What I Did on My Rock N' Roll Vacation PDF Download

Author: Michael Yahn
Publisher: iUniverse
ISBN: 0595208800
Category : Fiction
Languages : en
Pages : 174

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Book Description
What I Did On My Rock n' Roll Vacation is the story of friendship, life and good old fashioned rock n' roll. It is a true-to-life fictional tale of a group of friends that put a band together, even though none of them have any musical talent what-so-ever. After being signed by a local producer as a national media experiment, to see if they could brainwash a nation into liking the worst band on the planet, they tour the country and grow up in the process. It is a wild and scary roller coaster ride through the world of music, life and living your dreams at all costs. The book features a foreword by music legend Ronnie Hawkins, and original quotes from some of Canada's most prominent musicians, written only for this novel, such as Brad Roberts (Crash Test Dummies), Safwan Javed (Wide Mouth Mason), Brian Vollmer (Helix), Joey Keithley (DOA), Tim White (Headstones) and Dave Bidini (Rheostatics).

Author: David Kerekes
Publisher: Critical Vision
ISBN: 9781900486262
Category : Art
Languages : en
Pages : 164

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Book Description
The leading journal devoted to all aspects of popular culture and cult media, Headpress 25 turns its attention to the Dream, or Flicker, Machine. Featuring interviews with William Burroughs and Paul Bowles, Headpress 25 also includes a detailed look at the neglected life and career of the late Luis de Jesus, a star of diminutive stature whose film appearances range from sadistic sidekick in the cult 1976 feature Blood Sucking Freaks, to numerous hardcore porn features, of which the most notorious is The Anal Dwarf.

Author: Adam Rockoff
Publisher: Simon and Schuster
ISBN: 1476761868
Category : Social Science
Languages : en
Pages : 244

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Book Description
Pop culture history meets blood-soaked memoir as Adam Rockoff, “a passionate fan of the horror genre in all its forms,” (The New York Times) recalls a life spent watching blockbuster slasher films, cult classics, and everything in between. Horror films have simultaneously captivated and terrified audiences for generations, racking up millions of dollars at the box office and infusing our nightmares with chainsaws, goblins, and blood-spattered machetes. Today’s hottest television shows feature classic horror elements, from marauding zombies and sexy vampires to myriad incarnations of the devil himself. Yet the horror genre and its controversial offshoots continue to occupy a nebulous space in our critical dialogue. The Horror of It All is a memoir from the front lines of the horror industry that dissects (and occasionally defends) the massively popular phenomenon of scary movies. Author Adam Rockoff delivers “the sharpest pop culture criticism you’ll find in any medium today,” (Rue Morgue) as he traces the highs and lows of the genre through the lens of his own obsessive fandom, which began in the horror aisles of his childhood video store and continued with a steady diet of cable trash. From the convergence of horror and heavy metal, to Siskel and Ebert’s crusade against the slasher flick, to the legacy of the Scream franchise, and the behind-the-scenes work of horror directors and make-up artists, Rockoff mines the rich history of the genre, braiding critical analysis with his own firsthand experiences as a horror writer and producer. Filled with mordant wit and sharp insight, The Horror of It All “is an amiable and often amusing guide” (Kirkus Reviews) that explains why horror films not only endure, but continue to prosper. Be afraid. Be very afraid.

Author: Chuck Negron
Publisher: Renaissance Books
ISBN: 9781580631556
Category : Biography & Autobiography
Languages : en
Pages : 368

