Reynold's Miscellany of Romance, General Literature, Science, and Art PDF Download

Author: George William MacArthur Reynolds
Publisher:
ISBN:
Category :
Languages : en
Pages : 432

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Author: George William MacArthur Reynolds
Publisher:
ISBN:
Category : Penny dreadfuls
Languages : en
Pages : 854

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Author:
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Category : English periodicals
Languages : en
Pages : 600

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Category : Theology
Languages : en
Pages : 584

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Author: Victor E. Neuburg
Publisher: Routledge
ISBN: 1136894349
Category : History
Languages : en
Pages : 303

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First Published in 1977. This book defines popular literature, and traces its development in England from the beginnings of printing to the year 1897, and provides a critical survey of sources available for its study.

Author: Bourgault du Coudray Chantal
Publisher: Bloomsbury Publishing
ISBN: 0857711873
Category : Social Science
Languages : en
Pages : 237

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Half-man-half-myth, the werewolf has over the years infiltrated popular culture in many strange and varied shapes, from Gothic horror to the 'body horror' films of the 1980s and today's graphic novels. Yet despite enormous critical interest in myths and in monsters, from vampires to cyborgs, the figure of the werewolf has been strangely overlooked. Embodying our primal fears - of anguished masculinity, of 'the beast within' - the werewolf, argues Bourgault du Coudray, has revealed in its various lupine guises radically shifting attitudes to the human psyche. Tracing the werewolf's 'use' by anthropologists and criminologists and shifting interpretations of the figure - from the 'scientific' to the mythological and psychological - Bourgault du Coudray also sees the werewolf in Freud's 'wolf-man' case and the sinister use of wolf imagery in Nazism. "The Curse of the Werewolf" looks finally at the werewolf's revival in contemporary fantasy, finding in this supposedly conservative genre a fascinating new model of the human's relationship to nature. It is a required reading for students of fantasy, myth and monsters. No self-respecting werewolf should be without it.

Author: Michael Alpert
Publisher: Routledge
ISBN: 131786834X
Category : History
Languages : en
Pages : 245

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London 1849: the city is filthy, plagued, criminal and filling up with refugees from the Irish Famine and the revolutionary wars on the continent...but it is on the brink of reform as stations are built, rioters pardoned and the Great Exhibition planned. The heaving city is the backdrop for the most sensational crime and trial of the decade: the Manning murder case. Throughout the sticky summer the people of London obsessed over the fate of a dominant mysterious woman and her weak husband as the full detail of their slaughter of her lover unfolded. London 1849 follows the murder, trial and execution of the couple, interweaving the scene that was London at the time: crime, noise, cholera, overpacked slums, prostitution, law and order, prisons, fashion, shopping, finance, transport, Marx and Dickens.

Author: Kevin A. Morrison
Publisher: McFarland
ISBN: 1476633592
Category : Literary Criticism
Languages : en
Pages : 319

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This companion to Victorian popular fiction includes more than 300 cross-referenced entries on works written for the British mass market. Biographical sketches cover the writers and their publishers, the topics that concerned them and the genres they helped to establish or refine. Entries introduce readers to long-overlooked authors who were widely read in their time, with suggestions for further reading and emerging resources for the study of popular fiction.

Author: Gerard Curtis
Publisher: Routledge
ISBN: 0429514808
Category : Art
Languages : en
Pages : 293

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First Published in 2002, Visual Words provides a unique and interdisciplinary evaluation of the relationship between images and words in this period.Victorian England witnessed a remarkable growth in literacy culminating in the new literary nationalism that emerged at the beginning of the twentieth century. Each chapter explores a different aspect of this relationship: the role of Dickens as the heroic author, the book as an iconic object, the growing graphic presence of the text, the role of the graphic trace, the ’Sister Arts/ pen and pencil’ tradition, and the competition between image and word as systems of communication. Examining the impact of such diverse areas as advertising, graphic illustration, narrative painting, frontispiece portraits, bibliomania, and the merchandising of literary culture, Visual Words shows that the influence of the ’Sister Arts’ tradition was more widespread and complex than has previously been considered. Whether discussing portraits of authors, the uses of iconography in Ford Madox Brown’s painting Work, or examining why the British Library was equipped with false bookcases for doors, Gerard Curtis looks at artistic and literary culture from an art historical and ’object’ perspective to gain a better understanding of why some Victorians called their culture ’hieroglyphic’.

Author: Anna Kay
Publisher: Taylor & Francis
ISBN: 1000933075
Category : Literary Criticism
Languages : en
Pages : 204

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Gender, Crime, and Murder in Victorian England seeks to provide a comprehensive examination of the notorious Mannings' ‘Bermondsey murder’, and its wider implications in Victorian criminal narrative and popular culture. Exploring the ongoing textual afterlife of Maria Manning, including significant literary contributions by Charles Dickens through his characters Mademoiselle Hortense and Madame Defarge, this volume illuminates representations both echoed and challenged in mid-nineteenth-century conceptions of gender, sexuality, class, nationality, religion, and criminality. This volume also examines the five largely forgotten cases of female homicide from the same year and the imagined discourse perpetuated in fictional personifications. Utilising a wide breadth of literary and historical research, this volume provides readers with a thorough understanding of the various cultural implications of crime and gender in the Victorian period to be read, remembered, and reinterpreted today. Located simultaneously in the fields of feminist, historical, and literary criticism, this volume is invaluable to students of nineteenth-century literature and culture, and researchers with an interest in criminology and media culture.