Author: M. Wilson
Publisher: Springer
ISBN: 113732094X
Category : Literary Criticism
Languages : en
Pages : 395
Book Description
Rhys Matters, the first collection of essays focusing on Rhys's writing in over twenty years, encounters her oeuvre from multiple disciplinary perspectives and appreciates the interventions in modernism, postcolonial studies, Caribbean studies, and women's and gender studies.
Rhys Matters
Author: M. Wilson
Publisher: Springer
ISBN: 113732094X
Category : Literary Criticism
Languages : en
Pages : 395
Book Description
Rhys Matters, the first collection of essays focusing on Rhys's writing in over twenty years, encounters her oeuvre from multiple disciplinary perspectives and appreciates the interventions in modernism, postcolonial studies, Caribbean studies, and women's and gender studies.
Publisher: Springer
ISBN: 113732094X
Category : Literary Criticism
Languages : en
Pages : 395
Book Description
Rhys Matters, the first collection of essays focusing on Rhys's writing in over twenty years, encounters her oeuvre from multiple disciplinary perspectives and appreciates the interventions in modernism, postcolonial studies, Caribbean studies, and women's and gender studies.
Rhys Matters
Author: M. Wilson
Publisher: Palgrave Macmillan
ISBN: 9781137327901
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
Rhys Matters, the first collection of essays focusing on Rhys's writing in over twenty years, encounters her oeuvre from multiple disciplinary perspectives and appreciates the interventions in modernism, postcolonial studies, Caribbean studies, and women's and gender studies.
Publisher: Palgrave Macmillan
ISBN: 9781137327901
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
Rhys Matters, the first collection of essays focusing on Rhys's writing in over twenty years, encounters her oeuvre from multiple disciplinary perspectives and appreciates the interventions in modernism, postcolonial studies, Caribbean studies, and women's and gender studies.
Malice at the Palace
Author: Rhys Bowen
Publisher: Penguin
ISBN: 0425260445
Category : Fiction
Languages : en
Pages : 306
Book Description
Thirty-fifth in line for the British throne, Lady Georgiana Rannoch becomes embroiled in royal wrongdoing in the ninth mystery from the New York Times bestselling author of Crowned and Dangerous. Caught between her high birth and empty purse, Georgie is relieved to receive a new assignment from the Queen. The King’s youngest son, George, is to wed Princess Marina of Greece, and the Queen wants Georgie to be her companion: showing her the best of London—and dispelling any rumors about George’s libertine history. The prince is known for his many affairs with women as well as men—including the great songwriter Noel Coward. But things truly get complicated when one of his supposed mistresses is murdered. The Queen wants the whole matter hushed. But as the case unfolds—and Georgie's beau Darcy, as always, turns up in the most unlikely of places—their investigation brings them precariously close to the prince himself.
Publisher: Penguin
ISBN: 0425260445
Category : Fiction
Languages : en
Pages : 306
Book Description
Thirty-fifth in line for the British throne, Lady Georgiana Rannoch becomes embroiled in royal wrongdoing in the ninth mystery from the New York Times bestselling author of Crowned and Dangerous. Caught between her high birth and empty purse, Georgie is relieved to receive a new assignment from the Queen. The King’s youngest son, George, is to wed Princess Marina of Greece, and the Queen wants Georgie to be her companion: showing her the best of London—and dispelling any rumors about George’s libertine history. The prince is known for his many affairs with women as well as men—including the great songwriter Noel Coward. But things truly get complicated when one of his supposed mistresses is murdered. The Queen wants the whole matter hushed. But as the case unfolds—and Georgie's beau Darcy, as always, turns up in the most unlikely of places—their investigation brings them precariously close to the prince himself.
Jean Rhys
Author: Erica L Johnson
Publisher: Edinburgh University Press
ISBN: 1474402208
Category : Literary Criticism
Languages : en
Pages : 257
Book Description
The 10 newly commissioned essays and introduction collected in this volume demonstrate Jean Rhys's centrality to modernism and to postcolonial literature alike by addressing her stories and novels from the 1920s and 1930s.
