Richard Bartholomew, the Art Critic PDF Download

Author: Richard Bartholomew
Publisher:
ISBN: 9789350673652
Category : Art criticism
Languages : en
Pages : 639

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Author: Aveek Sen
Publisher:
ISBN: 9788190391160
Category : India
Languages : en
Pages : 103

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Reproductions of the creative photographs of an Indian photographer.

Author: Matthew Quick
Publisher: Harper Collins
ISBN: 1443425877
Category : Fiction
Languages : en
Pages : 182

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Book Description
For almost four decades, Bartholomew Neil has done nothing but live with his mom. When she begins calling him Richard—for reasons unknown—and then dies, Bartholomew is woefully unprepared.” A clue comes in the form of a “Free Tibet” letter he finds in his mother’s underwear drawer, and so Bartholomew awkwardly starts his new life, writing Richard Gere a series of highly intimate fan letters. Jung’s theory of synchronicity, the mystery of women, the Dalai Lama’s teachings, alien abduction, cat telepathy and the Catholic Church are all explored in depth by Bartholomew’s epistles—but mostly the letters outline one man’s heartbreakingly earnest attempt to assemble a family of his own. A struggling priest, a “girlbrarian,” her foul-mouthed brother and Richard Gere (well, sort of) join the quest. In a rented Ford Focus, they travel to Canada in search of Bartholomew’s biological father and end up finding so much more.

Author: Natasha Ginwala
Publisher:
ISBN: 9783791384757
Category :
Languages : en
Pages : 376

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This illustrated monograph looks at the multimedia work of Jitish Kallat, one of India's most prominent and irreverent young artists. One of South Asia's most compelling artists, Jitish Kallat has built an immersive practice, ranging from ideas of time, recursion, and historical recall, to deliberations on the cosmopolis and the intertwined spheres of ecology and cosmology. The curator of the Kochi-Muziris Biennale in 2014, his work has been exhibited widely at museums and institutions worldwide. His vast oeuvre-- spanning painting, photography, sculptural installation, and video--reveals his commitment to unveiling the meditative concerns of the self, often simultaneously situating the metropolis while also relating to the cosmic. This specially commissioned monograph commemorates a retrospective exhibition at the National Gallery of Modern Art, New Delhi, in 2017. Illustrations map Kallat's expansive collection of artworks, exhibition displays, and found imagery. In addition, this book explores the visual culture which inspires and influences Kallat's wide-ranging works.

Author: Sonal Khullar
Publisher: Univ of California Press
ISBN: 0520283678
Category : Art
Languages : en
Pages : 368

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The purpose of art, the Paris-trained artist Amrita Sher-Gil wrote in 1936, is to "create the forms of the future” by “draw[ing] its inspiration from the present.” Through art, new worlds can be imagined into existence as artists cultivate forms of belonging and networks of association that oppose colonialist and nationalist norms. Drawing on Edward Said’s notion of “affiliation” as a critical and cultural imperative against empire and nation-state, Worldly Affiliations traces the emergence of a national art world in twentieth-century India and emphasizes its cosmopolitan ambitions and orientations. Sonal Khullar focuses on four major Indian artists—Sher-Gil, Maqbool Fida Husain, K. G. Subramanyan, and Bhupen Khakhar—situating their careers within national and global histories of modernism and modernity. Through a close analysis of original artwork, archival materials, artists’ writing, and period criticism, Khullar provides a vivid historical account of the state and stakes of artistic practice in India from the late colonial through postcolonial periods. She discusses the shifting terms of Indian artists’ engagement with the West—an urgent yet fraught project in the wake of British colonialism—and to a lesser extent with African and Latin American cultural movements such as Négritude and Mexican muralism. Written in a lucid and engaging style, this book links artistic developments in India to newly emerging histories of modern art in Asia, Africa, and Latin America. Drawing on original research in the twenty-first-century art world, Khullar shows the persistence of modernism in contemporary art from India and compares its function to Walter Benjamin’s ruin. In the work of contemporary artists from India, modernism is the ground from which to imagine futures. This richly illustrated study juxtaposes little-known, rarely seen, or previously unpublished works of modern and contemporary art with historical works, popular or mass-reproduced images, and documentary photographs. Its innovative art program renders newly visible the aesthetic and political achievements of Indian modernism.

