Author: Roman Ingarden
Publisher: Universidad Iberoamericana
ISBN: 9789681903992
Category : Literature
Languages : es
Pages : 468
Book Description
The Literary Work of Art
Roman Ingarden's Philosophy of Literature
Author: Wojciech Chojna
Publisher: Value Inquiry Book
ISBN: 9789004357129
Category : Philosophy
Languages : en
Pages : 181
Book Description
Ingarden's relevance today -- Introduction to the concept of identity -- Some traditional approaches -- Ingarden's general ontology -- Nature and identity of a literary work in American aesthetics -- Nelson Goodman's syntactical identity -- Richard Wolheim's amendment -- Psychologism -- Semantic accounts -- Joseph Margolis's culturally emergent objects -- Phenomenological concept of identity -- Identity of a perceptual object -- The concept of intentionality -- The Concept of constitution -- Ideality and identity of the objectivities of understanding -- Husserl's theory of meaning -- Ingarden's objections to Husserl's transcendental idealism -- Hermeneutic challenges against the possibility of transcendental phenomenology -- Literary work as a schematic structure -- The notion of a 'purely intentional object' -- Schematism -- Structure of a literary work of art -- The stratum of linguistic sound formations -- The stratum of meanings -- Meanings of sentences -- The stratum of presented objects -- The stratum of schematized aspects.
Publisher: Value Inquiry Book
ISBN: 9789004357129
Category : Philosophy
Languages : en
Pages : 181
Book Description
Ingarden's relevance today -- Introduction to the concept of identity -- Some traditional approaches -- Ingarden's general ontology -- Nature and identity of a literary work in American aesthetics -- Nelson Goodman's syntactical identity -- Richard Wolheim's amendment -- Psychologism -- Semantic accounts -- Joseph Margolis's culturally emergent objects -- Phenomenological concept of identity -- Identity of a perceptual object -- The concept of intentionality -- The Concept of constitution -- Ideality and identity of the objectivities of understanding -- Husserl's theory of meaning -- Ingarden's objections to Husserl's transcendental idealism -- Hermeneutic challenges against the possibility of transcendental phenomenology -- Literary work as a schematic structure -- The notion of a 'purely intentional object' -- Schematism -- Structure of a literary work of art -- The stratum of linguistic sound formations -- The stratum of meanings -- Meanings of sentences -- The stratum of presented objects -- The stratum of schematized aspects.
Controversy Over the Existence of the World
Author: Roman Ingarden
Publisher: Polish Contemporary Philosophy and Philosophical Humanities
ISBN: 9783631624104
Category : First philosophy
Languages : en
Pages : 0
Book Description
This is the complete and critical translation into English of Controversy over the Existence of the World by the Polish phenomenologist Roman Ingarden (1893-1970), student and critic of Husserl. Volume I of his three-volume opus magnum offers a fundamental ontological analysis of the modes of being of various types of objects.
Publisher: Polish Contemporary Philosophy and Philosophical Humanities
ISBN: 9783631624104
Category : First philosophy
Languages : en
Pages : 0
Book Description
This is the complete and critical translation into English of Controversy over the Existence of the World by the Polish phenomenologist Roman Ingarden (1893-1970), student and critic of Husserl. Volume I of his three-volume opus magnum offers a fundamental ontological analysis of the modes of being of various types of objects.
Cognition of the Literary Work of Art
Author: Roman Ingarden
Publisher: Northwestern University Press
ISBN: 0810105993
Category : Literary Criticism
Languages : en
Pages : 467
Book Description
This long-awaited translation of Das literarische Kunstwerk makes available for the first time in English Roman Ingarden's influential study. Though it is inter-disciplinary in scope, situated as it is on the borderlines of ontology and logic, philosophy of literature and theory of language, Ingarden's work has a deliberately narrow focus: the literary work, its structure and mode of existence. The Literary Work of Art establishes the groundwork for a philosophy of literature, i.e., an ontology in terms of which the basic general structure of all literary works can be determined. This "essential anatomy" makes basic tools and concepts available for rigorous and subtle aesthetic analysis.