Publisher: Edinburgh University Press
ISBN: 1474402208
Category : Literary Criticism
Languages : en
Pages : 257
Book Description
The 10 newly commissioned essays and introduction collected in this volume demonstrate Jean Rhys's centrality to modernism and to postcolonial literature alike by addressing her stories and novels from the 1920s and 1930s.
Transnational Jean Rhys
Author: Juliana Lopoukhine
Publisher: Bloomsbury Publishing USA
ISBN: 1501361317
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
This volume investigates the frameworks that can be applied to reading Caribbean author Jean Rhys. While Wide Sargasso Sea famously displays overt forms of literary influences, Jean Rhys's entire oeuvre is so fraught with connections to other texts and textual practices across geographical boundaries that her classification as a cosmopolitan modernist writer is due for reassessment. Transnational Jean Rhys argues against the relative isolationism that is sometimes associated with Rhys's writing by demonstrating both how she was influenced by a wide range of foreign especially French authors and how her influence was in turn disseminated in myriad directions. Including an interview with Black Atlantic novelist Caryl Phillips, this collection charts new territories in the influences on/of an author known for her dislike of literary coteries, but whose literary communality has been underestimated.
Publisher: Bloomsbury Publishing USA
ISBN: 1501361317
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
This volume investigates the frameworks that can be applied to reading Caribbean author Jean Rhys. While Wide Sargasso Sea famously displays overt forms of literary influences, Jean Rhys's entire oeuvre is so fraught with connections to other texts and textual practices across geographical boundaries that her classification as a cosmopolitan modernist writer is due for reassessment. Transnational Jean Rhys argues against the relative isolationism that is sometimes associated with Rhys's writing by demonstrating both how she was influenced by a wide range of foreign especially French authors and how her influence was in turn disseminated in myriad directions. Including an interview with Black Atlantic novelist Caryl Phillips, this collection charts new territories in the influences on/of an author known for her dislike of literary coteries, but whose literary communality has been underestimated.
Modernism, Space and the City
Author: Andrew Thacker
Publisher: Edinburgh University Press
ISBN: 0748633499
Category : Berlin (Germany)
Languages : en
Pages : 272
Book Description
This innovative text examines the development of modernist writing in four European cities: London, Paris, Berlin and Vienna.
Publisher: Edinburgh University Press
ISBN: 0748633499
Category : Berlin (Germany)
Languages : en
Pages : 272
Book Description
This innovative text examines the development of modernist writing in four European cities: London, Paris, Berlin and Vienna.
Cross-Channel Modernisms
Author: Claire Davison
Publisher: Edinburgh University Press
ISBN: 1474441890
Category : Literary Criticism
Languages : en
Pages : 264
Book Description
Explores modernist aesthetics and cultural exchange in Britain, France and beyond Offers cutting-edge explorations of different aspects of artistic exchange between Britain and France, written by experts on both sides of the ChannelProvides original close readings of canonical and marginalised modernist textsOpens up new conceptual paradigms by probing multiple meanings related to 'crossing' and 'channelling' modernismOrganises chapters around three key themes of 'translating', 'fashioning', 'mediating' that intervene in the new modernist studiesDescribed by Katherine Mansfield in 1921 as 'a great cold sword between you and your dear love Adventure', in the early twentieth century the English Channel, or 'La Manche' in French, represented both a political and intellectual barrier between European avant-gardism and British restraint, and a bridge for cultural connection and aesthetic innovation. Organised around key terms 'Translating', 'Fashioning' and 'Mediating', this book presents ten original essays by scholars working on both sides of the Channel. Cross-Channel Modernisms historicises artistic exchangesa ina Britain, France and beyond and proposes a rich conceptual apparatus of 'crossings' and 'channels' through which we can read modernism and understand it as emerging from, and intervening in, an always-already shifting, multivalent,a internationala context.
