Author: Alexander Hart Sackton
Publisher: New York, Octagon Books
ISBN:
Category : Drama
Languages : en
Pages : 200
Book Description
Rhetoric as a Dramatic Language in Ben Jonson
Author: Alexander Hart Sackton
Publisher: New York, Octagon Books
ISBN:
Category : Drama
Languages : en
Pages : 200
Book Description
Publisher: New York, Octagon Books
ISBN:
Category : Drama
Languages : en
Pages : 200
Book Description
Rhetoric As Dramatic Language In Ben Johnson
Author: Alexander Hart Sackton
Publisher: Psychology Press
ISBN: 9780714620794
Category :
Languages : en
Pages : 196
Book Description
Publisher: Psychology Press
ISBN: 9780714620794
Category :
Languages : en
Pages : 196
Book Description
Rhetoric as a Dramatic Language in Ben Jonson
Rhetoric as a Dramatic Language in Ben Jonson
Author: Alexander H. Sackton
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 182
Book Description
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 182
Book Description
Shakespeare Survey
Author: Allardyce Nicoll
Publisher: Cambridge University Press
ISBN: 9780521523899
Category : Drama
Languages : en
Pages : 188
Book Description
The first fifty volumes of this yearbook of Shakespeare studies are being reissued in paperback.
Publisher: Cambridge University Press
ISBN: 9780521523899
Category : Drama
Languages : en
Pages : 188
Book Description
The first fifty volumes of this yearbook of Shakespeare studies are being reissued in paperback.
Othello
Author: Peter Davison
Publisher: Bloomsbury Publishing
ISBN: 1349194301
Category : Performing Arts
Languages : en
Pages : 94
Book Description
Even productions of Othello based on very different conceptions of the play can prove successful ad deeply moving. Among critics, however, Othello has roused furous critical disagreement, remarkable for the degree of animosity exposed. After an Introduction in which the problems of analysing this play are outlined, Peter Davison considers six critical approaches to Othello: Genre, Historical and Social, Dramatic Convention and Decorum, Character and Psychological, the Play as Dramatic Poem, and Archetypal Criticism. In the second part of this study, Professor Davison offers his own, contextual approach. He takes into account the historical and social context in which the play was written, the context of the play in performance, and the context in which contemporary audiences see and read Othello. He also provides a guide for further reading.
Publisher: Bloomsbury Publishing
ISBN: 1349194301
Category : Performing Arts
Languages : en
Pages : 94
Book Description
Even productions of Othello based on very different conceptions of the play can prove successful ad deeply moving. Among critics, however, Othello has roused furous critical disagreement, remarkable for the degree of animosity exposed. After an Introduction in which the problems of analysing this play are outlined, Peter Davison considers six critical approaches to Othello: Genre, Historical and Social, Dramatic Convention and Decorum, Character and Psychological, the Play as Dramatic Poem, and Archetypal Criticism. In the second part of this study, Professor Davison offers his own, contextual approach. He takes into account the historical and social context in which the play was written, the context of the play in performance, and the context in which contemporary audiences see and read Othello. He also provides a guide for further reading.
The Growth and Structure of Elizabethan Comedy
Author: Muriel Clara Bradbrook
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 260
Book Description
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 260
Book Description
The Growth and Structure of Elizabethan Comedy
Author: M.C. Bradbrook
Publisher: Univ of California Press
ISBN: 0520345983
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1956.
Publisher: Univ of California Press
ISBN: 0520345983
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1956.