Publisher: Northwestern University Press
ISBN: 0810105993
Category : Literary Criticism
Languages : en
Pages : 467
Book Description
This long-awaited translation of Das literarische Kunstwerk makes available for the first time in English Roman Ingarden's influential study. Though it is inter-disciplinary in scope, situated as it is on the borderlines of ontology and logic, philosophy of literature and theory of language, Ingarden's work has a deliberately narrow focus: the literary work, its structure and mode of existence. The Literary Work of Art establishes the groundwork for a philosophy of literature, i.e., an ontology in terms of which the basic general structure of all literary works can be determined. This "essential anatomy" makes basic tools and concepts available for rigorous and subtle aesthetic analysis.
Roman Ingarden’s Philosophy of Literature
Author: Wojciech Chojna
Publisher: BRILL
ISBN: 9004357181
Category : Philosophy
Languages : en
Pages : 193
Book Description
In Roman Ingarden’s Philosophy of Literature Wojciech Chojna discusses Ingarden’s theory of literary works and develops a phenomenological account of identity which accommodates differences in interpretations and value judgments without succumbing to relativism. The latter is overcome not through falling back on essentialism but from within relativism. Literature offers us diverse experiences changing our perceptions of ourselves and the worlds we live in. Absolutism proclaiming unmitigated access to the meaning of literary texts is intolerant of differences and leads to violence in life. Conversely, relativism, in the illusory spirit of radical tolerance, turns meanings and values into historically contingent, incompatible interpretations, where communication and reconciliation is impossible, thus justifying ideological conflicts and violence.
Publisher: BRILL
ISBN: 9004357181
Category : Philosophy
Languages : en
Pages : 193
Book Description
In Roman Ingarden’s Philosophy of Literature Wojciech Chojna discusses Ingarden’s theory of literary works and develops a phenomenological account of identity which accommodates differences in interpretations and value judgments without succumbing to relativism. The latter is overcome not through falling back on essentialism but from within relativism. Literature offers us diverse experiences changing our perceptions of ourselves and the worlds we live in. Absolutism proclaiming unmitigated access to the meaning of literary texts is intolerant of differences and leads to violence in life. Conversely, relativism, in the illusory spirit of radical tolerance, turns meanings and values into historically contingent, incompatible interpretations, where communication and reconciliation is impossible, thus justifying ideological conflicts and violence.
Phenomenology to the Letter
Author: Philippe P. Haensler
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110652471
Category : Philosophy
Languages : en
Pages : 7
Book Description
Regarding philosophical importance, Edmund Husserl is arguably "the" German export of the early twentieth century. In the wake of the linguistic turn(s) of the humanities, however, his claim to return to the "Sachen selbst" became metonymic for the neglect of language in Western philosophy. This view has been particularly influential in post-structural literary theory, which has never ceased to attack the supposed "logophobie" of phenomenology. "Phenomenology to the Letter. Husserl and Literature" challenges this verdict regarding the poetological and logical implications of Husserl’s work through a thorough re-examination of his writing in the context of literary theory, classical rhetoric, and modern art. At issue is an approach to phenomenology and literature that does not merely coordinate the two discourses but explores their mutual implication. Contributions to the volume attend to the interplay between phenomenology and literature (both fiction and poetry), experience and language, as well as images and embodiment. The volume is the first of its kind to chart a phenomenological approach to literature and literary approach to phenomenology. As such it stands poised to make a novel contribution to literary studies and philosophy.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110652471
Category : Philosophy
Languages : en
Pages : 7
Book Description
Regarding philosophical importance, Edmund Husserl is arguably "the" German export of the early twentieth century. In the wake of the linguistic turn(s) of the humanities, however, his claim to return to the "Sachen selbst" became metonymic for the neglect of language in Western philosophy. This view has been particularly influential in post-structural literary theory, which has never ceased to attack the supposed "logophobie" of phenomenology. "Phenomenology to the Letter. Husserl and Literature" challenges this verdict regarding the poetological and logical implications of Husserl’s work through a thorough re-examination of his writing in the context of literary theory, classical rhetoric, and modern art. At issue is an approach to phenomenology and literature that does not merely coordinate the two discourses but explores their mutual implication. Contributions to the volume attend to the interplay between phenomenology and literature (both fiction and poetry), experience and language, as well as images and embodiment. The volume is the first of its kind to chart a phenomenological approach to literature and literary approach to phenomenology. As such it stands poised to make a novel contribution to literary studies and philosophy.
