Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters PDF Download
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Author: Nathan Petitpas Publisher: ISBN: 9781999035648 Category : Languages : en Pages : 136
Book Description
This book contains music rhythm reading exercises on a single pitch. Exercises are in six different time signatures and in increasing difficulty. These exercises can be used to practice rhythm reading, understanding and accuracy, improve your timing and coordination, and can be used with a variety of exercises. Great for students and professionals.
Author: Nathan Petitpas Publisher: ISBN: 9781999035648 Category : Languages : en Pages : 136
Book Description
This book contains music rhythm reading exercises on a single pitch. Exercises are in six different time signatures and in increasing difficulty. These exercises can be used to practice rhythm reading, understanding and accuracy, improve your timing and coordination, and can be used with a variety of exercises. Great for students and professionals.
Author: Nathan Petitpas Publisher: Dots and Beams ISBN: 1999035658 Category : Juvenile Nonfiction Languages : en Pages : 132
Book Description
This collection presents the user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. To curate the difficulty levels I looked at all of the possible ways we can use eighth-notes and sixteenth-notes to subdivide a single beat without the use of tuplets. The lowest difficulty level is comprised of the easiest of these one-beat rhythmic groupings. Subsequent difficulty levels include more challenging groupings while continuing to use the easier ones from previous chapters. In this way the difficulty levels are cumulative: level 1 uses only the easiest groupings, but by level 9, all of the possible rhythmic groupings have been introduced. Level 10 increases the density of challenging groupings by omitting the easier ones. The introductory page of each chapter introduces the rhythmic groupings that will be added or omitted in that chapter. On some occasions rhythmic groupings are respelled; however, these new spellings are not formally introduced at the beginning of the chapter. The exercises in this collection are intentionally random and difficult to internalize. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in many ways. It also forces the user to process every rhythm as its own event without relying on pattern recognition for help. Some suggestions for how to use this book include: Practice sight-reading. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. When practising sight-reading I encourage you to cycle through exercises quickly rather than mastering each one. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Placing the metronome click on non-strong beats forces you to take responsibility for the time in a different way and trains you to hear how your rhythm relates to each subdivision of the beat. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or every third sixteenth note. Be creative with this one; the possibilities are limitless! Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exercises as possible.
Author: Bret Wilmott Publisher: Mel Bay Publications ISBN: 1619117177 Category : Music Languages : en Pages : 241
Book Description
Many polyrhythms and polymeters (simultaneous combinations of more than one rhythmic pattern) exist in today's music, with some being so common they could be referred to as rhythm licks. This book presents a unique and comprehensive approach to polymetric applications of various rhythms over common chord progressions and song forms in 3/4 and 4/4, written primarily for instruments with chordal capabilities. Non-chordal instrumentalists interested in rhythmic development and contemporary phrasing may also benefit. Polymetric rhythms will force a variety of harmonic anticipations and delays which can have a profound and beneficial effect on harmonic, melodic, and improvisational phrasing. In addition, the focused attention and expanded awareness needed to master these exercises can also help in your sensitivity and response to the surrounding environment and your interactions with other musicians and audience.
Author: Michael Ferber Publisher: Cambridge University Press ISBN: 1108429122 Category : Language Arts & Disciplines Languages : en Pages : 287
Book Description
An accessible introduction to poetry's unusual uses of language that tackles a wide range of poetic features from a linguistic point of view. Equally appealing to the non-expert and more experienced student of linguistics, this book delivers an engaging and often witty summary of how we define what poetry is.
Author: Laura Hillenbrand Publisher: Random House Trade Paperbacks ISBN: 0812974492 Category : Biography & Autobiography Languages : en Pages : 530
Book Description
#1 NEW YORK TIMES BESTSELLER • NOW A MAJOR MOTION PICTURE • Look for special features inside. Join the Random House Reader’s Circle for author chats and more. In boyhood, Louis Zamperini was an incorrigible delinquent. As a teenager, he channeled his defiance into running, discovering a prodigious talent that had carried him to the Berlin Olympics. But when World War II began, the athlete became an airman, embarking on a journey that led to a doomed flight on a May afternoon in 1943. When his Army Air Forces bomber crashed into the Pacific Ocean, against all odds, Zamperini survived, adrift on a foundering life raft. Ahead of Zamperini lay thousands of miles of open ocean, leaping sharks, thirst and starvation, enemy aircraft, and, beyond, a trial even greater. Driven to the limits of endurance, Zamperini would answer desperation with ingenuity; suffering with hope, resolve, and humor; brutality with rebellion. His fate, whether triumph or tragedy, would be suspended on the fraying wire of his will. Appearing in paperback for the first time—with twenty arresting new photos and an extensive Q&A with the author—Unbroken is an unforgettable testament to the resilience of the human mind, body, and spirit, brought vividly to life by Seabiscuit author Laura Hillenbrand. Hailed as the top nonfiction book of the year by Time magazine • Winner of the Los Angeles Times Book Prize for biography and the Indies Choice Adult Nonfiction Book of the Year award “Extraordinarily moving . . . a powerfully drawn survival epic.”—The Wall Street Journal “[A] one-in-a-billion story . . . designed to wrench from self-respecting critics all the blurby adjectives we normally try to avoid: It is amazing, unforgettable, gripping, harrowing, chilling, and inspiring.”—New York “Staggering . . . mesmerizing . . . Hillenbrand’s writing is so ferociously cinematic, the events she describes so incredible, you don’t dare take your eyes off the page.”—People “A meticulous, soaring and beautifully written account of an extraordinary life.”—The Washington Post “Ambitious and powerful . . . a startling narrative and an inspirational book.”—The New York Times Book Review “Magnificent . . . incredible . . . [Hillenbrand] has crafted another masterful blend of sports, history and overcoming terrific odds; this is biography taken to the nth degree, a chronicle of a remarkable life lived through extraordinary times.”—The Dallas Morning News “An astonishing testament to the superhuman power of tenacity.”—Entertainment Weekly “A tale of triumph and redemption . . . astonishingly detailed.”—O: The Oprah Magazine “[A] masterfully told true story . . . nothing less than a marvel.”—Washingtonian “[Hillenbrand tells this] story with cool elegance but at a thrilling sprinter’s pace.”—Time “Hillenbrand [is] one of our best writers of narrative history. You don’t have to be a sports fan or a war-history buff to devour this book—you just have to love great storytelling.”—Rebecca Skloot, author of The Immortal Life of Henrietta Lacks
Author: Nathan Petitpas
Author: Nathan Petitpas
Author: Nathan Petitpas
Author: Sears, Roebuck and Company
Author: Bret Wilmott
Author: Michael Ferber
Author: Francis Adelbert Blackburn
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Author: Laura Hillenbrand
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