Rezension Von: Sarah Kyle, Medicine and Humanism in Late Medieval Italy : The "Carrara Herbal" in Padua PDF Download

Author: Dominic Olariu
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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Author: Sarah R. Kyle
Publisher: Taylor & Francis
ISBN: 1351997793
Category : Art
Languages : en
Pages : 266

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"The Carrara Herbal is an exceptional illustrated book of materia medica (therapeutic substances drawn from plants, animals and minerals). It is exceptional in both its illustrations and its content, making it of interest to historians of art and medicine alike. The Herbal contains a translation into Paduan dialect of a Latin version of the mid-thirteenth-century Arabic pharmacopeia, Kitab al-Adwiya al-mufrada (The Book of Simple Medicines), written by Ibn Sarabi, a Christian physician working in al-Andalus and known in the Latin West as Serapion the Younger."--Introduction.

Author: Sarah R Kyle
Publisher: Routledge
ISBN: 9780367879846
Category :
Languages : en
Pages : 244

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This book is the first study to consider the extraordinary manuscript now known as the Carrara Herbal (British Library, Egerton 2020) within the complex network of medical, artistic and intellectual traditions from which it emerged. The manuscript contains an illustrated, vernacular copy of the thirteenth-century pharmacopeia by Ibn Sarābī, an Arabic-speaking Christian physician working in al-Andalus known in the West as Serapion the Younger. By 1290, Serapion's treatise was available in Latin translation and circulated widely in medical schools across the Italian peninsula. Commissioned in the late fourteenth century by the prince of Padua, Francesco II 'il Novello' da Carrara (r. 1390-1405), the Carrara Herbal attests to the growing presence of Arabic medicine both inside and outside of the University. Its contents speak to the Carrara family's historic role as patrons and protectors of the Studium, yet its form - a luxury book in Paduan dialect adorned with family heraldry and stylistically diverse representations of plants - locates it in court culture. In particular, the manuscript's form connects Serapion's treatise to patterns of book collection and rhetorics of self-making encouraged by humanists and practiced by Francesco's ancestors. Beginning with Petrarch (1304-74) and continuing with Pier Paolo Vergerio (ca. 1369-1444), humanists held privileged positions in the Carrara court, and humanist culture vied with the University's successes for leading roles in Carrara self-promotion. With the other illustrated books in the prince's collection, the Herbal negotiated these traditional arenas of family patronage and brought them into confluence, promoting Francesco as an ideal 'physician prince' capable of ensuring the moral and physical health of Padua. Considered in this way, the Carrara Herbal is the product of an intersection between the Pan-Mediterranean transmission of medical knowle

Author: Walter Melion
Publisher: BRILL
ISBN: 9004275037
Category : History
Languages : en
Pages : 549

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Anthropomorphism – the projection of the human form onto the every aspect of the world – closely relates to early modern notions of analogy and microcosm. What had been construed in Antiquity as a ready metaphor for the order of creation was reworked into a complex system relating the human body to the body of the world. Numerous books and images - cosmological diagrams, illustrated treatises of botany and zoology, maps, alphabets, collections of ornaments, architectural essays – are entirely constructed on the anthropomorphic analogy. Exploring the complexities inherent in such work, the interdisciplinary essays in this volume address how the anthropomorphic model is fraught with contradictions and tensions, between magical and rational, speculative and practical thought. Contributors include Pamela Brekka, Anne-Laure van Bruaene, Ralph Dekoninck, Agnès Guiderdoni, Christopher P. Heuer, Sarah Kyle, Walter S. Melion, Christina Normore, Elizabeth Petcu, Bertrand Prevost, Bret Rothstein, Paul Smith, Miya Tokumitsu, Michel Weemans, and Elke Werner.

Author: David C. Lindberg
Publisher: Cambridge University Press
ISBN: 9780521594486
Category : Technology & Engineering
Languages : en
Pages : 698

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This volume in the highly respected Cambridge History of Science series is devoted to the history of science in the Middle Ages from the North Atlantic to the Indus Valley. Medieval science was once universally dismissed as non-existent - and sometimes it still is. This volume reveals the diversity of goals, contexts, and accomplishments in the study of nature during the Middle Ages. Organized by topic and culture, its essays by distinguished scholars offer the most comprehensive and up-to-date history of medieval science currently available. Intended to provide a balanced and inclusive treatment of the medieval world, contributors consider scientific learning and advancement in the cultures associated with the Arabic, Greek, Latin, and Hebrew languages. Scientists, historians, and other curious readers will all gain a new appreciation for the study of nature during an era that is often misunderstood.

