual, historical, and theological contexts that inform them, this groundbreaking work adds a fresh dimension to the study of monumental sculpture and the idea of the individual in the northern European Middle Ages. It will appeal to scholars of art history and medieval studies.
Author: Shirin Fozi Publisher: Penn State University Press ISBN: 9780271087191 Category : Languages : en Pages : 240
Book Description
Framed by evocative inscriptions, tumultuous historical events, and the ambiguities of Christian death, Romanesque tomb effigies are the first figural monuments for the dead found in European art. In this book, Shirin Fozi explores these provocative markers of life and death, establishing early tomb figures as a coherent genre that hinged upon histories of failure and frustrated ambition. In sharp contrast to later recumbent funerary figures, none of the known European tomb effigies made before circa 1180 were commissioned by the people they represented, and all of the identifiable examples of these tombs were dedicated to individuals marked by failure rather than triumph. Drawing on this evidence, Fozi argues that Romanesque effigies were created to address social rather than individual anxieties: they compensated for defeat by converting local losses into an expectation of eternal triumph, comforting the embarrassed heirs of those whose ambitions had failed and offering compensation for the disappointments of the world. Featuring numerous examples and engaging the visual, historical, and theological contexts that inform them, this groundbreaking work adds a fresh dimension to the study of monumental sculpture and the idea of the individual in the northern European Middle Ages. It will appeal to scholars of medieval art history and medieval studies.
Author: Shirin Asgharzadeh Fozi Publisher: ISBN: Category : Languages : en Pages : 672
Book Description
Beyond merely filling a lacuna in our knowledge of European sculpture, this study situates early effigies within the larger discourse that has emerged in contemporary scholarship on the body. Moving systematically through a series of case studies, and centered on the unique proliferation of effigies in the twelfth-century Holy Roman Empire, each chapter asserts that Romanesque effigies were not created for the wealthiest or most powerful members of medieval society, but rather for individuals whose lives and deaths were both problematic and exemplary in the eyes of their local communities. These sculptures compensate for loss, defeat, and untimely death, reassuring audiences that worldly sacrifice would be redeemed through heavenly redemption and eschatological resurrection. These effigies are not personal commissions to ensure individual salvation; they are public monuments with communal goals. Within this framework, this dissertation presents the twelfth-century rise of the medieval tomb effigy as a defining, formative moment in the larger history of representations of the human figure in Western art.
Author: Thomas E. A. Dale Publisher: Penn State Press ISBN: 0271085185 Category : Art Languages : en Pages : 428
Book Description
Pushed to the height of its illusionistic powers during the first centuries of the Roman Empire, sculpture was largely abandoned with the ascendancy of Christianity, as the apparent animation of the material image and practices associated with sculpture were considered both superstitious and idolatrous. In Pygmalion’s Power, Thomas E. A. Dale argues that the reintroduction of architectural sculpture after a hiatus of some seven hundred years arose with the particular goal of engaging the senses in a Christian religious experience. Since the term “Romanesque” was coined in the nineteenth century, the reintroduction of stone sculpture around the mid-eleventh century has been explained as a revivalist phenomenon, one predicated on the desire to claim the authority of ancient Rome. In this study, Dale proposes an alternative theory. Covering a broad range of sculpture types—including autonomous cult statuary in wood and metal, funerary sculpture, architectural sculpture, and portraiture—Dale shows how the revitalized art form was part of a broader shift in emphasis toward spiritual embodiment and affective piety during the late eleventh and twelfth centuries. Adding fresh insight to scholarship on the Romanesque, Pygmalion’s Power borrows from trends in cultural anthropology to demonstrate the power and potential of these sculptures to produce emotional effects that made them an important sensory part of the religious culture of the era.
Author: Stephen Lamia Publisher: Brepols Publishers ISBN: Category : Architecture Languages : en Pages : 300
Book Description
This book examines the interaction between the visual arts at specific loci sancti and saints' cults and, further, to enquire whether a corpus of more unusual motifs appeared at saintly sites, beyond the more predictable narrative, symbolic and conic representations of saints. The papers address the active role saints' tombs and their embellishments assumed within the fabric of medieval society; rituals enacted at saints' burial places, altarpieces, reliquaries, cloister as shrine, the aura of the venerable past, secular burial near saints' tombs, and political and feminist elements in devotional practice.
