Richard Wagner's Prose Works PDF Download

Author: Richard Wagner
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 452

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Author: Richard Wagner
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 416

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Author: Richard Wagner
Publisher: Wentworth Press
ISBN: 9781011582365
Category : History
Languages : en
Pages : 448

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author: Richard Wagner
Publisher: Forgotten Books
ISBN: 9781527716834
Category : Music
Languages : en
Pages : 442

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Excerpt from Richard Wagner's Prose Works, Vol. 2: Opera and Drama By this time the literary longing was approaching a tangible shape, for on Sept. 20, 1850, Wagner writes again to Uhlig, and again after a reference to Sz'egfnied I am thinking of doing some literary work this autumn and winter. All generalities in art are, for the moment, repugnant to me no one understands them until his nose is driven into particulars. Now my particular work would be music, and, above all, opera. In any case, I will shortly send you rather a long article on modern opera, - about Rossini and Meyerbeer. This we may take to be the first unmis takable shadowing forth of Oper and Drama, although the title and magnitude of the eventual book are not yet within clear range of vision. Another point in this letter is the allusion in the very next sentence, already quoted in my preface to Volume i, to the receipt of a letter from Feuerbach, apparently accompanied by all that author's philosophical treatises. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Author: Carl Friedrich Glasenapp
Publisher: Routledge
ISBN: 1351342126
Category : Art
Languages : en
Pages : 493

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The second volume of Carl Friedrich Glasenapp's Life of Richard Wagner.

Author: Richard Wagner
Publisher:
ISBN:
Category :
Languages : en
Pages : 472

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Author: Andreas Huyssen
Publisher: Stanford University Press
ISBN: 9780804745611
Category : Political Science
Languages : en
Pages : 196

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This book analyzes the relation of public memory to history, forgetting, and selective memory in three late-twentieth-century cities that have confronted major social or political traumas—Berlin, Buenos Aires, and New York.

Author: Barry Emslie
Publisher: Boydell & Brewer
ISBN: 157113929X
Category : Biography & Autobiography
Languages : en
Pages : 258

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Provocative and spiced with humor, this book uses a cultural studies approach to examine the fraught relationship in German history between material reality and ideology. German history never loses its fascination. It is exceptionally varied, contradictory, and raises difficult problems for the historian. In a material sense, there have been a great many Germanies, so that it was long unclear what"Germany" would amount to geopolitically, while German intellectuals fought constantly over the idea(s) of Germany. Provocative and spiced with humor, Speculations tackles Germany's successes and catastrophes in view of this fraught relationship between material reality and ideology. Concentrating on the period from Friedrich the Great until today, the book is less a conventional history than an extended essay. It moves freely within the chosenperiod, and because of its cultural studies disposition, devotes a great deal of attention to German writers, artists, and intellectuals. It looks at the ways in which German historians have attempted to come to terms with theirown varying notions of nation, culture, and race. An underlying philosophical assumption is that history is not one dominant narrative but a struggle between competing, simultaneous narratives: like all those Germanies of thepast and of the mind, history is plural. Barry Emslie pursues this agenda into the present, arguing that there has been an unprecedented qualitative change in the Federal Republic in the quarter-century since unification. Barry Emslie lives and teaches in Berlin. He is the author of Richard Wagner and the Centrality of Love (Boydell Press, 2010) and Narrative and Truth: An Ethical and Dynamic Paradigm for the Humanities (PalgraveMacmillan, 2012).

Author: Gary P. Bagnall
Publisher: Routledge
ISBN: 1351922785
Category : Law
Languages : en
Pages : 196

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Book Description
Law as Art presents a radical new legal theory, the Law as Art Hypothesis, which conceives law, not as a system of rules, but as a distinctive kind of art work. Law is differentiated as art by the Law as Compound Artistic Type Hypothesis, which uses the heuristic metaphor of the Operatic Music Drama, the most elementally complex compound art form, to develop an idea of legal art as a distinctive empowered text, supported by the arts of drama, painting, sculpture, dress-design, architecture, rhetoric and communication to form an elementally developed yet integrated unitary art work. Part I develops a new realist epistemology to support a contemporary action-type ontology of art, differentiated as art by virtue of its artistic value. Part II opens with a critical review of the arts in legal theory, before detailing the Law as Art and Law as Compound Artistic Type Hypothesis and locating them within contemporary scholarship. Legal philosophical implications are considered and there is an acronym key and glossary, bibliography and index.

Author: Chester L. Alwes
Publisher: Oxford University Press
ISBN: 0199377014
Category : Music
Languages : en
Pages : 473

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Book Description
A History of Western Choral Music explores the various genres, key composers, and influential works essential to the development of the western choral tradition. Author Chester L. Alwes divides this exploration into two volumes which move from Medieval music and the Renaissance era up to the 21st century. Volume II begins at the transition from the Classical era to the Romantic, with an examination of the major genres common to both periods. Exploring the oratorio, part song, and dramatic music, it also offers a thorough discussion of the choral symphony from Beethoven to Mahler, through to the present day. It then delves into the choral music of the twentieth century through discussions of the major compositional approaches and philosophies that proliferated over the course of the century, from impressionism to serialism, neo-classicism to modernism, minimalism, and the avant-garde. It also considers the emerging tendency towards nationalistic composition amongst composers such as Bartók and Stravinsky, and discusses in great detail the contemporary music of the United States, and Great Britain. Framing discussion within the political, religious, cultural, philosophical, aesthetic, and technological contexts of each era, A History of Western Choral Music offers readers specialized insight into major composers and works while providing a cohesive understanding of choral music's place in Western history.