Author: Helen Anne Curry
Publisher: Cambridge University Press
ISBN: 131651031X
Category : Nature
Languages : en
Pages : 683

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Explores the development of natural history since the Renaissance and contextualizes current discussions of biodiversity.

Author: George Washington University. Human Resources Research Office
Publisher:
ISBN:
Category : Military art and science
Languages : en
Pages : 86

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Author: Florike Egmond
Publisher: Reaktion Books
ISBN: 1780236875
Category : Art
Languages : en
Pages : 495

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Image-transforming techniques such as close-up, time lapse, and layering are generally associated with the age of photography, but as Florike Egmond shows in this book, they were already being used half a millennium ago. Exploring the world of natural history drawings from the Renaissance, Eye for Detail shows how the function of identification led to image manipulation techniques that will look uncannily familiar to the modern viewer. Egmond shows how the format of images in nature studies changed dramatically during the Renaissance period, as high-definition naturalistic representation became the rule during a robust output of plant and animal drawings. She examines what visual techniques like magnification can tell us about how early modern Europeans studied and ordered living nature, and she focuses on how attention to visual detail was motivated by an overriding question: the secret of the origins of life. Beautifully and precisely illustrated throughout, this volume serves as an arresting guide to the massive European collections of nature drawings and an absorbing study of natural history art of the sixteenth century.

Author: Jean A. Givens
Publisher: Routledge
ISBN: 1351875566
Category : History
Languages : en
Pages : 325

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Images in medieval and early modern treatises on medicine, pharmacy, and natural history often confound our expectations about the functions of medical and scientific illustrations. They do not look very much like the things they purport to portray; and their actual usefulness in everyday medical practice or teaching is not obvious. By looking at works as diverse as herbals, jewellery, surgery manuals, lay health guides, cinquecento paintings, manuscripts of Pliny's Natural History, and Leonardo's notebooks, Visualizing Medieval Medicine and Natural History, 1200-1550 addresses fundamental questions about the interplay of art and science from the thirteenth to the mid-sixteenth century: What counts as a medical illustration in the Middle Ages? What are the purposes and audiences of the illustrations in medieval medical, pharmaceutical, and natural history texts? How are images used to clarify, expand, authenticate, and replace these texts? How do images of natural objects, observed phenomena, and theoretical concepts amplify texts and convey complex cultural attitudes? What features lead us to regard some of these images as typically 'medieval' while other exactly contemporary images strike us as 'Renaissance' or 'early modern' in character? Art historians, medical historians, historians of science, and specialists in manuscripts and early printed books will welcome this wide-ranging, interdisciplinary examination of the role of visualization in early scientific inquiry.

Author:
Publisher: BRILL
ISBN: 9047422368
Category : History
Languages : en
Pages : 717

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The new definition of the animal is one of the fascinating features of the intellectual life of the early modern period. The sixteenth century saw the invention of the new science of zoology. This went hand in hand with the (re)discovery of anatomy, physiology and – in the seventeenth century – the invention of the microscope. The discovery of the new world confronted intellectuals with hitherto unknown species, which found their way into courtly menageries, curiosity cabinets and academic collections. Artistic progress in painting and drawing brought about a new precision of animal illustrations. In this volume, specialists from various disciplines (Neo-Latin, French, German, Dutch, History, history of science, art history) explore the fascinating early modern discourses on animals in science, literature and the visual arts. The volume is of interest for all students of the history of science and intellectual life, of literature and art history of the early modern period. Contributors include Rebecca Parker Brienen, Paulette Choné, Sarah Cohen, Pia Cuneo, Louise Hill Curth, Florike Egmond, Karl A.E. Enenkel, Susanne Hehenberger, Annemarie Jordan-Gschwendt, Erik Jorink, Johan Koppenol, Almudena Perez de Tudela, Vibeke Roggen, Franziska Schnoor, Paul J. Smith, Thea Vignau-Wilberg, and Suzanne J. Walker.