Author: Crane
Publisher: BRILL
ISBN: 9004659900
Category : Art
Languages : en
Pages : 223
Book Description
Risāle-i Mi‘māriyye
Author: Crane
Publisher: BRILL
ISBN: 9004659900
Category : Art
Languages : en
Pages : 223
Book Description
Publisher: BRILL
ISBN: 9004659900
Category : Art
Languages : en
Pages : 223
Book Description
Risāle-i Miʻmāriyye
Author: Caʻfer Efendi
Publisher: Brill Archive
ISBN: 9789004078468
Category : Architecture
Languages : en
Pages : 238
Book Description
Publisher: Brill Archive
ISBN: 9789004078468
Category : Architecture
Languages : en
Pages : 238
Book Description
Risale-i Mimariyye
Author: Howard Crane
Publisher:
ISBN: 9789004078260
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9789004078260
Category :
Languages : en
Pages :
Book Description
Men of Modest Substance
Author: Suraiya Faroqhi
Publisher: Cambridge University Press
ISBN: 9780521522557
Category : Architecture
Languages : en
Pages : 306
Book Description
A study of two contrasting towns in Anatolia, based on documents from the kadi registers.
Publisher: Cambridge University Press
ISBN: 9780521522557
Category : Architecture
Languages : en
Pages : 306
Book Description
A study of two contrasting towns in Anatolia, based on documents from the kadi registers.
Explorations in the History and Heritage of Machines and Mechanisms
Author: Marco Ceccarelli
Publisher: Springer Nature
ISBN: 3031548760
Category :
Languages : en
Pages : 392
Book Description
Publisher: Springer Nature
ISBN: 3031548760
Category :
Languages : en
Pages : 392
Book Description
Displaying the Orient
Author: Zeynep Ç Elik
Publisher: Univ of California Press
ISBN: 9780520074941
Category : Architecture
Languages : en
Pages : 268
Book Description
Gathering architectural pieces from all over the world, the Paris Universal Exposition of 1867 introduced to fairgoers the notion of an imaginary journey, a new tourism en place. Through this and similar expositions, the world's cultures were imported to European and American cities as artifacts and presented to nineteenth-century men and women as the world in microcosm, giving a quick and seemingly realistic impression of distant places. elik examines the display of Islamic cultures at nineteenth-century world's fairs, focusing on the exposition architecture. She asserts that certain sociopolitical and cultural trends now crucial to our understanding of historical transformations in both the West and the world of Islam were mirrored in the fair's architecture. Furthermore, dominant attitudes toward cross-cultural exchanges were revealed repeatedly in Westerners' responses to these pavilions, in Western architects' interpretations of Islamic stylistic traditions, and in the pavilions' impact in such urban centers. Although the world's fairs claimed to be platforms for peaceful cultural communication, they displayed the world according to a hierarchy based on power relations. elik's delineation of this hierarchy in the exposition buildings enables us to understand both the adversarial relations between the West and the Middle East, and the issue of cultural self-definition for Muslim societies of the nineteenth century. Gathering architectural pieces from all over the world, the Paris Universal Exposition of 1867 introduced to fairgoers the notion of an imaginary journey, a new tourism en place. Through this and similar expositions, the world's cultures were imported to European and American cities as artifacts and presented to nineteenth-century men and women as the world in microcosm, giving a quick and seemingly realistic impression of distant places. elik examines the display of Islamic cultures at nineteenth-century world's fairs, focusing on the exposition architecture. She asserts that certain sociopolitical and cultural trends now crucial to our understanding of historical transformations in both the West and the world of Islam were mirrored in the fair's architecture. Furthermore, dominant attitudes toward cross-cultural exchanges were revealed repeatedly in Westerners' responses to these pavilions, in Western architects' interpretations of Islamic stylistic traditions, and in the pavilions' impact in such urban centers. Although the world's fairs claimed to be platforms for peaceful cultural communication, they displayed the world according to a hierarchy based on power relations. elik's delineation of this hierarchy in the exposition buildings enables us to understand both the adversarial relations between the West and the Middle East, and the issue of cultural self-definition for Muslim societies of the nineteenth century.
Publisher: Univ of California Press
ISBN: 9780520074941
Category : Architecture
Languages : en
Pages : 268
Book Description
Gathering architectural pieces from all over the world, the Paris Universal Exposition of 1867 introduced to fairgoers the notion of an imaginary journey, a new tourism en place. Through this and similar expositions, the world's cultures were imported to European and American cities as artifacts and presented to nineteenth-century men and women as the world in microcosm, giving a quick and seemingly realistic impression of distant places. elik examines the display of Islamic cultures at nineteenth-century world's fairs, focusing on the exposition architecture. She asserts that certain sociopolitical and cultural trends now crucial to our understanding of historical transformations in both the West and the world of Islam were mirrored in the fair's architecture. Furthermore, dominant attitudes toward cross-cultural exchanges were revealed repeatedly in Westerners' responses to these pavilions, in Western architects' interpretations of Islamic stylistic traditions, and in the pavilions' impact in such urban centers. Although the world's fairs claimed to be platforms for peaceful cultural communication, they displayed the world according to a hierarchy based on power relations. elik's delineation of this hierarchy in the exposition buildings enables us to understand both the adversarial relations between the West and the Middle East, and the issue of cultural self-definition for Muslim societies of the nineteenth century. Gathering architectural pieces from all over the world, the Paris Universal Exposition of 1867 introduced to fairgoers the notion of an imaginary journey, a new tourism en place. Through this and similar expositions, the world's cultures were imported to European and American cities as artifacts and presented to nineteenth-century men and women as the world in microcosm, giving a quick and seemingly realistic impression of distant places. elik examines the display of Islamic cultures at nineteenth-century world's fairs, focusing on the exposition architecture. She asserts that certain sociopolitical and cultural trends now crucial to our understanding of historical transformations in both the West and the world of Islam were mirrored in the fair's architecture. Furthermore, dominant attitudes toward cross-cultural exchanges were revealed repeatedly in Westerners' responses to these pavilions, in Western architects' interpretations of Islamic stylistic traditions, and in the pavilions' impact in such urban centers. Although the world's fairs claimed to be platforms for peaceful cultural communication, they displayed the world according to a hierarchy based on power relations. elik's delineation of this hierarchy in the exposition buildings enables us to understand both the adversarial relations between the West and the Middle East, and the issue of cultural self-definition for Muslim societies of the nineteenth century.
