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Author: Mary Celeste Kearney Publisher: Oxford University Press ISBN: 0190297689 Category : Music Languages : en Pages : 256
Book Description
The first book of its kind, Gender & Rock introduces readers to how gender operates in multiple sites within rock culture, including its music, lyrics, imagery, performances, instruments, and business practices. Additionally, it explores how rock culture, despite a history of regressive gender politics, has provided a place for musicians and consumers to experiment with alternate identities and ways of being. Drawing on feminist and queer scholarship in popular music studies, musicology, cultural studies, sociology, performance studies, literary analysis, and media studies, Gender & Rock provides readers with a survey of the topics, theories, and methods necessary for understanding and conducting analyses of gender in rock culture. Via an intersectional approach, the book examines how the gendering of particular roles, practices, technologies, and institutions within rock culture is related to discourses of race, sexuality, age, and class.
Author: Mary Celeste Kearney Publisher: Oxford University Press ISBN: 0190297689 Category : Music Languages : en Pages : 256
Book Description
The first book of its kind, Gender & Rock introduces readers to how gender operates in multiple sites within rock culture, including its music, lyrics, imagery, performances, instruments, and business practices. Additionally, it explores how rock culture, despite a history of regressive gender politics, has provided a place for musicians and consumers to experiment with alternate identities and ways of being. Drawing on feminist and queer scholarship in popular music studies, musicology, cultural studies, sociology, performance studies, literary analysis, and media studies, Gender & Rock provides readers with a survey of the topics, theories, and methods necessary for understanding and conducting analyses of gender in rock culture. Via an intersectional approach, the book examines how the gendering of particular roles, practices, technologies, and institutions within rock culture is related to discourses of race, sexuality, age, and class.
Author: Elizabeth Groeneveld Publisher: Wilfrid Laurier Univ. Press ISBN: 1771121025 Category : Social Science Languages : en Pages : 267
Book Description
Making Feminist Media provides new ways of thinking about the vibrant media and craft cultures generated by Riot Grrrl and feminism’s third wave. It focuses on a cluster of feminist publications—including BUST, Bitch, HUES, Venus Zine, and Rockrgrl—that began as zines in the 1990s. By tracking their successes and failures, this book provides insight into the politics of feminism’s recent past. Making Feminist Media brings together interviews with magazine editors, research from zine archives, and analysis of the advertising, articles, editorials, and letters to the editor found in third-wave feminist magazines. It situates these publications within the long history of feminist publishing in the United States and Canada and argues that third-wave feminist magazines share important continuities and breaks with their historical forerunners. These publishing lineages challenge the still-dominant—and hotly contested— wave metaphor categorization of feminist culture. The stories, struggles, and strategies of these magazines not only represent contemporary feminism, they create and shape feminist cultures. The publications provide a feminist counter-public sphere in which the competing interests of editors, writers, readers, and advertisers can interact. Making Feminist Media argues that reading feminist magazines is far more than the consumption of information or entertainment: it is a profoundly intimate and political activity that shapes how readers understand themselves and each other as feminist thinkers.
Author: Jovana Babovic Publisher: Bloomsbury Publishing USA ISBN: 1628929790 Category : Music Languages : en Pages : 152
Book Description
Sleater-Kinney's 1997 album Dig Me Out is built on Corin Tucker and Carrie Brownstein's competing guitars, Janet Weiss's muscular rhythms, and layered vocals that teeter between an urgent, banshee-like vibrato and a lower accompaniment. Dig Me Out was the band's third studio album, but the first one written and recoded with Weiss. It inaugurated Sleater-Kinney into a lineup that would span its two-decade career. This 33 1/3 follows the narrative of Dig Me Out from its inception in Olympia to its recording in Seattle and its reception across the United States. It's anchored in a short period of time – roughly from mid-1996 to mid-1998 – but it encompasses a series of battles over meaning that continued to preoccupy Sleater-Kinney in the coming decades. The band wrestled with the media about how they would be presented to the public, it contended with technicians about how their sound would be heard in clubs, and they struggled with pervasive social hierarchies about how their work would be understood in popular culture. The only instance where the band didn't have to put up much of a fight was when it came to their fans. The acclaim Sleater-Kinney received from their listeners in the late 1990s, and continue to receive today, speaks to a need for icons who challenged normative notions of culture and gender. This story of Dig Me Out chronicles how Sleater-Kinney won the fight to define themselves on their own terms – as women and as musicians – and, in the process, how they redefined the parameters of rock.
Author: Mina Carson Publisher: University Press of Kentucky ISBN: 0813150108 Category : Music Languages : en Pages : 272
Book Description
With a foreword by Jennifer Baumgardner and Amy Richards Girls Rock! explores the many ways women have defined themselves as rock musicians in an industry once dominated and controlled by men. Integrating history, feminist analysis, and developmental theory, the authors describe how and why women have become rock musicians -- what inspires them to play and perform, how they write, what their music means to them, and what they hope their music means to listeners. As these musicians tell their stories, topics emerge that illuminate broader trends in rock's history. From Wanda Jackson's revolutionary act of picking up a guitar to the current success of independent artists such as Ani DiFranco, Girls Rock! examines the shared threads of these performers' lives and the evolution of women's roles in rock music since its beginnings in the 1950s. This provocative investigation of women in rock is based on numerous interviews with a broad spectrum of women performers -- those who have achieved fame and those just starting bands, those playing at local coffeehouses and those selling out huge arenas. Girls Rock! celebrates what female musicians have to teach about their experiences as women, artists, and rock musicians.
