Author: Jennifer L. Ferriss-Hill Publisher: Cambridge University Press ISBN: 1107081548 Category : History Languages : en Pages : 313
Book Description
This volume demonstrates that distinctive features of Roman satire found in the writings of Lucilius, Horace, and Persius derived from Greek Old Comedy.
Author: Jennifer L. Ferriss-Hill Publisher: Cambridge University Press ISBN: 1316240789 Category : History Languages : en Pages : 313
Book Description
Quintilian famously claimed that satire was tota nostra, or totally ours, but this innovative volume demonstrates that many of Roman satire's most distinctive characteristics derived from ancient Greek Old Comedy. Jennifer L. Ferriss-Hill analyzes the writings of Lucilius, Horace, and Persius, highlighting the features that they crafted on the model of Aristophanes and his fellow poets: the authoritative yet compromised author; the self-referential discussions of poetics that vacillate between defensive and aggressive; the deployment of personal invective in the service of literary polemics; and the abiding interest in criticizing individuals, types, and language itself. The first book-length study in English on the relationship between Roman satire and Old Comedy, Roman Satire and the Old Comic Tradition will appeal to students and researchers in classics, comparative literature, and English.
Author: Jennifer Laura Ferriss Publisher: ISBN: Category : Languages : en Pages : 474
Book Description
This dissertation argues that Horace constructed his satiric idiom in large part from Attic Old Comedy. Chapter 1 establishes the keen interest in the dramatic genres, particularly Old Comedy, evinced throughout Horace's Satires, Epistles and Ars Poetica . Chapter 2 explores the role of food and the body in Roman Satire and Old Comedy, viewed through Bakhtin. Chapter 3 investigates the similar ways in which Aristophanes and Horace present themselves as intimately tied to the life of the city, and claim for themselves the role of teacher. The final two chapters explore various different manifestations of criticism, and it is here that the notions of poetics and polemics come together. Chapter 4 is devoted to an examination of the "literary response": a device that allows poets to present a defense of their artistic program as if it were a response to criticisms they have received. Chapter 5 argues that in their literary critical activities, Horace and Aristophanes should be understood as separate from the rest of the ancient literary critical corpus, and intimately bound to one another. Throughout these chapters I attribute the points of contact between Old Comedy and Roman Satire to a quality I term their exotericism, that is, outward directedness: as satirists, Horace and Aristophanes are inspired by their surroundings, and engage in relentless dialogue with them.
Author: Catherine Keane Publisher: Oxford University Press ISBN: 0190293047 Category : Literary Criticism Languages : en Pages : 191
Book Description
Satirists are social critics, but they are also products of society. Horace, Persius, and Juvenal, the verse satirists of ancient Rome, exploit this double identity to produce their colorful commentaries on social life and behavior. In a fresh comparative study that combines literary and cultural analysis, Catherine Keane reveals how the satirists create such a vivid and incisive portrayal of the Roman social world. Throughout the tradition, the narrating satirist figure does not observe human behavior from a distance, but adopts a range of charged social roles to gain access to his subject matter. In his mission to entertain and moralize, he poses alternately as a theatrical performer and a spectator, a perpetrator and victim of violence, a jurist and criminal, a teacher and student. In these roles the satirist conducts penetrating analyses of Rome's definitive social practices "from the inside." Satire's reputation as the quintessential Roman genre is thus even more justified than previously recognized. As literary artists and social commentators, the satirists rival the grandest authors of the classical canon. They teach their ancient and modern readers two important lessons. First, satire reveals the inherent fragilities and complications, as well as acknowledging the benefits, of Roman society's most treasured institutions. The satiric perspective deepens our understanding of Roman ideologies and their fault lines. As the poets show, no system of judgment, punishment, entertainment, or social organization is without its flaws and failures. At the same time, readers are encouraged to view the satiric genre itself as a composite of these systems, loaded with cultural meaning and highly imperfect. The satirist who functions as both subject and critic trains his readers to develop a critical perspective on every kind of authority, including his own.
Author: Edwin S. Ramage Publisher: William Andrew ISBN: Category : Literary Collections Languages : en Pages : 230
Book Description
The author concludes that medical decisions are often based on cultural biases and philosophies, suggesting a revaluation of American medical practices is warranted.