Author: Gillian B. Elliott Publisher: Taylor & Francis ISBN: 1000603261 Category : Art Languages : en Pages : 255
Book Description
This book explores the issue of ecclesiastical authority in Romanesque sculpture on the portals and other sculpted “gateways” of churches in the north Italian region of Lombardy. Gillian B. Elliott examines the liturgical connection between the ciborium over the altar (the most sacred threshold inside the church), and the sculpted portals that appeared on church exteriors in medieval Lombardy. In cities such as Milan, Civate, Como, and Pavia, the liturgy of Saint Ambrose was practiced as an alternative to the Roman liturgy and the churches were constructed to respond to the needs of Ambrosian liturgy. Not only do the Romanesque churches in these places correspond stylistically and iconographically, but they were also linked politically in an era of intense struggle for ultimate regional authority. The book considers liturgical and artistic links between interior church furnishings and exterior church sculptural programs, and also applies new spatial methodologies to the interior and exterior of churches in Lombardy. The book will be of interest to scholars working in art history, medieval studies, architectural history, and religious studies.
Author: Publisher: BRILL ISBN: 9004527494 Category : History Languages : en Pages : 497
Book Description
Quedlinburg Abbey was one of the oldest and most prestigious women's religious communities in medieval Germany. This essay collection conveys the abbey’s illustrious history, political importance, and cultural significance through studies on, among others, its architecture, rich treasury, and its abbatial effigies.
Author: Brian Gittos Publisher: Oxbow Books ISBN: 178925129X Category : Social Science Languages : en Pages : 512
Book Description
This innovative study examines and analyses the wealth of evidence provided by the monumental effigies of Yorkshire, from the thirteenth and fourteenth centuries, including some of very high sculptural merit. More than 200 examples survive from the historic county in varying states of preservation. Together, they present a picture of the people able to afford them, at a time when the county was frequently at the forefront of national politics and administration, during the Scottish wars. Many monuments display remarkable realism, depicting people as they themselves wished to be remembered, and are accompanied by a great volume of contemporary sculptural and architectural detail. Stylistic analysis of the effigies themselves has been employed, better to understand how they relate to one another and give a firmer basis for their dating and production patterns. They are considered in relation to the history and material culture of the area at the time they were produced. A more soundly based appreciation of the sculptor's intentions and the aspirations of patrons is sought through close attention to the full extent of the visible evidence afforded by the monuments and their surroundings. The corpus is of sufficient size to permit meaningful analysis to shed light on aspects such as personal aspiration, social networks, patterns of supply and production, piety and wealth. It demonstrates the value of funerary monuments to the wider understanding of medieval society. The text will be accompanied by a comprehensive catalogue, making available a substantial body of research for the first time. The study considers the relationship between the monuments and related sculpture, architecture, painting, glass etc, together with contemporary documentary evidence, where it is available. This material and the underlying methodology are now available to illuminate monuments of the medieval period across the whole country. Its methods and messages extend understanding of all monuments, broadening its potential audience from the purely local to everyone concerned with medieval sculpture and church archaeology.
Author: Ron Baxter Publisher: Routledge ISBN: 0429509308 Category : Social Science Languages : en Pages : 444
Book Description
The British Archaeological Association Conference held at Peterborough in 2015 provided a welcome opportunity for a new analysis of the cathedral’s architecture, sculpture and artistic production, and a reassessment of the relationship between the former abbey, the city and its institutions, and the Soke over which it held sway. This ambitious volume casts new light on the Roman occupation of the Nene valley, and the rich Anglo-Saxon sculptural and manuscript context that preceded the construction of the present cathedral, as well as exploring the vital Romanesque tradition of the Soke and the essential contribution of the Barnack quarries. But inevitably the most exciting new disclosures concern the church: its high-quality building campaigns during the 12th to 16th centuries, its abbots’ tombs and the reconstruction of the lost 14th-century High Altar screen from descriptions and loose fragments. Peterborough has attracted the attention of antiquarian scholars since its sacking by Cromwell’s men during the Civil War, and as its secrets are gradually revealed it continues to stimulate the historical imagination.
Author: Shirin Fozi
Author: Shirin Fozi
Author: Shirin Fozi
Author: Shirin Asgharzadeh Fozi
Author: Thomas E. A. Dale
Author: Stephen Lamia
Author: Jamie L. Reuland
Author: Gillian B. Elliott
Author: 
Author: Brian Gittos
Author: Ron Baxter