Publisher: Edinburgh University Press
ISBN: 1474441890
Category : Literary Criticism
Languages : en
Pages : 264
Book Description
Explores modernist aesthetics and cultural exchange in Britain, France and beyond Offers cutting-edge explorations of different aspects of artistic exchange between Britain and France, written by experts on both sides of the ChannelProvides original close readings of canonical and marginalised modernist textsOpens up new conceptual paradigms by probing multiple meanings related to 'crossing' and 'channelling' modernismOrganises chapters around three key themes of 'translating', 'fashioning', 'mediating' that intervene in the new modernist studiesDescribed by Katherine Mansfield in 1921 as 'a great cold sword between you and your dear love Adventure', in the early twentieth century the English Channel, or 'La Manche' in French, represented both a political and intellectual barrier between European avant-gardism and British restraint, and a bridge for cultural connection and aesthetic innovation. Organised around key terms 'Translating', 'Fashioning' and 'Mediating', this book presents ten original essays by scholars working on both sides of the Channel. Cross-Channel Modernisms historicises artistic exchangesa ina Britain, France and beyond and proposes a rich conceptual apparatus of 'crossings' and 'channels' through which we can read modernism and understand it as emerging from, and intervening in, an always-already shifting, multivalent,a internationala context.
Jean Rhys's Modernist Bearings and Experimental Aesthetics
Author: Sue Thomas
Publisher: Bloomsbury Publishing
ISBN: 135027576X
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
Addressing Jean Rhys's composition and positioning of her fiction, this book invites and challenges us to read the tacit, silent and explicit textual bearings she offers and reveals new insights about the formation, scope and complexity of Rhys's experimental aesthetics. Tracing the distinctive and shifting evolution of Rhys's experimental aesthetics over her career, Sue Thomas explores Rhys's practices of composition in her fiction and drafts, as well as her self-reflective comment on her writing. The author examines patterns of interrelation, intertextuality, intermediality and allusion, both diachronic and synchronic, as well as the cultural histories entwined within them. Through close analysis of these, this book reveals new experimental, thematic, generic and political reaches of Rhys's fiction and sharpens our insight into her complex writerly affiliations and lineages.
Publisher: Bloomsbury Publishing
ISBN: 135027576X
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
Addressing Jean Rhys's composition and positioning of her fiction, this book invites and challenges us to read the tacit, silent and explicit textual bearings she offers and reveals new insights about the formation, scope and complexity of Rhys's experimental aesthetics. Tracing the distinctive and shifting evolution of Rhys's experimental aesthetics over her career, Sue Thomas explores Rhys's practices of composition in her fiction and drafts, as well as her self-reflective comment on her writing. The author examines patterns of interrelation, intertextuality, intermediality and allusion, both diachronic and synchronic, as well as the cultural histories entwined within them. Through close analysis of these, this book reveals new experimental, thematic, generic and political reaches of Rhys's fiction and sharpens our insight into her complex writerly affiliations and lineages.
Difficult Reading
Author: Jason R. Marley
Publisher: University of Virginia Press
ISBN: 0813950155
Category : Literary Criticism
Languages : en
Pages : 390
Book Description
Difficult Reading offers a new approach to formal experimentation in Caribbean literature. In this insightful study, Jason Marley demonstrates how the aggressive, antagonistic elements common to the mid-twentieth-century Caribbean novel foster emotional responses that spark new forms of communal resistance against colonial power. Marley illustrates how experimental Caribbean writers repeatedly implicate their readers in colonial domination in ways that are intended to unsettle and discomfort. In works such as Denis Williams’s The Third Temptation, Wilson Harris’s The Secret Ladder, and Vera Bell’s overlooked prose poem Ogog, acts of colonial atrocity—such as the eradication of Indigenous populations in Guyana, the construction of the Panama Canal, or the disenfranchisement of Afro-Jamaican communities—become mired in aesthetic obfuscation, forcing the reader to confront and rethink their own relationship to these events. In this way, new literary forms engender new forms of insight and outrage, fostering a newly inspired relation to resistance.
