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Author: Wye Jamison Allanbrook Publisher: University of Chicago Press ISBN: 022643771X Category : Biography & Autobiography Languages : en Pages : 409
Book Description
Wye Jamison Allanbrook’s widely influential Rhythmic Gesture in Mozart challenges the view that Wolfgang Amadeus Mozart’s music was a “pure play” of key and theme, more abstract than that of his predecessors. Allanbrook’s innovative work shows that Mozart used a vocabulary of symbolic gestures and musical rhythms to reveal the nature of his characters and their interrelations. The dance rhythms and meters that pervade his operas conveyed very specific meanings to the audiences of the day.
Author: Wye Jamison Allanbrook Publisher: University of Chicago Press ISBN: 022643771X Category : Biography & Autobiography Languages : en Pages : 409
Book Description
Wye Jamison Allanbrook’s widely influential Rhythmic Gesture in Mozart challenges the view that Wolfgang Amadeus Mozart’s music was a “pure play” of key and theme, more abstract than that of his predecessors. Allanbrook’s innovative work shows that Mozart used a vocabulary of symbolic gestures and musical rhythms to reveal the nature of his characters and their interrelations. The dance rhythms and meters that pervade his operas conveyed very specific meanings to the audiences of the day.
Author: Kristi Brown-Montesano Publisher: Univ of California Press ISBN: 0520385799 Category : Biography & Autobiography Languages : en Pages : 344
Book Description
Is The Marriage of Figaro just about Figaro? Is Don Giovanni’s story the only one—or even the most interesting one—in the opera that bears his name? For generations of critics, historians, and directors, it’s Mozart’s men who have mattered most. Too often, the female characters have been understood from the male protagonist’s point of view or simply reduced on stage (and in print) to paper cutouts from the age of the powdered wig and the tightly cinched corset. It’s time to give Mozart’s women—and Mozart’s multi-dimensional portrayals of feminine character—their due. In this lively book, Kristi Brown-Montesano offers a detailed exploration of the female roles in Mozart’s four most frequently performed operas, Le nozze di Figaro, Don Giovanni, Così fan tutte, and Die Zauberflöte. Each chapter takes a close look at the music, libretto text, literary sources, and historical factors that give shape to a character, re-evaluating common assumptions and proposing fresh interpretations. Brown-Montesano views each character as the subject of a story, not merely the object of a hero’s narrative or the stock figure of convention. From amiable Zerlina, to the awesome Queen of the Night, to calculating Despina, all of Mozart’s women have something unique to say. These readings also tackle provocative social, political, and cultural issues, which are used in the operas to define positive and negative images of femininity: revenge, power, seduction, resistance, autonomy, sacrifice, faithfulness, class, maternity, and sisterhood. Keenly aware of the historical gap between the origins of these works and contemporary culture, Brown-Montesano discusses how attitudes about such concepts—past and current—influence our appreciation of these fascinating representations of women.
Author: Stanley Sadie Publisher: Oxford University Press ISBN: 9780198164432 Category : Biography & Autobiography Languages : en Pages : 538
Book Description
This volume is a collection based on the Royal Musical Association's Mozart Conference of 1991, the principal scholarly event in the English-speaking world in commemoration of the bicentenary. It includes essays placing Mozart in the context, in Salzburg and Vienna, in which he worked, explaining aspects of his life and work hitherto obscure; essays interpreting his instrumental music; and a substantial series of studies on different aspects of his operas, from Lucio Silla to La clemenza di Tito, with particular stress on the creative processes in the Da Ponte operas.
Author: Stephen Rumph Publisher: Univ of California Press ISBN: 0520260864 Category : Biography & Autobiography Languages : en Pages : 283
Book Description
"In Mozart and Enlightenment Semiotics, Stephen Rumph shifts the ground of interpretation for late eighteenth century European music by reinstating the semiotics and language theory of the period. In so doing, Rumph challenges and reappraises current orthodoxies. These challenges are extremely valuable, bravely offered, and intuitively right as well as convincingly argued." —Matthew Head, author of Orientalism, Masquerade and Mozart's Turkish Music "Stephen Rumph’s book is, to my knowledge, the first successful attempt to ground classical music in its contemporaneous intellectual context. In this respect, Rumph’s book is a great achievement. It is an imaginative tour-de-force bursting with dazzling insights, and with an apparently encyclopedic range of intellectual reference in several languages." —Michael Spitzer, author of Metaphor and Musical Thought “By keeping so many things in focus at the same time, Stephen Rumph has really written several books in one: an introduction to Enlightenment theories of the sign for scholars of music; a much-needed historical context for modern musical semiotics; a sensitive new exploration of the circulation of meanings in and through Mozart’s music; and an important contribution to the ongoing integration of musicology into cultural studies. I suspect that in the course of several readings, one would come away each time with a different set of equally valuable revelations.” —Elisabeth LeGuin, author of Boccherini's Body: An Essay in Carnal Musicology
Author: James M. Morris Publisher: Cambridge University Press ISBN: 9780521476614 Category : Music Languages : en Pages : 270
Book Description
A collection of essays which explore Mozart from various perspectives, suggesting the complexity of his character and his achievement.
