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Author: Mary Ellen Lamb Publisher: Routledge ISBN: 1135895252 Category : Drama Languages : en Pages : 274
Book Description
This collection recovers the continuities between two modes of romance that have long been separated from one another in critical discourse: the prose fictions that early moderns often referred to as romances, and Shakespeare's late plays, which have often been termed 'romances' since Dowden.
Author: Kristina Adams Publisher: Kristina Adams ISBN: Category : Fiction Languages : en Pages : 338
Book Description
The will they won't they love story about fame, addiction, and how far we'll go for love From Kristina Adams, author of the bestselling What Happens in… series comes the first book in the prequel companion series Hollywood Gossip. Jump back in time to when Tate and Jack were in their late teens, trying to transition from child stars to megastars. Follow them on their journey as they become friends, enemies, and lovers alongside familiar faces from the What Happens in Hollywood Universe and new ones you’re going to love. Tate I’m tired of being seen as—and treated like—a child star. So I’m leaving my management company. And the country. It’s time for a fresh start. If only the rest of the world agreed… Jack I’ve officially made it as a DJ! I’m doing a residency in Ibiza, the home of dance music! Can it get much better than a summer of music, sunshine, and parties? But how can I resist the nerve-ending supply of drink and drugs in the clubbing capital of Europe? Hollywood Drama is part three of the Hollywood Gossip series by Kristina Adams. If you're looking for a serial will they/won't they romantic drama about love, hate, and the pressures of fame, you won't find one that's more of a rollercoaster read than this. There's no guarantee of a happy ending for Tate and Jack at the end of each book, but there is at the end of the series.
Author: Howard Felperin Publisher: Princeton University Press ISBN: 1400868300 Category : Drama Languages : en Pages : 333
Book Description
If Shakespeare's last plays—Pericles, Cymbeline, The Winter's Tale, The Tempest, and Henry VIII—are to be neither debunked nor idealized but taken seriously on their own terms, they must be examined within the traditions and conventions of romance. Howard Felperin defines this relatively neglected literary mode and locates these plays within it. But, as he shows, romance was not simply an established genre in which Shakespeare worked at both the beginning and end of his career but a mode of perceiving the world that pervades and shapes his entire work. The last plays are examined to answer such questions as: How does Shakespeare raise to a higher power the conventions of romance available to him, particularly those of the native medieval drama? How does he bring us to accept these elements of romance? Above all, how does romance, the mode in which the imagination enjoys its freest expression, become the vehicle, not of beautiful, escapist fantasy but of moral truth? Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.