Author: Matthew CookePublisher:
ISBN:
Category :
Languages : en
Pages : 12
Book Description
Rise Cynthia rise. A Glee for Two Trebles and a Bass, with an Accompanyment for Two Performers on one Piano Forte - or the Piano Forte and Harp, etc
Author: Matthew CookeThe British Union-catalogue of Early Music Before the Year 1801
Author: Edith Betty SchnapperPublisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 614
Book Description
Six Songs and a Glee for three Voices with an Accompaniment for a Piano Forte or Harp, etc
Author: William BennettSongwriting and the Creative Process
Author: Steve GillettePublisher: Sing Out Publications
ISBN: 9781881322030
Category : Popular music
Languages : en
Pages : 0
Book Description
Solid information and supplemental ideas useful to beginners and established writers alike, this book is a complete guide to developing songwriting skills from inception of the idea to completing the song.
Merriam-Webster's Vocabulary Builder
Author: Mary W. CornogPublisher: Merriam-Webster
ISBN: 9780877799108
Category : Language Arts & Disciplines
Languages : en
Pages : 580
Book Description
The ideal book for people who want to increase their word power. Thorough coverage of 1,200 words and 240 roots while introducing 2,300 words. The Vocabulary Builder is organized by Greek and Latin roots for effective study with nearly 250 new words and roots. Includes quizzes after each root discussion to test progress. A great study aid for students preparing to take standardized tests.
The Bible in Music
Author: Siobhán Dowling LongPublisher: Rowman & Littlefield
ISBN: 0810884526
Category : Music
Languages : en
Pages : 373
Book Description
There have been numerous publications in the last decades on the Bible in literature, film, and art. But until now, no reference work has yet appeared on the Bible as it appears in Western music. In The Bible in Music: A Dictionary of Songs, Works, and More, scholars Siobhán Dowling Long and John F. A. Sawyer correct this gap in Biblical reference literature, providing for the first time a convenient guide to musical interpretations of the Bible. Alongside examples of classical music from the Middle Ages through modern times, Dowling Long and Sawyer also bring attention to the Bible’s impact on popular culture with numerous entries on hymns, spirituals, musicals, film music, and contemporary popular music. Each entry contains essential information about the original context of the work (date, composer, etc.) and, where relevant, its afterlife in literature, film, politics, and liturgy. It includes an index of biblical references and an index of biblical names, as well as a detailed timeline that brings to the fore key events, works, and publications, placing them in their historical context. There is also a bibliography, a glossary of technical terms, and an index of artists, authors, and composers. The Bible in Music will fascinate anyone familiar with the Bible, but it is also designed to encourage choirs, musicians, musicologists, lecturers, teachers, and students of music and religious education to discover and perform some less well-known pieces, as well as helping them to listen to familiar music with a fresh awareness of what it is about.
Cultivating Music in America
Author: Ralph P. LockePublisher: Univ of California Press
ISBN: 9780520083950
Category : Social Science
Languages : en
Pages : 384
Book Description
"The Victorian cup on my shelf--a present from my mother--reads 'Love the Giver.' Is it because the very word patronage implies the authority of the father that we have treated American women patrons and activists so unlovingly in the writing of our own history? This pioneering collection of superb scholarship redresses that imbalance. At the same time it brilliantly documents the interrelationship between various aspects of gender and the creation of our own culture."--Judith Tick, author of Ruth Crawford Seeger: A Composer's Search for American Music "Together with the fine-grained and energetic research, I like the spirit of this book, which is ambitious, bold, and generous minded. Cultivating Music in America corrects long-standing prejudices, omissions, and misunderstandings about the role of women in setting up the structures of America's musical life, and, even more far-reaching, it sheds light on the character of American musical life itself. To read this book is to be brought to a fresh understanding of what is at stake when we discuss notions such as 'elitism, ' 'democratic taste, ' and the political and economic implications of art."--Richard Crawford, author of The American Musical Landscape "We all know we are indebted to royal patronage for the music of Mozart. But who launched American talent? The answer is women, this book teaches us. Music lovers will be grateful for these ten essays, sound in scholarship, that make a strong case for the women philanthropists who ought to join Carnegie and Rockefeller as household words as sponsors of music."--Karen J. Blair, author of The Torchbearers: Women and Their Amateur Arts Associations in America
Ruth Crawford Seeger
Author: Judith TickPublisher: Oxford University Press, USA
ISBN: 0195137922
Category : Composers
Languages : en
Pages : 488
Book Description
Ruth Crawford Seeger (1901-1953) is frequently considered the most significant American female composer in the twentieth century. With Aaron Copland and Henry Cowell she was a key member of the 1920s musical avant-garde, and she was the first woman to win a Guggenheim Foundation Fellowship in music composition. But her legacy extends far beyond the cutting edge of modern music. Collaborating with poet Carl Sandburg on fork song arrangements in the twenties, and with the famous folk-song collectors John and Alan Lomax in the 1930s, she emerged as a central figure in the American fork music revival. In addition, she became an energetic proponent of social change and devoted much of her last decades to progressive causes. This engrossing new biography emphasizes the choices Crawford Seeger made in her roles as composer, activist, teacher, wife and mother.
African American Music
Author: Mellonee V. BurnimPublisher: Routledge
ISBN: 1317934423
Category : Music
Languages : en
Pages : 544
Book Description
American Music: An Introduction, Second Edition is a collection of seventeen essays surveying major African American musical genres, both sacred and secular, from slavery to the present. With contributions by leading scholars in the field, the work brings together analyses of African American music based on ethnographic fieldwork, which privileges the voices of the music-makers themselves, woven into a richly textured mosaic of history and culture. At the same time, it incorporates musical treatments that bring clarity to the structural, melodic, and rhythmic characteristics that both distinguish and unify African American music. The second edition has been substantially revised and updated, and includes new essays on African and African American musical continuities, African-derived instrument construction and performance practice, techno, and quartet traditions. Musical transcriptions, photographs, illustrations, and a new audio CD bring the music to life.
Who Needs Classical Music?
Author: Julian JohnsonPublisher:
ISBN: 9780195146813
Category : Music
Languages : en
Pages : 158
Book Description
During the last few decades, most cultural critics have come to agree that the division between "high" and "low" art is an artificial one, that Beethoven's Ninth and "Blue Suede Shoes" are equally valuable as cultural texts. In Who Needs Classical Music?, Julian Johnson challenges these assumptions about the relativism of cultural judgements. The author maintains that music is more than just "a matter of taste": while some music provides entertainment, or serves as background noise, other music claims to function as art. This book considers the value of classical music in contemporary society, arguing that it remains distinctive because it works in quite different ways to most of the other music that surrounds us. This intellectually sophisticated yet accessible book offers a new and balanced defense of the specific values of classical music in contemporary culture. Who Needs Classical Music? will stimulate readers to reflect on their own investment (or lack of it) in music and art of all kinds.