Robert Louis Stevenson and Romantic Tradition PDF Download

Author: Edwin M. Eigner
Publisher: Princeton, N.J. : Princeton University Press
ISBN:
Category : Authors, Scottish
Languages : en
Pages : 280

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Author: Edwin M. Eigner
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Author: Edwin M. Eigner
Publisher: Princeton University Press
ISBN: 1400878853
Category : Literary Criticism
Languages : en
Pages : 273

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Book Description
Stevenson's fiction is evaluated in the light of the significant Romantic traditions that have influenced the novel and the romance. Stevenson is also considered as a serious writer and compared with Joseph Conrad, Mark Twain, and other major writers of the period. Originally published in 1966. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Author: Robert Louis Stevenson
Publisher: New York, Thomas Y. Crowell [c1900]
ISBN:
Category :
Languages : en
Pages : 422

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Author: Richard J. Hill
Publisher: Taylor & Francis
ISBN: 1317062205
Category : Literary Criticism
Languages : en
Pages : 282

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In his travel narrative Travels with a Donkey in the Cevennes (1879), Robert Louis Stevenson declares, "I travel not to go anywhere, but to go. I travel for travel's sake. The great affair is to move. " Taking up the concepts of time, place, and memory, the contributors to this collection explore in what ways the dynamic view of life suggested by this quotation permeates Stevenson's work. The essays adopt a wide variety of critical approaches, including post-colonial theory, post-structuralism, new historicism, art history, and philosophy, making use of the vast array of literary materials that Stevenson left across a global journey that began in Scotland in 1850 and ended in Samoa in 1894. These range from travel journals, letters, and classic literary staples such as Treasure Island and The Strange Case of Dr. Jekyll and Mr. Hyde, to rarely read masterpieces such as The Master of Ballantrae or The Ebb-Tide. While much recent scholarship on Stevenson foregrounds geography, the present volume also examines the theme of movement across memory, time, and generic boundaries. Taken together, the essays offer a view of Stevenson that demonstrates how the protean nature of his literary output reflects the radical developments in science, technology, and culture that characterized the age in which he lived.

Author: Richard Ambrosini
Publisher: Univ of Wisconsin Press
ISBN: 0299212238
Category : Literary Criticism
Languages : en
Pages : 410

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Robert Louis Stevenson: Writer of Boundaries reinstates Stevenson at the center of critical debate and demonstrates the sophistication of his writings and the present relevance of his kaleidoscopic achievements. While most young readers know Robert Louis Stevenson (1850–1894) as the author of Treasure Island, few people outside of academia are aware of the breadth of his literary output. The contributors to Robert Louis Stevenson: Writer of Boundaries look, with varied critical approaches, at the whole range of his literary production and unite to confer scholarly legitimacy on this enormously influential writer who has been neglected by critics. As the editors point out in their Introduction, Stevenson reinvented the “personal essay” and the “walking tour essay,” in texts of ironic stylistic brilliance that broke completely with Victorian moralism. His first full-length work of fiction, Treasure Island, provocatively combined a popular genre (subverting its imperialist ideology) with a self-conscious literary approach. Stevenson, one of Scotland’s most prolific writers, was very effectively excluded from the canon by his twentieth-century successors and rejected by Anglo-American Modernist writers and critics for his play with popular genres and for his non-serious metaliterary brilliance. While Stevenson’s critical recognition has been slowly increasing, there have been far fewer published single-volume studies of his works than those of his contemporaries, Henry James and Joseph Conrad.

Author: J R Hammond
Publisher: Springer
ISBN: 1349060801
Category : Literary Criticism
Languages : en
Pages : 263

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Author: J. Reid
Publisher: Springer
ISBN: 0230554849
Category : Literary Criticism
Languages : en
Pages : 253

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In this fascinating book, Reid examines Robert Louis Stevenson's writings in the context of late-Victorian evolutionist thought, arguing that an interest in 'primitive' life is at the heart of his work. She investigates a wide range of Stevenson's writing, including Dr Jekyll and Mr Hyde and Treasure Island as well as previously unpublished material from the Stevenson archive at Yale. Reid's interpretation offers a new way of understanding the relationship between his Scottish and South Seas work. Her analysis of Stevenson's engagement with anthropological and psychological debate also illuminates the dynamic intersections between literature and science at the fin de siècle.

Author: Harold Bloom
Publisher: Infobase Publishing
ISBN: 1438113455
Category : Criticism
Languages : en
Pages : 345

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Presents a collection of critical essays on the works of Robert Louis Stevenson.

Author: Murfin Audrey Murfin
Publisher: Edinburgh University Press
ISBN: 1474452000
Category : Literary Criticism
Languages : en
Pages : 208

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Explores Robert Louis Stevenson's collaborative processContains new readings of thirteen works by Robert Louis Stevenson, including several rarely discussedSheds light on connections between authorship, celebrity, the literary marketplace and the creative processSupported by extensive manuscript researchThis book investigates Stevenson's literary collaborations with family and friends as he travelled Scotland, America and the Pacific. With critical readings of both major and minor Stevenson texts, supported and contextualised by unpublished manuscripts and letters by both Stevenson and those he wrote with, this book argues that Stevenson's writings are both a product of and a meditation on collaborative writing. Stevenson's self-reflective body of work reimagines late-Victorian authorship by examining the ways that authors choose material, negotiate the marketplace and, ultimately, maintain power over their own words, or let that power go.