Author: Richard WagnerPublisher:
ISBN:
Category : Music
Languages : en
Pages : 416
Book Description
Richard Wagner's prose works, vol.2
Author: Richard WagnerPublisher:
ISBN:
Category : Music
Languages : en
Pages : 416
Book Description
Richard Wagner's Prose Works;
Author: Richard WagnerPublisher: Wentworth Press
ISBN: 9781011582365
Category : History
Languages : en
Pages : 448
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Richard Wagner's Prose Works, Vol. 2
Author: Richard WagnerPublisher: Forgotten Books
ISBN: 9780266749059
Category : Music
Languages : en
Pages : 440
Book Description
Excerpt from Richard Wagner's Prose Works, Vol. 2: Opera and Drama By this time the literary longing was approaching a tangible shape, for on Sept. 20, 1850, Wagner writes again to Uhlig, and again after a reference to Sz'egfnied I am thinking of doing some literary work this autumn and winter. All generalities in art are, for the moment, repugnant to me no one understands them until his nose is driven into particulars. Now my particular work would be music, and, above all, opera. In any case, I will shortly send you rather a long article on modern opera, - about Rossini and Meyerbeer. This we may take to be the first unmis takable shadowing forth of Oper and Drama, although the title and magnitude of the eventual book are not yet within clear range of vision. Another point in this letter is the allusion in the very next sentence, already quoted in my preface to Volume i, to the receipt of a letter from Feuerbach, apparently accompanied by all that author's philosophical treatises. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
A History of Western Choral Music, Volume 2
Author: Chester L. AlwesPublisher: Oxford University Press
ISBN: 0199377014
Category : Music
Languages : en
Pages : 473
Book Description
A History of Western Choral Music explores the various genres, key composers, and influential works essential to the development of the western choral tradition. Author Chester L. Alwes divides this exploration into two volumes which move from Medieval music and the Renaissance era up to the 21st century. Volume II begins at the transition from the Classical era to the Romantic, with an examination of the major genres common to both periods. Exploring the oratorio, part song, and dramatic music, it also offers a thorough discussion of the choral symphony from Beethoven to Mahler, through to the present day. It then delves into the choral music of the twentieth century through discussions of the major compositional approaches and philosophies that proliferated over the course of the century, from impressionism to serialism, neo-classicism to modernism, minimalism, and the avant-garde. It also considers the emerging tendency towards nationalistic composition amongst composers such as Bartók and Stravinsky, and discusses in great detail the contemporary music of the United States, and Great Britain. Framing discussion within the political, religious, cultural, philosophical, aesthetic, and technological contexts of each era, A History of Western Choral Music offers readers specialized insight into major composers and works while providing a cohesive understanding of choral music's place in Western history.
Richard Wagner and the Jews
Author: Milton E. BrenerPublisher: McFarland
ISBN: 0786491388
Category : Social Science
Languages : en
Pages : 344
Book Description
It is well known that Richard Wagner, the renowned and controversial 19th century composer, exhibited intense anti-Semitism. The evidence is everywhere in his writings as well as in conversations his second wife recorded in her diaries. In his infamous essay "Judaism in Music," Wagner forever cemented his unpleasant reputation with his assertion that Jews were incapable of either creating or appreciating great art. Wagner's close ties with many talented Jews, then, are surprising. Most writers have dismissed these connections as cynical manipulations and rank hypocrisy. Examination of the original sources, however, reveals something different: unmistakeable, undeniable empathy and friendship between Wagner and the Jews in his life. Indeed, the composer had warm relationships with numerous individual Jews. Two of them resided frequently over extended periods in his home. One of these, the rabbi's son Hermann Levi, conducted Wagner's final opera--Parsifal, based on Christian legend--at Wagner's request; no one, Wagner declared, understood his work so well. Even in death his Jewish friends were by his side; two were among his twelve pallbearers. The contradictions between Wagner's antipathy toward the amorphous entity "The Jews" and his genuine friendships with individual Jews are the subject of this book. Drawing on extensive sources in both German and English, including Wagner's autobiography and diary and the diaries of his second wife, this comprehensive treatment of Wagner's anti-Semitism is the first to place it in perspective with his life and work. Included in the text are portions of unpublished letters exchanged between Wagner and Hermann Levi. Altogether, the book reveals astonishing complexities in a man long known as much for his prejudice as for his epic contributions to opera.
A History of Western Philosophy of Music
Author: James O. YoungPublisher: Cambridge University Press
ISBN: 1108570933
Category : Philosophy
Languages : en
Pages : 684
Book Description
This book presents a comprehensive, accessible survey of Western philosophy of music from Pythagoras to the present. Its narrative traces themes and schools through history, in a sequence of five chapters that survey the ancient, medieval, early modern, modern and contemporary periods. Its wide-ranging coverage includes medieval Islamic thinkers, Continental and analytic thinkers, and neglected female thinkers such as Vernon Lee (Violet Paget). All aspects of the philosophy of music are discussed, including music and the cosmos, music's value, music's relation to the other arts, the problem of opera, the origins of musical genius, music's emotional impact, the moral effects of music, the ontology of musical works, and the relevance of music's historical context. The volume will be valuable for students and scholars in philosophy and musicology, and all who are interested in the ways in which philosophers throughout history have thought about music.
National Traditions in Nineteenth-Century Opera, Volume II
Author: Michael C. TusaPublisher: Routledge
ISBN: 1351915827
Category : Music
Languages : en
Pages : 376
Book Description
This volume offers a cross-section of English-language scholarship on German and Slavonic operatic repertories of the "long nineteenth century," giving particular emphasis to four areas: German opera in the first half of the nineteenth century; the works of Richard Wagner after 1848; Russian opera between Glinka and Rimsky-Korsakov; and the operas of Richard Strauss and Janácek. The essays reflect diverse methods, ranging from stylistic, philological, and historical approaches to those rooted in hermeneutics, critical theory, and post-modernist inquiry.
Present Pasts
Author: Andreas HuyssenPublisher: Stanford University Press
ISBN: 9780804745611
Category : Political Science
Languages : en
Pages : 196
Book Description
This book analyzes the relation of public memory to history, forgetting, and selective memory in three late-twentieth-century cities that have confronted major social or political traumas—Berlin, Buenos Aires, and New York.
Performance and the Politics of Space
Author: Erika Fischer-LichtePublisher: Routledge
ISBN: 1136210261
Category : Performing Arts
Languages : en
Pages : 320
Book Description
From its very beginnings, theatre has been both an art and a public space, shared by actors and spectators. As a result, its entity and history is intimately tied to politics: a politics of inclusion and exclusion, of distributions and placements, of spatial appropriation and utopian concepts. This collection examines what is at stake when a theatrical space is created and when a performance takes place; it asks under what circumstances the topology of theatre becomes political. The book approaches this issue from various angles, taking theatre as a cultural paradigm for political dimensions of space in its respective historical context. Visiting the political dimensions of theatrical space in both theatre history and contemporary performance, the volume responds to the so-called spatial turn in cultural and historical studies, and questions a politics of aesthetics that is discussed in continental philosophy. The book visits different levels and linkages between aesthetic theory and geography, art and sociology, architecture and political theory, and geometry and history, shedding new light on theatre, politics, and space, thereby transforming this historically intertwined triad into a transdisciplinary theme.
Letters on Strategy
Author: Kraft Karl August Eduard Friedrich Hohenlohe-Ingelfingen (Prinz zu)Publisher:
ISBN:
Category : Strategy
Languages : en
Pages : 420
Book Description