Author: Richard Will Publisher: University of Chicago Press ISBN: 0226815420 Category : Music Languages : en Pages : 315
Book Description
“Don Giovanni” Captured considers the life of a single opera, engaging with the entire history of its recorded performance. Mozart’s opera Don Giovanni has long inspired myths about eros and masculinity. Over time, its performance history has revealed a growing trend toward critique—an increasing effort on the part of performers and directors to highlight the violence and predatoriness of the libertine central character, alongside the suffering and resilience of his female victims. In “Don Giovanni” Captured, Richard Will sets out to analyze more than a century’s worth of recorded performances of the opera, tracing the ways it has changed from one performance to another and from one generation to the next. Will consults audio recordings, starting with wax cylinders and 78s, as well as video recordings, including DVDs, films, and streaming videos. As Will argues, recordings and other media shape our experience of opera as much as live performance does. Seen as a historical record, opera recordings are also a potent reminder of the refusal of works such as Don Giovanni to sit still. By choosing a work with such a rich and complex tradition of interpretation, Will helps us see Don Giovanni as a standard-bearer for evolving ideas about desire and power, both on and off the stage.
Author: Edward Klorman Publisher: Cambridge University Press ISBN: 1316531279 Category : Music Languages : en Pages : 359
Book Description
In 1829 Goethe famously described the string quartet as 'a conversation among four intelligent people'. Inspired by this metaphor, Edward Klorman's study draws on a wide variety of documentary and iconographic sources to explore Mozart's chamber works as 'the music of friends'. Illuminating the meanings and historical foundations of comparisons between chamber music and social interplay, Klorman infuses the analysis of sonata form and phrase rhythm with a performer's sensibility. He develops a new analytical method called multiple agency that interprets the various players within an ensemble as participants in stylized social intercourse - characters capable of surprising, seducing, outwitting, and even deceiving one another musically. This book is accompanied by online resources that include original recordings performed by the author and other musicians, as well as video analyses that invite the reader to experience the interplay in time, as if from within the ensemble.
Author: Matthew Head Publisher: Routledge ISBN: 1351555480 Category : Music Languages : en Pages : 178
Book Description
Matthew Head explores the cultural meanings of Mozart's Turkish music in the composer's 18th-century context, in subsequent discourses of Mozart's significance for 'Western' culture, and in today's (not entirely) post-colonial world. Unpacking the ideological content of Mozart's numerous representations of Turkey and Turkish music, Head locates the composer's exoticisms in shifting power relations between the Austrian and Ottoman Empires, and in an emerging orientalist project. At the same time, Head complicates a presentist post-colonial critique by exploring commercial stimuli to Mozart's turquerie, and by embedding the composer's orientalism in practices of self-disguise epitomised by masquerade and carnival. In this context, Mozart's Turkish music offered fleeting liberation from official and proscribed identities of the bourgeois Enlightenment.
Author: JohnA. Rice Publisher: Routledge ISBN: 1351567888 Category : Music Languages : en Pages : 580
Book Description
The study of opera in the second half of the eighteenth century has flourished during the last several decades, and our knowledge of the operas written during that period and of their aesthetic, social, and political context has vastly increased. This volume explores opera and operatic life of the years 1750-1800 through a selection of articles intended to represent the last few decades of scholarship in all its excitement and variety.
Author: Wye Jamison Allanbrook
Author: Wye Jamison Allanbrook
Author: Kristi Brown-Montesano
Author: Wye Jamison Allanbrook
Author: Stanley Sadie
Author: Stephen Rumph
Author: James M. Morris
Author: Richard Will
Author: Edward Klorman
Author: Matthew Head
Author: JohnA. Rice