Rock and the Pop Narcotic PDF Download

Author: Joe Carducci
Publisher:
ISBN: 9780962761218
Category : Popular culture
Languages : en
Pages : 0

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Book Description
Long out-of-print classic of rock criticism. Author worked with Black Flag, Negativland, Birthday Party, Dead Kennedys, Husker Du, Meat Puppets, and others. Excerpted in the Penguin Book of Rock & Roll Writing. "It is the Moby Dick of Rock-Crit -- nothing else I've read comes close." --James Parker / The Idler (U.K.)

Author: Jeff Somers
Publisher: Orbit
ISBN: 9780316019385
Category : Fiction
Languages : en
Pages : 400

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Book Description
Avery Cates is a very bad man. Some might call him a criminal. He might even be a killer - for the Right Price. But right now, Avery Cates is scared. He's up against the Monks: cyborgs with human brains, enhanced robotic bodies, and a small arsenal of advanced weaponry. Their mission is to convert anyone and everyone to the Electric Church. But there is just one snag. Conversion means death. "Some debuts simply set new bars in a genre. Jeff Somers' THE ELECTRIC CHURCH is one such book, a gritty noir story that challenges and surprises with every page. A novel that is equal parts Raymond Chandler and William Gibson. A major new talent has arrived -- and it's about time!" -- James Rollins, New York Times bestselling author of MAP OF BONES and BLACK ORDER

Author: Joe S. Harrington
Publisher: Hal Leonard Corporation
ISBN: 9780634028618
Category : Music
Languages : en
Pages : 626

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Book Description
(Book). In the tradition of Nick Tosches, Tom Wolfe and Lester Bangs comes an epic and riveting history of rock and roll that reads like a novel. Sonic Cool presents the saga of rock and roll as the closest thing we have to genuine "myth" in the modern world, and it is the first book about rock to be written in the spirit of rock. Immense, fierce, opinionated and hilarious, Joe Harrington masterfully presents rock as a movement of near-religious proportions, against a backdrop of social factors and important events such as the invention of the guitar, the jukebox, LSD, the 12-inch phonograph record, the '70s recession, the Reagan Revolution, and the Internet. This is the history of rock as it's never been told, as the legend of a massive cultural movement, one that had meaning, but ultimately failed because it sold its soul. Radically egalitarian in its assessments towering figures such as Lennon, Dylan and Cobain stand along side lesser-known but equally influential artists like the MC5, the Misfits and Joy Division Sonic Cool is gripping reading for anyone who ever believed in the music. Includes a 16-page black-and-white photo insert. Joe S. Harrington began writing at the age of 10, an act that provoked a rejection slip from Mad magazine. He has written about music for the Boston Globe , Boston Phoenix , New York Press , Seattle Stranger , Lowell Sun , Wired , Reflex , Raygun , High Times , Seconds , Rollerderby and numerous fanzines. He is currently employed as an on-line jazz critic at Amazon, and lives in Portland, Maine. Softcover.

Author: Ian Svenonius
Publisher: Akashic Books
ISBN: 1617751308
Category : Music
Languages : en
Pages : 254

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Book Description
Washington, D.C.-based rock 'n' roll antihero Ian F. Svenonius provides an unparalleled and exquisitely provocative how-to guide for rock bands.

Author: Joe Carducci
Publisher:
ISBN: 9780962761232
Category : Photographers
Languages : en
Pages : 0

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Book Description
An introduction to L.A's punk culture with biographical information about music photographer Naomi Petersen.

Author: Joe Carducci
Publisher:
ISBN: 9780962761256
Category : Men in motion pictures
Languages : en
Pages : 0

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Book Description
The Western transplanted Greek nostos to the new world where an American hero stepped out from the chorus as the first filmmakers left New Jersey and Chicago for Colorado, Texas, and finally Hollywood, California. Joe Carducci traces the development of action film Acting after the Westernmakers went west. The realism of late 19th century Actualities continued into these Westerns of the 1910s which featured cowboys and Indians born before the closing of the frontier in 1890. This new untheatrical style of acting developed within the 2nd unit culture of the action genres into the sound era by John Wayne and others, until a Montgomery Clift took training from stuntman Richard Farnsworth for Red River, and a Marlon Brando spent his downtime on One-Eyed Jacks studying Ben Johnson. Finally Carducci looks at the cultural collision of the sixties and seventies as Manhattan cinephiles reject the style triumphant in the careers of Bronson and Eastwood.

