Roman Oratorio 1770-1800 PDF Download

Author: Joyce L. Johnson
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 360

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Author: Music History and Literature San Francisco Conservatory of Music John Spitzer Chair
Publisher: Oxford University Press, USA
ISBN: 9780199719914
Category : Music
Languages : en
Pages : 670

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This is the story of the orchestra, from 16th-century string bands to the "classical" orchestra of Haydn, Mozart, and Beethoven. Spitzer and Zaslaw document orchestral organization, instrumentation, social roles, repertories, and performance practices in Europe and the American colonies, concluding around 1800 with the widespread awareness of the orchestra as a central institution in European life.

Author: Howard E. Smither
Publisher: UNC Press Books
ISBN: 0807836613
Category : History
Languages : en
Pages : 740

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The Oratorio in the classical Era is the third volume of Howard Smither's monumental History of the Oratorio, continuing his synthesis and critical appraisal of the oratorio. His comprehensive study surpasses in scope and treatment all previous works on the subject. A fourth and final volume, on the oratorio in the nineteenth and twentieth centuries, is forthcoming. In this volume Smither discusses the Italian oratorio from the 1720s to the early nineteenth century and oratorios from other parts of Europe from the 1750s to the nineteenth century. Drawing on works that represent various types, languages, and geographical areas, Smither treats the general characteristics of oratorio libretto and music and analyzes twenty-two oratorios from Italy, England, Germany, France, and Russia. He synthesizes the results of specialized studies and contributes new material based on firsthand study of eighteenth-century music manuscripts and printed librettos. Emphasizing the large number of social contexts within which oratorios were heard, Smither discussed examples in Italy such as the Congregation of the Oratory, lay contrafraternities, and educational institutions. He examines oratorio performances in German courts, London theaters and English provincial festivals, and the Parisian Concert spirituel. Though the volume concentrates primarily on eighteenth-century oratorio from the early to the late Classical styles, Smither includes such transitional works as the oratorios of Jean-Francios le Seur in Paris and Stepan Anikievich Degtiarev in Moscow. A History of the Oratorio is the first full-length history of the genre since Arnold Schering's 1911 study. In addition to synthesizing current thought about the oratorio, this volume contributes new information on relationships between oratorio librettos and contemporary literary and religious thought, and on the musical differences among oratorios from different geographical-cultural regions. Originally published in 1987. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

Author: John Spitzer
Publisher: Oxford University Press
ISBN: 0198164343
Category : Music
Languages : en
Pages : 635

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This book traces the emergence of the orchestra from 16th-century string bands to the 'classical' orchestra of Haydn, Mozart, Beethoven, and their contemporaries. Ensembles of bowed stringed instruments, several players per part plus continuo and wind instruments, were organized in France in the mid-17th century and then in Rome at the end of the century. The prestige of these ensembles and of the music and performing styles of their leaders, Jean-Baptiste Lully and ArcangeloCorelli, caused them to be imitated elsewhere, until by the late 18th century, the orchestra had become a pan-European phenomenon.Spitzer and Zaslaw review previous accounts of these developments, then proceed to a thoroughgoing documentation and discussion of orchestral organization, instrumentation, and social roles in France, Italy, Germany, England, and the American colonies. They also examine the emergence of orchestra musicians, idiomatic music for orchestras, orchestral performance practices, and the awareness of the orchestra as a central institution in European life.

Author: Tess Knighton
Publisher: BRILL
ISBN: 9004702776
Category : Music
Languages : en
Pages : 583

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Listening to Confraternities offers new perspectives on the contribution of guild and devotional confraternities to the urban phonosphere based on original research and an interdisciplinary approach. Historians of art, architecture, culture, sound, music and the senses consider the ways in which, through their devotional practices, confraternities acted as patrons of music, created their identity through sound and were involved in the everyday musical experience of major cities in early modern Europe. Confraternities have been studied from many different angles, but only rarely as acoustic communities that communicated through sound and whose musical activities delimited the urban spaces in which they were active. Contributors: Nicholas Terpstra, Emanuela Vai, Ana López Suero, Henry Drummond, Ascensión Mazuela-Anguita, Ferrán Escrivà-Llorca, Noel O’Regan, Magnus Williamson, Xavier Torres Sans, Erika Honisch, Alexander Fisher, Konrad Eisenbichler, Daniele Filippi, Dylan Reid, Elisa Lessa, Antonio Ruiz Caballero, Juan Ruiz Jiménez, Sergi González González, and Tess Knighton.

Author: Avery T. Sharp
Publisher: Routledge
ISBN: 0415994195
Category : Music
Languages : en
Pages : 389

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This is an annotated bibliography to books, recordings, videos, and websites on choral music. This book will serve as an excellent tool for librarians, researchers, and scholars in sorting through the massive amount of new material that has appeared since publication of the previous edition.

Author: James Michael Floyd
Publisher: Routledge
ISBN: 1135848203
Category : Music
Languages : en
Pages : 389

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Book Description
This is an annotated bibliography to books, recordings, videos, and websites on choral music. This book will serve as an excellent tool for librarians, researchers, and scholars in sorting through the massive amount of new material that has appeared since publication of the previous edition.

Author: Stanley Sadie
Publisher: University Rochester Press
ISBN: 9780835718332
Category : Music
Languages : en
Pages : 332

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Author: Sabine Ehrmann-Herfort
Publisher: Bärenreiter-Verlag
ISBN: 3761871392
Category : Music
Languages : de
Pages : 496

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Alessandro Scarlattis (1660-1725) Kompositionen decken alle zu seiner Zeit gängigen Gattungen ab. Hauptsächlich in Rom und Neapel war der aus Sizilien stammende Komponist tätig, und dies mit großem Erfolg. Aber auch an anderen Orten Italiens schätzte man seine Musik, sodass Scarlattis vielfältiges und weit verbreitetes Œuvre um 1700 einen prägenden Einfluss auf die musikalische Kultur seines Landes gewann. Der Band präsentiert in methodisch unterschiedlichen Zugangsweisen Scarlattis Schaffen. Dabei richtet sich der Blick nicht nur auf »innermusikalische« Faktoren, sondern bezieht Auftraggeber, Entstehungssituationen sowie die vielfältigen Kontakte, die Scarlatti zu Kulturschaffenden pflegte, als konstituierend mit ein. So entfaltet sich ein umfangreiches Panorama seines an der Tradition orientierten, mitunter auch innovativ vorausweisenden kompositorischen Schaffens.

Author: Bruce Campbell Mac Intyre
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 810

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