Author: Kirk Freudenburg Publisher: Cambridge University Press ISBN: 9780521803595 Category : History Languages : en Pages : 380
Book Description
Satire as a distinct genre of writing was first developed by the Romans in the second century BCE. Regarded by them as uniquely 'their own', satire held a special place in the Roman imagination as the one genre that could address the problems of city life from the perspective of a 'real Roman'. In this Cambridge Companion an international team of scholars provides a stimulating introduction to Roman satire's core practitioners and practices, placing them within the contexts of Greco-Roman literary and political history. Besides addressing basic questions of authors, content, and form, the volume looks to the question of what satire 'does' within the world of Greco-Roman social exchanges, and goes on to treat the genre's further development, reception, and translation in Elizabethan England and beyond. Included are studies of the prosimetric, 'Menippean' satires that would become the models of Rabelais, Erasmus, More, and (narrative satire's crowning jewel) Swift.
Author: Daniel Hooley Publisher: John Wiley & Sons ISBN: 0470777087 Category : Literary Criticism Languages : en Pages : 204
Book Description
This compact and critically up-to-date introduction to Roman satire examines the development of the genre, focusing particularly on the literary and social functionality of satire. It considers why it was important to the Romans and why it still matters. Provides a compact and critically up-to-date introduction to Roman satire. Focuses on the development and function of satire in literary and social contexts. Takes account of recent critical approaches. Keeps the uninitiated reader in mind, presuming no prior knowledge of the subject. Introduces each satirist in his own historical time and place – including the masters of Roman satire, Lucilius, Horace, Persius, and Juvenal. Facilitates comparative and intertextual discussion of different satirists.
Author: Ralph Rosen Publisher: Oxford University Press ISBN: 9780198042341 Category : Literary Criticism Languages : en Pages : 312
Book Description
Making Mockery explores the dynamics of comic mockery and satire in Greek and Roman poetry, and argues that poets working with such material composed in accordance with shared generic principles and literary protocols. It encourages a synoptic, synchronic view of such poetry, from archaic iambus through Roman satire, and argues that if we can appreciate the abstract poetics of mockery that governs individual poets in such genres, we can we better understand how such poetry functioned in its own historical moment. Rosen examines in particular the various strategies deployed by ancient satirical poets to enlist the sympathies of a putative audience, convince them of the justice of their indignation and the legitimacy of their personal attacks. The mocking satirist at the height of his power remains elusive and paradoxical--a figure of self-constructed abjection, yet arrogant and sarcastic at the same time; a figure whose speech can be self-righteous one moment, but scandalous the next; who will insist on the "reality" of his poetry, but make it clear that this reality is always mediated by an inescapable movement towards fictionality. While scholars have often, in principle, acknowledged the force of irony, persona-construction and other such devices by which satirists destabilize their claims, very often in practice--especially when considering individual satirists in isolation from others--they too succumb to the satirist's invitation to take what he says at face value. Despite the sophisticated critical tools they may bring to bear on satirical texts, therefore, classicists still tend to treat such poets ultimately as monochromatically indignant, vindictive individuals on a genuine self-righteous mission. This study, however, argues that that a far subtler analysis of the aggressive, poeticized subject in Classical antiquity--its target, and its audience--is called for.
Author: Horace Publisher: Cambridge University Press ISBN: 100904026X Category : History Languages : en Pages : 368
Book Description
The satires explored in this volume are some of the trickiest poems of ancient Rome's trickiest poet. Horace was an ironist, sneaky smart, and prone to hiding things under the surface. His Latin is dense and difficult. The challenges posed by these satires are especially acute because their voices, messages, and stylistic habits are many, and their themes range from the poet's anxieties about the limits of satiric free speech in the first poem to the ridiculous excesses of an outrageously overdone dinner party in the last. For students working at intermediate and advanced levels of Latin, this book makes the satires of Horace's second book of Sermones readable by explaining difficult issues of grammar, syntax, word-choice, genre, period, and style. For scholars who already know these poems well, it offers fresh insights into what satire is, and how these poems communicate as uniquely 'Horatian' expressions of the genre.
Author: Jennifer L. Ferriss-Hill
Author: Jennifer L. Ferriss-Hill
Author: Jennifer Laura Ferriss
Author: Catherine Keane
Author: Edwin S. Ramage
Author: Kirk Freudenburg
Author: Daniel Hooley
Author: Ralph Rosen
Author: 
Author: Horace