Author: Kristine Weglarz Publisher: Routledge ISBN: 1317078691 Category : Music Languages : en Pages : 267
Book Description
Political Rock features luminary figures in rock music that have stood out not only for their performances, but also for their politics. The book opens with a comparative, cultural history of artists who have played important roles in social movements. Individual chapters are devoted to The Clash and Fugazi, Billy Bragg, Bob Dylan, Rage Against the Machine, Pearl Jam, Sinead O'Connor, Peter Gabriel, Ani DiFranco, Bruce Cockburn, Steve Earle and Kim Gordon. These artists have been chosen for their status as rock musicians and connections to political moments, movements, and art. The artists and authors show that rock retains a critical strain, continuing a tradition of rock politics that matters to fans, activists, and movements alike.
Author: Ronald D. Lankford, Jr. Publisher: Scarecrow Press ISBN: 0810872692 Category : Music Languages : en Pages : 276
Book Description
Women Singer-Songwriters in Rock provides an overview of the women's singer-songwriter movement during the 1990s with detailed analyses of the music of Alanis Morissette, PJ Harvey, Courtney Love, Liz Phair, Tori Amos, Sarah McLachlan, and Sheryl Crow. The book focuses on the exploration of women's issues within the music, examining how the music's feminist content was able to filter into the popular culture.
Author: Janice Eidus Publisher: David R. Godine Publisher ISBN: 9781567920895 Category : Fiction Languages : en Pages : 322
Book Description
This Is The First Anthology of fiction ever published that deals exclusively with the intoxicating urgency, iconic power, and even disturbing underside of rock music, arguably the most influential art form of the past fifty years. In pieces that range from the wildly comic to the achingly poignant, from surreal tales of excess to small moments of human joy and pathos, these 22 stories -- by some of the most exciting American writers currently at work -- celebrate the many sides of rock and roll and its remarkable cultural impact.Among the many gems here are Lee K. Abbott's wild portrait of a delusional, megalomaniacal rock star on his comeback; T. Coraghessan Boyle's wryly comic depiction of a recently deceased guitarist trying to find his way to rock and roll heaven; Kathleen Warnock's wistful tale of a schoolteacher in the 1980s who meets the real Elvis; Janice Eidus's hip romance between a fifties doo-wop singer and his high-school sweetheart; Lucinda Ebersole's fine riff on Kafka's Metamorphosis, in which a nineties guy named Sammy wakes up one morning as a Beatle; and Geoffrey Becker's moving story of a road trip taken by a guitar-playing father and his teenage son, a journey on which they learn the real meaning of the blues.Also included are pieces by Madison Smartt Bell, Rochelle Ratner, Francois Camoin, Bruce Jay Friedman, Jill McCorkle, and ten others.As diverse and exciting as the music that inspired it, It's Only Rock and Roll is both a great collection of fiction and a fresh approach to one of the most enduring, riveting, and creative musical forms of our time.
Author: Judy Davids Publisher: Kensington Publishing Corp. ISBN: 0806535687 Category : Biography & Autobiography Languages : en Pages : 208
Book Description
For Moms About To Rock (We Salute You) When suburban mother of two Judy Davids picked up a guitar and conspired with the neighborhood moms to form an all-mom rock band, she never imagined it would actually happen. Within weeks, the Mydols were born. Did they have a clue what they were doing? Nope. But from that point on, it was full steam ahead and never mind the laundry. Rock Star Mommy is a rallying cry for every woman who fondly recalls when she spent more time in mosh pits than "Mommy and Me" classes. From the moment Judy Davids donned a pair of go-go boots and jumped onstage, she embarked on an unforgettable journey. Rock Star Mommy chronicles Davids' experiences as a music fan, a mother, and the leader of the Mydols--one of the first "mommy" rock bands in the country. If you've ever had the urge to grab a guitar, dye your hair pink, and turn your minivan into a makeshift tour bus, you'll find a kindred spirit in Judy Davids. Rock Star Mommy is the perfect companion for any mom who's ever wanted to raise good kids--and raise a little hell at the same time! "Let's get one thing clear: The Mydols don't take any lip." --People Judy Davids was a suburban soccer mom with rock 'n' roll dreams when she picked up a guitar and decided to start a mom rock band. Soon after, the Mydols were born. Suddenly Judy found herself in the pages of the supermarket tabloid The Sun while shopping for Lunchables. She lives in Royal Oak, Michigan, with her husband, John, sons Dylan and Willie, and a black Labrador retriever named Ozzie.
Author: Allan Moore Publisher: Bloomsbury Publishing USA ISBN: 1501330462 Category : Music Languages : en Pages : 640
Book Description
The Bloomsbury Handbook of Rock Music Research is the first comprehensive academic survey of the field of rock music as it stands today. More than 50 years into its life and we still ask - what is rock music, why is it studied, and how does it work, both as music and as cultural activity? This volume draws together 37 of the leading academics working on rock to provide answers to these questions and many more. The text is divided into four major sections: practice of rock (analysis, performance, and recording); theories; business of rock; and social and culture issues. Each chapter combines two approaches, providing a summary of current knowledge of the area concerned as well as the consequences of that research and suggesting profitable subsequent directions to take. This text investigates and presents the field at a level of depth worthy of something which has had such a pervasive influence on the lives of millions.