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Book Description
I lay there shaking like a Vegematic and sweating through the blankets. I prayed, "Please let me die or give me one minute of peace from this sickness." Then it happened. I knew then, and I still know now, that God did something for me that I could not do for myself. It was a gift. I was weak, alone, desperate, dying, and afraid. I surrendered. I prayed. He saved me. That's the only way I can explain what for me was the beginning of a miracle. Three Dog Nightmare is the autobiography of Chuck Negron, and it is the story of one of the most successful rock groups ever, Three Dog Night. But unlike so many rock bios, this is much more than a self-indulgent paean to sex, drugs, and rock 'n' roll. Three Dog Nightmare is a profoundly moral tale, an inspiring story of recovery and resurrection. But without a fall, there can be no resurrection. Few have fallen as hard, or as low. And even though we know the outcome, even though we know that he survived, Chuck Negron's is a story that seems at times almost too painful to read in its devastatingly sad portrayal of wasted talent, ruined chances, and burned lives. I shoved drugs into my system like a little kid eating candy. And in the end, it took away everything: my money, my fame, my wives, my children, and my self-respect. I traded a Mediterranean-style villa in the Hollywood Hills for a corner of an abandoned building where I slept on a filthy mattress I found in a vacant lot. That he survived at all is a miracle; that he has his career back on track and a new life devoted to helping other drug abusers is an inspiration.

Author: John Kenneth Muir
Publisher: Rowman & Littlefield
ISBN: 0879107804
Category : Music
Languages : en
Pages : 99

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Book Description
In 1984, four comedians – Christopher Guest, Michael McKean, Rob Reiner, and Harry Shearer – unleashed This Is Spinal Tap, the world's first “mock-rockumentary” and a joke that has lasted into the 21st century and inspired a generation of imitations. Now, award-winning film journalist John Kenneth Muir (An Askew View: The Films of Kevin Smith) escorts the reader through a quarter-century of heavy metal laughs, offering a detailed history of the film's genesis and an up-close look at the reasons why this beloved rock-and-roll movie comedy has endured for so long – and even met acceptance in the rock-and-roll culture it lampoons. Features interview material with the cinematographer, editor, and some supporting cast members of This Is Spinal Tap as well as “King of Nostalgia” Joe Franklin.

Author: Joseph A. Ziemba
Publisher: SCB Distributors
ISBN: 1909394149
Category : Performing Arts
Languages : en
Pages : 256

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Book Description
BLEEDING SKULL! A 1980s Trash-Horror Odyssey is the definitive resource on 1980s trash-horror cinema. BLEEDING SKULL! features 300 in-depth reviews of movies that have escaped the radar of people with taste and the tolerance of critics. Black Devil Doll From Hell, A Night To Dismember, Heavy Metal Massacre, The Last Slumber Party — this book gets deep into gutter-level, no-budget horror, from shot-on-video (SOV) revelations (Doctor Bloodbath) to forgotten theatrical casualties (Frozen Scream). Clown midget slashers! The Indonesian Jason! A pregnant woman in a bikini who eats fried chicken before getting her fetus ripped out by a psychopath! It’s all here. And it’s all curated by the enthusiastic minds behind Bleedingskull.com, the world’s foremost authority on trash-horror obscurities. Jam-packed with rare photographs, advertisements, and VHS sleeves (most of which have never been seen), BLEEDING SKULL! is an edifying, laugh-out-loud guide through the dusty inventory of the greatest video store that never existed.

Author: John Kenneth Muir
Publisher: Hal Leonard Corporation
ISBN: 9781557836090
Category : Performing Arts
Languages : en
Pages : 284

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Book Description
(Applause Books). Best in Show is the first in-depth look at the method behind film director and actor Christopher Guest's madness and genius. John Kenneth Muir focuses his attention on the acclaimed Guest-directed trilogy of what some call "mockumentaries": Waiting for Guffman , Best in Show and A Mighty Wind . In these films Guest has escorted rapt audiences into the purportedly real worlds of a small-town theatrical company, dog show competition, and folk music festival. Muir also details the events that lead to Rob Reiner's influential and legendary This Is Spinal Tap , which Rolling Stone called the best rock and roll movie of all time, and in which Guest played the part of guitarist Nigel Tufnel. Much of Best in Show exemplifies the unique process by which Guest directs films. He employs a common repertory company, improvises scenes often without any rehearsal, and does not use any screenplay with dialogue, instead following a detailed outline often co-authored with his ace actor/writer Eugene Levy. Company members that have been interviewed for this book include Fred Willard, Harry Shearer, Bob Balaban and Michael Hitchcock. Guest's influences Saturday Night Live , National Lampoon as well as his more conventional comedies, such as The Big Picture and Almost Heroes , are studied. Best in Show is general enough to bring new fans to the table, yet detailed enough to satisfy the most in-the-know Guest fan and film student. A complete filmography with Guest's directing, acting and writing credits is included, as is the appendix, "You Know You're in a Christopher Guest Film When ..." Guest once commented, "I am drawn to people who have dreams that are slightly out of reach." Now, thanks to John Kenneth Muir, the fascinating world of Christopher Guest and company is substantially more within reach.

