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Author: Robert J. Rabel Publisher: Routledge ISBN: 1000079317 Category : History Languages : en Pages : 264
Book Description
This volume explores the reception of the classical past in the works of twentieth-century American dramatist Robert E. Sherwood and his use of the ancient world to critique key events and trends in American history. It explores his comedies and the influence of both Greek Old and New Comedy, as well as his mediation of his experiences in World War I through Livy’s account of the war with Carthage. During the 1930s, Sherwood used the Peloponnesian War as a template for bringing to the attention of an unaware public the danger of an impending war between the forces of democracy and the totalitarianism represented by Nazi Germany, and post-war he raised awareness of the dangers of nuclear war through the lens of the Greek gods. As well as looking at his use of the classical past in his work, since Sherwood wrote drama deeply concerned with the major social and political events of his day, his plays open windows onto the major social and political challenges facing the United States and the world from the outbreak of World War I until the beginning of the nuclear age. This volume will be of interest to anyone working on the Classical Tradition and Classical Reception, as well as to students of twentieth-century American literature, drama, history, and politics.
Author: Robert J. Rabel Publisher: Routledge ISBN: 1000079317 Category : History Languages : en Pages : 264
Book Description
This volume explores the reception of the classical past in the works of twentieth-century American dramatist Robert E. Sherwood and his use of the ancient world to critique key events and trends in American history. It explores his comedies and the influence of both Greek Old and New Comedy, as well as his mediation of his experiences in World War I through Livy’s account of the war with Carthage. During the 1930s, Sherwood used the Peloponnesian War as a template for bringing to the attention of an unaware public the danger of an impending war between the forces of democracy and the totalitarianism represented by Nazi Germany, and post-war he raised awareness of the dangers of nuclear war through the lens of the Greek gods. As well as looking at his use of the classical past in his work, since Sherwood wrote drama deeply concerned with the major social and political events of his day, his plays open windows onto the major social and political challenges facing the United States and the world from the outbreak of World War I until the beginning of the nuclear age. This volume will be of interest to anyone working on the Classical Tradition and Classical Reception, as well as to students of twentieth-century American literature, drama, history, and politics.
Author: Nina Kossman Publisher: Oxford University Press ISBN: 019803055X Category : Poetry Languages : en Pages : 316
Book Description
For centuries, poets have looked into the mirror of classical myth to show us the many ways our emotional lives are still reflected in the ancient stories of heroism, hubris, transformation, and loss that myths so eloquently tell. Now, in Gods and Mortals: Modern Poems on Classical Myths, we have the first anthology to gather the great 20th century myth-inspired poems from around the world. "Perhaps it is because the myths echo the structure of our unconscious that every new generation of poets finds them a source of inspiration and self-recognition," says Nina Kossman in her introduction to this marvelous collection. Indeed, from Valery, Yeats, Lawrence, Rilke, Akhmatova, and Auden writing in the first half of the century to such contemporary poets as Lucille Clifton, Derek Walcott, Rita Dove, Wislawa Szymborska, and Mark Strand, the material of Greek myth has elicited a poetry of remarkably high achievement. And by organizing the poems first into broad categories such as "Heroes," "Lovers," "Trespassers," and secondly around particular mythological figures such as Persephone, Orpheus, or Narcissus, readers are treated to a fascinating spectrum of poems on the same subject. For example, the section on Odysseus includes poems by Cavafy, W. S. Merwin, Gregory Corso, Gabriel Zaid, Louise Gluck, Wallace Stevens, and many others. Thus we are allowed to see the familiar Greek hero refracted through the eyes, and sharply varying stylistic approaches, of a wide range of poets from around the world. Here, then, is a collection of extraordinary poems that testifies to--and amply rewards--our ongoing fascination with classical myth.
Author: Gordon MacDonald Kirkwood Publisher: Bolchazy-Carducci Publishers ISBN: 9780865163096 Category : Social Science Languages : en Pages : 132
Book Description
Kirkwood's text provides a user-friendly, quick reference for teachers, students and general readers. It is an excellent, interdisciplinary resource for the study of classics, literature, history and comparative religions. It features complete reference list with pronunciations, variable entry lengths, principal stories of classical mythology, emphasis on literary importance of Greek myths, and references to English and European literature.
Author: UNKNOWN. AUTHOR Publisher: Forgotten Books ISBN: 9781331518358 Category : Biography & Autobiography Languages : en Pages : 294
Book Description
Excerpt from Robert Emmet IN the first volume of the London and Dublin Magazme appeared a series of papers under the title of Robert Emmet and his Contemporaries. It was then, as usual, a time of trouble in' Ireland, more aggravated than ordinary amongst the discontented and while the system of government was reprehensible, the popular notion of removing it offended largely at once against policy and prudence. Agitation had become of a normal character and as adverse parties indulged in their own preconceived views, even good men hesitated to. Believe in the efficiency of any immediate remedy. Under these circumstances one man indulged the hope that it was possible, by representing to all what adverse parties thought and said, to influence public opinion in favour of common sense and patriotic honesty. He believed that if precept Was strengthenedby example the end contemplated would be, to some extent, obtained. Under these impressions the pub lis her of the magazine admitted the papers embodying the story, the thoughts, and the conversations of Robert Emmet. The commercial spirit was not, of course, abandoned in the project, and perhaps a small sensation was anticipated. The expectation was, to a great extent, fulfilled, for the periodical was successfiil'; and the Emmet Papers no sooner appeared, than they were published by the small printers in every possible form, and circulated most extensively and when the last paper appeared the whole were very promptly published in a small volume. The work was repub lished in America, in various forms and sizes 5 and a Manchester publisher, a late and much esteemed magistrate of that city, embodied its contents in a memoir of Robert Emmet. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Robert J. Rabel
Author: Robert J. Rabel
Author: Thomas Addis Emmet
Author: Nina Kossman
Author: Gordon MacDonald Kirkwood
Author: UNKNOWN. AUTHOR
Author: David A. Quaid
Author: James Silk Buckingham
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