Understanding Islamic Architecture
Author: Attilo Petruccioli
Publisher: Routledge
ISBN: 1136851380
Category : Architecture
Languages : en
Pages : 160
Book Description
The ongoing debate among practitioners and in academia about the meaning and understanding of Islamic architecture will be energized by this book. It contains essays by architects and academics from various parts of the world which clarify how the carious disciplines of the design profession can be employed to build in the spirit of Islam. Divided into three sections the book covers: *meaning from Faith, which draws meaning from the Islamic faith in order to propose a built environment that is universally beneficial *analysis of History, which examines historical buildings and planning concepts, and suggest how to apply lessons learned to contemporary practice *contemporary Trends, which discusses current trends in architecture, education and socio-economic aspects of various Muslim countries. Illustrated throughout, this book will appeal to students and scholars, practising architects and planners alike.
Publisher: Routledge
ISBN: 1136851380
Category : Architecture
Languages : en
Pages : 160
Book Description
The ongoing debate among practitioners and in academia about the meaning and understanding of Islamic architecture will be energized by this book. It contains essays by architects and academics from various parts of the world which clarify how the carious disciplines of the design profession can be employed to build in the spirit of Islam. Divided into three sections the book covers: *meaning from Faith, which draws meaning from the Islamic faith in order to propose a built environment that is universally beneficial *analysis of History, which examines historical buildings and planning concepts, and suggest how to apply lessons learned to contemporary practice *contemporary Trends, which discusses current trends in architecture, education and socio-economic aspects of various Muslim countries. Illustrated throughout, this book will appeal to students and scholars, practising architects and planners alike.
Prefacing the Image
Author: David J. Roxburgh
Publisher: BRILL
ISBN: 9789004113763
Category : Art
Languages : en
Pages : 304
Book Description
"Readership: All those interested in the history and theory of art, and histories of Persian literature and culture in the premodern Islamic world."--BOOK JACKET.
Publisher: BRILL
ISBN: 9789004113763
Category : Art
Languages : en
Pages : 304
Book Description
"Readership: All those interested in the history and theory of art, and histories of Persian literature and culture in the premodern Islamic world."--BOOK JACKET.
Aptullah Kuran için yazılar
Author: Lucienne Thys-Şenocak
Publisher: Yky
ISBN:
Category : Architecture
Languages : en
Pages : 584
Book Description
Kuran, Aptullah; Architecture; Ottoman; Turkey.
Publisher: Yky
ISBN:
Category : Architecture
Languages : en
Pages : 584
Book Description
Kuran, Aptullah; Architecture; Ottoman; Turkey.
Cosmology and Architecture in Premodern Islam
Author: Samer Akkach
Publisher: State University of New York Press
ISBN: 0791483444
Category : Religion
Languages : en
Pages : 289
Book Description
This fascinating interdisciplinary study reveals connections between architecture, cosmology, and mysticism. Samer Akkach demonstrates how space ordering in premodern Islamic architecture reflects the transcendental and the sublime. The book features many new translations, a number from unpublished sources, and several illustrations. Referencing a wide range of mystical texts, and with a special focus on the works of the great Sufi master Ibn Arabi, Akkach introduces a notion of spatial sensibility that is shaped by religious conceptions of time and space. Religious beliefs about the cosmos, geography, the human body, and constructed forms are all underpinned by a consistent spatial sensibility anchored in medieval geocentrism. Within this geometrically defined and ordered universe, nothing stands in isolation or ambiguity; everything is interrelated and carefully positioned in an intricate hierarchy. Through detailed mapping of this intricate order, the book shows the significance of this mode of seeing the world for those who lived in the premodern Islamic era and how cosmological ideas became manifest in the buildings and spaces of their everyday lives. This is a highly original work that provides important insights on Islamic aesthetics and culture, on the history of architecture, and on the relationship of art and religion, creativity and spirituality.
Publisher: State University of New York Press
ISBN: 0791483444
Category : Religion
Languages : en
Pages : 289
Book Description
This fascinating interdisciplinary study reveals connections between architecture, cosmology, and mysticism. Samer Akkach demonstrates how space ordering in premodern Islamic architecture reflects the transcendental and the sublime. The book features many new translations, a number from unpublished sources, and several illustrations. Referencing a wide range of mystical texts, and with a special focus on the works of the great Sufi master Ibn Arabi, Akkach introduces a notion of spatial sensibility that is shaped by religious conceptions of time and space. Religious beliefs about the cosmos, geography, the human body, and constructed forms are all underpinned by a consistent spatial sensibility anchored in medieval geocentrism. Within this geometrically defined and ordered universe, nothing stands in isolation or ambiguity; everything is interrelated and carefully positioned in an intricate hierarchy. Through detailed mapping of this intricate order, the book shows the significance of this mode of seeing the world for those who lived in the premodern Islamic era and how cosmological ideas became manifest in the buildings and spaces of their everyday lives. This is a highly original work that provides important insights on Islamic aesthetics and culture, on the history of architecture, and on the relationship of art and religion, creativity and spirituality.