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Robert Wade's Watercolor Workshop Handbook

Robert Wade's Watercolor Workshop Handbook PDF Author: Robert Wade
Publisher: Northlight
ISBN: 9781929834150
Category : Visual perception
Languages : en
Pages : 0

Book Description
In an easy-to-reference format, the next best thing to attending a one-on-one watercolor workshop.

Robert Wade's Watercolor Workshop Handbook

Robert Wade's Watercolor Workshop Handbook PDF Author: Robert Wade
Publisher: Northlight
ISBN: 9781929834150
Category : Visual perception
Languages : en
Pages : 0

Book Description
In an easy-to-reference format, the next best thing to attending a one-on-one watercolor workshop.

Painting Your Vision in Watercolor

Painting Your Vision in Watercolor PDF Author: Robert A. Wade
Publisher: Betterway Books
ISBN: 9780891344629
Category : Art
Languages : en
Pages : 135

Book Description
Teaches artists to paint what they see (and what they want to see) with confidence -- by taking artists into the realm of exploring their feelings about what they see in order to clarify the focus of a painting.

My Way with Watercolor

My Way with Watercolor PDF Author: Claude Croney
Publisher: North Light Books
ISBN: 9780891340263
Category : Art
Languages : en
Pages : 116

Book Description


Watercolor Workshop

Watercolor Workshop PDF Author: Robert E. Wood
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 184

Book Description
A prominent artist explains techniques of planning, design, and surface variation, providing practice exercises for each concept.

Luxury Arts of the Renaissance

Luxury Arts of the Renaissance PDF Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292

Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.

Watercolor for the Fun of It

Watercolor for the Fun of It PDF Author: Judy Eaton
Publisher: North Light Books
ISBN: 9781581802351
Category : Flowers in art
Languages : en
Pages : 0

Book Description
Watercolor for the fun of it, perfect for beginners!

The Restoration of Engravings, Drawings, Books, and Other Works on Paper

The Restoration of Engravings, Drawings, Books, and Other Works on Paper PDF Author: Max Schweidler
Publisher: Getty Publications
ISBN: 9780892368358
Category : Antiques & Collectibles
Languages : en
Pages : 320

Book Description
Ever since its original publication in Germany in 1938, Max Schweidler's Die Instandetzung von Kupferstichen, Zeichnungen, Buchern usw has been recognized as a seminal modern text on the conservation and restoration of works on paper. To address what he saw as a woeful dearth of relevant literature and in order to assist those who have 'set themselves the goal of preserving cultural treasures, ' the noted German restorer composed a thorough technical manual covering a wide range of specific techniques, including detailed instructions on how to execute structural repairs and alterations that, if skilfully done, can be virtually undetectable. By the mid-twentieth century, curators and conservators of graphic arts, discovering a nearly invisible repair in an old master print or drawing, might comment that the object had been 'Schweidlerized.' This volume, based on the authoritative revised German edition of 1949, makes Schweidler's work available in English for the first time, in a meticulously edited and annotated critical edition. The editor's introduction places the work in its historical context and probes the philosophical issues the book raises, while some two hundred annotati

Historical Painting Techniques, Materials, and Studio Practice

Historical Painting Techniques, Materials, and Studio Practice PDF Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241

Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.

Blue and Yellow Don't Make Green

Blue and Yellow Don't Make Green PDF Author: Michael Wilcox
Publisher:
ISBN: 9780958789196
Category : Color
Languages : en
Pages : 120

Book Description
For more than 200 years the world has accepted that red, yellow and blue - the artists primaries - give new colours when mised. And for more than 200 years artists have been struggling to mix colours on this basis. In this exciting new book, Michael Wilcox offers a total reassessment of the principles underlying colour mixing. It is the first major break-away from the traditional and limited concepts that have caused painters and others who work with colour so many problems. Back Cover.

The Topkapi Scroll

The Topkapi Scroll PDF Author: Gülru Necipoğlu
Publisher: Getty Publications
ISBN: 0892363355
Category : Art
Languages : en
Pages : 414

Book Description
Since precious few architectural drawings and no theoretical treatises on architecture remain from the premodern Islamic world, the Timurid pattern scroll in the collection of the Topkapi Palace Museum Library is an exceedingly rich and valuable source of information. In the course of her in-depth analysis of this scroll dating from the late fifteenth or early sixteenth century, Gülru Necipoğlu throws new light on the conceptualization, recording, and transmission of architectural design in the Islamic world between the tenth and sixteenth centuries. Her text has particularly far-reaching implications for recent discussions on vision, subjectivity, and the semiotics of abstract representation. She also compares the Islamic understanding of geometry with that found in medieval Western art, making this book particularly valuable for all historians and critics of architecture. The scroll, with its 114 individual geometric patterns for wall surfaces and vaulting, is reproduced entirely in color in this elegant, large-format volume. An extensive catalogue includes illustrations showing the underlying geometries (in the form of incised “dead” drawings) from which the individual patterns are generated. An essay by Mohammad al-Asad discusses the geometry of the muqarnas and demonstrates by means of CAD drawings how one of the scroll’s patterns could be used co design a three-dimensional vault.