Author: Daniel Rachel
Publisher: Akashic Books
ISBN: 1636141900
Category : Music
Languages : en
Pages : 345

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Book Description
The definitive and remarkable story of 2 Tone Records, featuring an introduction by Pauline Black —A Times/Sunday Times Book of the Year —An Uncut Book of the Year —Long-Listed for the Penderyn Music Book Prize —A Louder Than War Book of the Year —A Blitzed Magazine Book of the Year In 1979, 2 Tone Records exploded into the consciousness of music lovers in Britain, the US, and beyond, as albums by the Specials, the Selecter, Madness, the English Beat, and the Bodysnatchers burst onto the charts and a youth movement was born. 2 Tone was Black and white: a multiracial force of British and Caribbean musicians singing about social issues, racism, class, and gender struggles. It spoke of injustices in society and fought against rightwing extremism. It was exuberant and eclectic: white youths learning to dance to the infectious rhythm of ska and reggae, crossed with a punk attitude, to create an original hybrid. The idea of 2 Tone was born in Coventry, England, and masterminded by a middle-class art student, Jerry Dammers, who envisioned an English Motown. Dammers signed a slew of successful artists, and a number of successive hits propelled 2 Tone onto Top of the Pops and into the hearts and minds of a generation. However, infighting among the bands and the pressures of running a label caused 2 Tone to bow to the inevitable weight of expectation and recrimination. Over the following years, Dammers built the label back up again, entering a new phase full of fresh signings and a beautiful end-piece finale in the activist hit song “(Free) Nelson Mandela.” Told in three parts, Too Much Too Young is the definitive story of a label that for a brief, bright burning moment shaped British, American, and world culture.

Author: Jack Stevenson
Publisher: McFarland
ISBN: 1476612595
Category : Performing Arts
Languages : en
Pages : 305

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Book Description
This book traces the development of modern Scandinavian erotic cinema as it evolved in Denmark and Sweden, from the gentle Swedish naturalist films, starting with One Summer of Happiness in the 50s, to the controversial groundbreakers like I Am Curious (Yellow) of the 60s and on through to the dawn of "Liberated Denmark," where, in the early 70s, the abolition of censorship was celebrated in films like 24 Hours with Ilse and the production of a number of other films that were blatantly pornographic. Also considered is the influence of these films on other countries, particularly the United States, where Scandinavian erotic cinema helped to set in motion the sexual revolution and contributed to the end of film censorship.

Author: Clive Davies
Publisher: SCB Distributors
ISBN: 1909394068
Category : Performing Arts
Languages : en
Pages : 1368

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Book Description
First came video and more recently high definition home entertainment, through to the internet with its streaming videos and not strictly legal peer-to-peer capabilities. With so many sources available, today’s fan of horror and exploitation movies isn’t necessarily educated on paths well-trodden — Universal classics, 1950s monster movies, Hammer — as once they were. They may not even be born and bred on DAWN OF THE DEAD. In fact, anyone with a bit of technical savvy (quickly becoming second nature for the born-clicking generation) may be viewing MYSTICS IN BALI and S.S. EXPERIMENT CAMP long before ever hearing of Bela Lugosi or watching a movie directed by Dario Argento. In this world, H.G. Lewis, so-called “godfather of gore,” carries the same stripes as Alfred Hitchcock, “master of suspense.” SPINEGRINDER is one man’s ambitious, exhaustive and utterly obsessive attempt to make sense of over a century of exploitation and cult cinema, of a sort that most critics won’t care to write about. One opinion; 8,000 reviews (or thereabouts.