Europe's Languages on England's Stages, 1590–1620
Author: Marianne Montgomery
Publisher: Routledge
ISBN: 131713897X
Category : Literary Criticism
Languages : en
Pages : 162
Book Description
Though representations of alien languages on the early modern stage have usually been read as mocking, xenophobic, or at the very least extremely anxious, listening closely to these languages in the drama of Shakespeare and his contemporaries, Marianne Montgomery discerns a more complex reality. She argues instead that the drama of the early modern period holds up linguistic variety as a source of strength and offers playgoers a cosmopolitan engagement with the foreign that, while still sometimes anxious, complicates easy national distinctions. The study surveys six of the European languages heard on London's commercial stages during the three decades between 1590 and 1620-Welsh, French, Dutch, Spanish, Irish and Latin-and the distinct sets of cultural issues that they made audible. Exploring issues of culture and performance raised by representations of European languages on the stage, this book joins and advances two critical conversations on early modern drama. It both works to recover English relations with alien cultures in the period by looking at how such encounters were staged, and treats sound and performance as essential to understanding what Europe's languages meant in the theater. Europe's Languages on England's Stages, 1590-1620 contributes to our emerging sense of how local identities and global knowledge in early modern England were necessarily shaped by encounters with nearby lands, particularly encounters staged for aural consumption.
Publisher: Routledge
ISBN: 131713897X
Category : Literary Criticism
Languages : en
Pages : 162
Book Description
Though representations of alien languages on the early modern stage have usually been read as mocking, xenophobic, or at the very least extremely anxious, listening closely to these languages in the drama of Shakespeare and his contemporaries, Marianne Montgomery discerns a more complex reality. She argues instead that the drama of the early modern period holds up linguistic variety as a source of strength and offers playgoers a cosmopolitan engagement with the foreign that, while still sometimes anxious, complicates easy national distinctions. The study surveys six of the European languages heard on London's commercial stages during the three decades between 1590 and 1620-Welsh, French, Dutch, Spanish, Irish and Latin-and the distinct sets of cultural issues that they made audible. Exploring issues of culture and performance raised by representations of European languages on the stage, this book joins and advances two critical conversations on early modern drama. It both works to recover English relations with alien cultures in the period by looking at how such encounters were staged, and treats sound and performance as essential to understanding what Europe's languages meant in the theater. Europe's Languages on England's Stages, 1590-1620 contributes to our emerging sense of how local identities and global knowledge in early modern England were necessarily shaped by encounters with nearby lands, particularly encounters staged for aural consumption.
Contagion and the Shakespearean Stage
Author: Darryl Chalk
Publisher: Springer
ISBN: 3030144283
Category : Literary Criticism
Languages : en
Pages : 291
Book Description
This collection of essays considers what constituted contagion in the minds of early moderns in the absence of modern germ theory. In a wide range of essays focused on early modern drama and the culture of theater, contributors explore how ideas of contagion not only inform representations of the senses (such as smell and touch) and emotions (such as disgust, pity, and shame) but also shape how people understood belief, narrative, and political agency. Epidemic thinking was not limited to medical inquiry or the narrow study of a particular disease. Shakespeare, Thomas Middleton, Ben Jonson, Thomas Dekker and other early modern writers understood that someone might be infected or transformed by the presence of others, through various kinds of exchange, or if exposed to certain ideas, practices, or environmental conditions. The discourse and concept of contagion provides a lens for understanding early modern theatrical performance, dramatic plots, and theater-going itself.
Publisher: Springer
ISBN: 3030144283
Category : Literary Criticism
Languages : en
Pages : 291
Book Description
This collection of essays considers what constituted contagion in the minds of early moderns in the absence of modern germ theory. In a wide range of essays focused on early modern drama and the culture of theater, contributors explore how ideas of contagion not only inform representations of the senses (such as smell and touch) and emotions (such as disgust, pity, and shame) but also shape how people understood belief, narrative, and political agency. Epidemic thinking was not limited to medical inquiry or the narrow study of a particular disease. Shakespeare, Thomas Middleton, Ben Jonson, Thomas Dekker and other early modern writers understood that someone might be infected or transformed by the presence of others, through various kinds of exchange, or if exposed to certain ideas, practices, or environmental conditions. The discourse and concept of contagion provides a lens for understanding early modern theatrical performance, dramatic plots, and theater-going itself.