Author: Dr Matthew Bannister
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409493741
Category : Music
Languages : en
Pages : 240

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Book Description
To what extent do indie masculinities challenge the historical construction of rock music as patriarchal? This key question is addressed by Matthew Bannister, involving an in-depth examination of indie guitar rock in the 1980s as the culturally and historically specific production of white men. Through textual analysis of musical and critical discourses, Bannister provides the first book-length study of masculinity and ethnicity within the context of indie guitar music within US, UK and New Zealand 'scenes'. Bannister argues that past theorisations of (rock) masculinities have tended to set up varieties of working-class deviance and physical machismo as 'straw men', oversimplifying masculinities as 'men behaving badly'. Such approaches disavow the ways that masculine power is articulated in culture not only through representation but also intellectual and theoretical discourse. By re-situating indie in a historical/cultural context of art rock, he shows how masculine power can be rearticulated through high, avant-garde, bohemian culture and aesthetic theory: canonism, negation (Adorno), passivity, voyeurism and camp (Andy Warhol and the Velvet Underground), and primitivism and infantilism (Lester Bangs, Simon Reynolds). In a related vein, he also assesses the impact of Freud on cultural theory, arguing that reversing binary conceptions of gender by associating masculinities with an essentialised passive femininity perpetuates patriarchal dualism. Drawing on his own experience as an indie musician, Bannister surveys a range of indie artists, including The Smiths, The Jesus and Mary Chain, My Bloody Valentine and The Go-Betweens; from the US, R.E.M., The Replacements, Dinosaur Jr, Hüsker Dü, Nirvana and hardcore; and from NZ, Flying Nun acts, including The Chills, The Clean, the Verlaines, Chris Knox, Bailter Space, and The Bats, demonstrating broad continuities between these apparently disparate scenes, in terms of gender, aesthetic theory and approaches to popular musical history. The result is a book which raises some important questions about how gender is studied in popular culture and the degree to which alternative cultures can critique dominant representations of gender.

Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 60

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Book Description
CMJ New Music Monthly, the first consumer magazine to include a bound-in CD sampler, is the leading publication for the emerging music enthusiast. NMM is a monthly magazine with interviews, reviews, and special features. Each magazine comes with a CD of 15-24 songs by well-established bands, unsigned bands and everything in between. It is published by CMJ Network, Inc.

Author: Andrew Blake
Publisher: Routledge
ISBN: 113471761X
Category : Art
Languages : en
Pages : 193

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Book Description
In 1956 many people thought rock `n' roll was a passing fad, yet over forty years later , more than ever, Popular Music is a part of contemporary culture, reinventing itself for successive generations. Pop embraces its own history, with musicians from every genre routinely sampling the sounds of the past. present. Living Through Pop explores popular music's history, and the ways in which it has been produced by musicians, broadcasters, critics and fans. In discussing this complex relationship between the past and the present, the contributors investigate signficant moments in music's history, from the Rolling Stones and the Velvet Underground to the Sex Pistols and the Verve, from drum `n' bass to European extreme techno.

Author: Christopher J. Washburne
Publisher: Routledge
ISBN: 1135385475
Category : Music
Languages : en
Pages : 392

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Book Description
Why are some popular musical forms and performers universally reviled by critics and ignored by scholars-despite enjoying large-scale popularity? How has the notion of what makes "good" or "bad" music changed over the years-and what does this tell us about the writers who have assigned these tags to different musical genres? Many composers that are today part of the classical "canon" were greeted initially by bad reviews. Similarly, jazz, country, and pop musics were all once rejected as "bad" by the academy that now has courses on these and many other types of music. This book addresses why this is so through a series of essays on different musical forms and performers. It looks at alternate ways of judging musical performance beyond the critical/academic nexus, and suggests new paths to follow in understanding what makes some music "popular" even if it is judged to be "bad." For anyone who has ever secretly enjoyed ABBA, Kenny G, or disco, Bad Music will be a guilty pleasure!