Publisher: University of Virginia Press
ISBN: 0813950155
Category : Literary Criticism
Languages : en
Pages : 390
Book Description
Difficult Reading offers a new approach to formal experimentation in Caribbean literature. In this insightful study, Jason Marley demonstrates how the aggressive, antagonistic elements common to the mid-twentieth-century Caribbean novel foster emotional responses that spark new forms of communal resistance against colonial power. Marley illustrates how experimental Caribbean writers repeatedly implicate their readers in colonial domination in ways that are intended to unsettle and discomfort. In works such as Denis Williams’s The Third Temptation, Wilson Harris’s The Secret Ladder, and Vera Bell’s overlooked prose poem Ogog, acts of colonial atrocity—such as the eradication of Indigenous populations in Guyana, the construction of the Panama Canal, or the disenfranchisement of Afro-Jamaican communities—become mired in aesthetic obfuscation, forcing the reader to confront and rethink their own relationship to these events. In this way, new literary forms engender new forms of insight and outrage, fostering a newly inspired relation to resistance.
Returning the Gift
Author: Rebecca Colesworthy
Publisher: Oxford University Press
ISBN: 0191084352
Category : Literary Criticism
Languages : en
Pages : 436
Book Description
From debates about reparations to the rise of the welfare state, the decades following World War I saw a widespread turn across disciplines to questions about the nature and role of gifts: What is a gift? What do gifts mean and do? Which individuals and institutions have the authority to give? Marshalling wide-ranging interdisciplinary research, Returning the Gift argues that these questions centrally shaped literary modernism. The book begins by revisiting the locus classicus of twentieth-century gift theory -- the French sociologist Marcel Mauss's 1925 essay, The Gift: The Form and Reason for Exchange in Archaic Societies. His title notwithstanding, the gift Mauss envisions is not primitive or pre-capitalist, but rather a distinctively modern phenomenon. Subsequent chapters offer sustained, nuanced readings of novels and nonfiction by Virginia Woolf, Jean Rhys, Gertrude Stein, and H.D. from the 1920s to 1940s, underscoring the ways their writing is illuminated by contemporaneous developments in the social sciences, economics, and politics, while also making a case for their unique contributions to broader debates about gifts. Not only do these writers insist that literature is a special kind of gift, but they also pose challenges to the gift's feminization in the work of both their Victorian forebears and contemporary male theorists. Each of these writers uses tropes and narratives of giving -- of hospitality, sympathy, reciprocity, charity, genius, and kinship -- to imagine more egalitarian social possibilities under the conditions of the capitalist present. The language of the gift is not, as we might expect, a mark of hostility to the market so much as a means of giving form to the 'society' in market society -- of representing everyday experiences of exchange that the myth of the free market works, even now, to render unthinkable.
Publisher: Oxford University Press
ISBN: 0191084352
Category : Literary Criticism
Languages : en
Pages : 436
Book Description
From debates about reparations to the rise of the welfare state, the decades following World War I saw a widespread turn across disciplines to questions about the nature and role of gifts: What is a gift? What do gifts mean and do? Which individuals and institutions have the authority to give? Marshalling wide-ranging interdisciplinary research, Returning the Gift argues that these questions centrally shaped literary modernism. The book begins by revisiting the locus classicus of twentieth-century gift theory -- the French sociologist Marcel Mauss's 1925 essay, The Gift: The Form and Reason for Exchange in Archaic Societies. His title notwithstanding, the gift Mauss envisions is not primitive or pre-capitalist, but rather a distinctively modern phenomenon. Subsequent chapters offer sustained, nuanced readings of novels and nonfiction by Virginia Woolf, Jean Rhys, Gertrude Stein, and H.D. from the 1920s to 1940s, underscoring the ways their writing is illuminated by contemporaneous developments in the social sciences, economics, and politics, while also making a case for their unique contributions to broader debates about gifts. Not only do these writers insist that literature is a special kind of gift, but they also pose challenges to the gift's feminization in the work of both their Victorian forebears and contemporary male theorists. Each of these writers uses tropes and narratives of giving -- of hospitality, sympathy, reciprocity, charity, genius, and kinship -- to imagine more egalitarian social possibilities under the conditions of the capitalist present. The language of the gift is not, as we might expect, a mark of hostility to the market so much as a means of giving form to the 'society' in market society -- of representing everyday experiences of exchange that the myth of the free market works, even now, to render unthinkable.