The Sources of Husserl’s 'Ideas I'
Author: Andrea Staiti
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110551594
Category : Philosophy
Languages : en
Pages : 484
Book Description
Despite an ever-growing scholarly interest in the work of Edmund Husserl and in the history of the phenomenological movement, much of the contemporaneous scholarly context surrounding Husserl's work remains shrouded in darkness. While much has been written about the critiques of Husserl's work associated with Heidegger, Levinas, and Sartre, comparatively little is known of the debates that Husserl was directly involved in. The present volume addresses this gap in scholarship by presenting a comprehensive selection of contemporaneous responses to Husserl's work. Ranging in date from 1906 to 1917, these texts bookend Husserl's landmark Ideas for a Pure Phenomenology and Phenomenological Philosophy (1913). The selection encompasses essays that Husserl responded to directly in the Ideas I, as well as a number of the critical and sympathetic essays that appeared in the wake of its publication. Significantly, the present volume also includes Husserl's subsequent responses to his critics. All of the texts included have been translated into English for the first time, introducing the reader to a wide range of long-neglected material that is highly relevant to contemporary debates regarding the meaning and possibility of phenomenology.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110551594
Category : Philosophy
Languages : en
Pages : 484
Book Description
Despite an ever-growing scholarly interest in the work of Edmund Husserl and in the history of the phenomenological movement, much of the contemporaneous scholarly context surrounding Husserl's work remains shrouded in darkness. While much has been written about the critiques of Husserl's work associated with Heidegger, Levinas, and Sartre, comparatively little is known of the debates that Husserl was directly involved in. The present volume addresses this gap in scholarship by presenting a comprehensive selection of contemporaneous responses to Husserl's work. Ranging in date from 1906 to 1917, these texts bookend Husserl's landmark Ideas for a Pure Phenomenology and Phenomenological Philosophy (1913). The selection encompasses essays that Husserl responded to directly in the Ideas I, as well as a number of the critical and sympathetic essays that appeared in the wake of its publication. Significantly, the present volume also includes Husserl's subsequent responses to his critics. All of the texts included have been translated into English for the first time, introducing the reader to a wide range of long-neglected material that is highly relevant to contemporary debates regarding the meaning and possibility of phenomenology.
The End of Literary Theory
Author: Stein Haugom Olsen
Publisher: Cambridge University Press
ISBN: 0521333261
Category : Literary Criticism
Languages : en
Pages : 246
Book Description
The essays in this collection are concerned with the philosophical problems that arise in connection with the understanding and evaluation of literature - such problems as the relationship between the work and the author (authorial intention), between the work and the world (reference and truth), the definition of a literary work, and the nature of literary theory itself. Professor Olsen attacks many of the orthodoxies of modern literary theory, in particular the enterprise to build a comprehensive systematic literary theory. His own work is informed by a consistent perspective: the assumption that literature is a social institution governed by conventions, and that answers to problems of interpretation and appreciation can be found only through an analysis of these conventions. This is an important book for scholars and students of literary theory and philosophy, especially for those who see an ever-increasing cross-fertilization between the two disciplines.
Publisher: Cambridge University Press
ISBN: 0521333261
Category : Literary Criticism
Languages : en
Pages : 246
Book Description
The essays in this collection are concerned with the philosophical problems that arise in connection with the understanding and evaluation of literature - such problems as the relationship between the work and the author (authorial intention), between the work and the world (reference and truth), the definition of a literary work, and the nature of literary theory itself. Professor Olsen attacks many of the orthodoxies of modern literary theory, in particular the enterprise to build a comprehensive systematic literary theory. His own work is informed by a consistent perspective: the assumption that literature is a social institution governed by conventions, and that answers to problems of interpretation and appreciation can be found only through an analysis of these conventions. This is an important book for scholars and students of literary theory and philosophy, especially for those who see an ever-increasing cross-fertilization between the two disciplines.