Author: Michael Arceneaux
Publisher: Simon and Schuster
ISBN: 1501178865
Category : Humor
Languages : en
Pages : 206

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Book Description
NEW YORK TIMES BESTSELLER Featured as One of Summer’s most anticipated reads by the Los Angeles Times, Vogue, Vulture, Entertainment Weekly, ELLE, Buzzfeed, and Bitch Media. From the author of I Don’t Want to Die Poor and in the style of New York Times bestsellers You Can’t Touch My Hair, Bad Feminist, and I'm Judging You, a timely collection of alternately hysterical and soul‑searching essays about what it is like to grow up as a creative, sensitive black man in a world that constantly tries to deride and diminish your humanity. It hasn’t been easy being Michael Arceneaux. Equality for LGBTQ people has come a long way and all, but voices of persons of color within the community are still often silenced, and being Black in America is…well, have you watched the news? With the characteristic wit and candor that have made him one of today’s boldest writers on social issues, I Can’t Date Jesus is Michael Arceneaux’s impassioned, forthright, and refreshing look at minority life in today’s America. Leaving no bigoted or ignorant stone unturned, he describes his journey in learning to embrace his identity when the world told him to do the opposite. He eloquently writes about coming out to his mother; growing up in Houston, Texas; being approached for the priesthood; his obstacles in embracing intimacy that occasionally led to unfortunate fights with fire ants and maybe fleas; and the persistent challenges of young people who feel marginalized and denied the chance to pursue their dreams. Perfect for fans of David Sedaris, Samantha Irby, and Phoebe Robinson, I Can’t Date Jesus tells us—without apologies—what it’s like to be outspoken and brave in a divisive world.

Author: Linda Weintraub
Publisher: Univ of California Press
ISBN: 0520273613
Category : Art
Languages : en
Pages : 380

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Book Description
This title documents the burgeoning eco art movement from A to Z, presenting a panorama of artistic responses to environmental concerns, from Ant Farms anti-consumer antics in the 1970s to Marina Zurkows 2007 animation that anticipates the havoc wreaked upon the planet by global warming.

Author: Jonathan Jones
Publisher: Vintage
ISBN: 030796101X
Category : History
Languages : en
Pages : 427

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From one of Britain’s most respected and acclaimed art historians, art critic of The Guardian—the galvanizing story of a sixteenth-century clash of titans, the two greatest minds of the Renaissance, working side by side in the same room in a fierce competition: the master Leonardo da Vinci, commissioned by the Florentine Republic to paint a narrative fresco depicting a famous military victory on a wall of the newly built Great Council Hall in the Palazzo Vecchio, and his implacable young rival, the thirty-year-old Michelangelo. We see Leonardo, having just completed The Last Supper, and being celebrated by all of Florence for his miraculous portrait of the wife of a textile manufacturer. That painting—the Mona Lisa—being called the most lifelike anyone had ever seen yet, more divine than human, was captivating the entire Florentine Republic. And Michelangelo, completing a commissioned statue of David, the first colossus of the Renaissance, the archetype hero for the Republic epitomizing the triumph of the weak over the strong, helping to reshape the public identity of the city of Florence and conquer its heart. In The Lost Battles, published in England to great acclaim (“Superb”—The Observer; “Beguilingly written”—The Guardian), Jonathan Jones brilliantly sets the scene of the time—the politics; the world of art and artisans; and the shifting, agitated cultural landscape. We see Florence, a city freed from the oppressive reach of the Medicis, lurching from one crisis to another, trying to protect its liberty in an Italy descending into chaos, with the new head of the Republic in search of a metaphor that will make clear the glory that is Florence, and seeing in the commissioned paintings the expression of his vision. Jones reconstructs the paintings that Leonardo and Michelangelo undertook—Leonardo’s Battle of Anghiari, a nightmare seen in the eyes of the warrior (it became the first modern depiction of the disenchantment of war) and Michelangelo’s Battle of Cascina, a call to arms and the first great transfiguration of the erotic into art. Jones writes about the competition; how it unfolded and became the defining moment in the transformation of “craftsman” to “artist”; why the Florentine government began to fall out of love with one artist in favor of the other; and how—and why—in a competition that had no formal prize to clearly resolve the outcome, the battle became one for the hearts and minds of the Florentine Republic, with Michelangelo setting out to prove that his work, not Leonardo’s, embodied the future of art. Finally, we see how the result of the competition went on to shape a generation of narrative paintings, beginning with those of Raphael. A riveting exploration into one of history’s most resonant exchanges of ideas, a rich, fascinating book that gives us a whole new understanding of an age and those at its center.

Author: Dayanita Singh
Publisher: Scalo Publishers
ISBN:
Category : Photography
Languages : en
Pages : 168

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Author: S. Anand (Journalist)
Publisher:
ISBN: 9788193237205
Category : Artists
Languages : en
Pages : 0

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Book Description
Autobiographical reminiscences of Venkat Raman Singh Shyam, Pardhan Gond artist in collaboration with S. Anand.