Theory of Literature
Author: Rene Wellek
Publisher: Dalkey Archive Press
ISBN: 9781628972832
Category : Criticism
Languages : en
Pages : 0
Book Description
Theory of Literature was born from the collaboration of Ren Wellek, a Vienna-born student of Prague School linguistics, and Austin Warren, an independently minded "old New Critic." Unlike many other textbooks of its era, however, this classic kowtows to no dogma and toes no party line. Wellek and Warren looked at literature as both a social product--influenced by politics, economics, etc.--as well as a self-contained system of formal structures. Incorporating examples from Aristotle to Coleridge, written in clear, uncondescending prose, Theory of Literature is a work which, especially in its suspicion of simplistic explanations and its distrust of received wisdom, remains extremely relevant to the study of literature today.
Publisher: Dalkey Archive Press
ISBN: 9781628972832
Category : Criticism
Languages : en
Pages : 0
Book Description
Theory of Literature was born from the collaboration of Ren Wellek, a Vienna-born student of Prague School linguistics, and Austin Warren, an independently minded "old New Critic." Unlike many other textbooks of its era, however, this classic kowtows to no dogma and toes no party line. Wellek and Warren looked at literature as both a social product--influenced by politics, economics, etc.--as well as a self-contained system of formal structures. Incorporating examples from Aristotle to Coleridge, written in clear, uncondescending prose, Theory of Literature is a work which, especially in its suspicion of simplistic explanations and its distrust of received wisdom, remains extremely relevant to the study of literature today.
Handbook of Phenomenological Aesthetics
Author: Hans Rainer Sepp
Publisher: Springer Science & Business Media
ISBN: 9048124719
Category : Philosophy
Languages : en
Pages : 376
Book Description
Historically, phenomenology began in Edmund Husserl’s theory of mathematics and logic, went on to focus for him on transcendental rst philosophy and for others on metaphysics, philosophical anthropology, and theory of interpretation. The c- tinuing focus has thus been on knowledge and being. But if one began without those interests and with an understanding of the phenomenological style of approach, one might well see that art and aesthetics make up the most natural eld to be approached phenomenologically. Contributions to this eld have continually been made in the phenomenological tradition from very early on, but, so to speak, along the side. (The situation has been similar with phenomenological ethics. ) A great deal of thought about art and aesthetics has nevertheless accumulated during a century and a handbook like the present one is long overdue. The project of this handbook began in conversations over dinner in Sepp’s apa- ment in Baden-Baden at one evening of the hot European summer in the year 2003. As things worked out, he knew more about whom to ask and how much space to allocate to each entry and Embree knew more about how to conduct the inviting, preliminary editing, and prodding of contributors who were late returning their criticized drafts and copyedited entries and was able to invest the time and other resources from his endowed chair. That process took longer than anticipated and there were additional unfortunate delays due to factors beyond the editors’s control.
Publisher: Springer Science & Business Media
ISBN: 9048124719
Category : Philosophy
Languages : en
Pages : 376
Book Description
Historically, phenomenology began in Edmund Husserl’s theory of mathematics and logic, went on to focus for him on transcendental rst philosophy and for others on metaphysics, philosophical anthropology, and theory of interpretation. The c- tinuing focus has thus been on knowledge and being. But if one began without those interests and with an understanding of the phenomenological style of approach, one might well see that art and aesthetics make up the most natural eld to be approached phenomenologically. Contributions to this eld have continually been made in the phenomenological tradition from very early on, but, so to speak, along the side. (The situation has been similar with phenomenological ethics. ) A great deal of thought about art and aesthetics has nevertheless accumulated during a century and a handbook like the present one is long overdue. The project of this handbook began in conversations over dinner in Sepp’s apa- ment in Baden-Baden at one evening of the hot European summer in the year 2003. As things worked out, he knew more about whom to ask and how much space to allocate to each entry and Embree knew more about how to conduct the inviting, preliminary editing, and prodding of contributors who were late returning their criticized drafts and copyedited entries and was able to invest the time and other resources from his endowed chair. That process took longer than anticipated and there were additional unfortunate delays due to factors beyond the editors’s control.