Author:
Publisher:
ISBN: 9780995490925
Category :
Languages : en
Pages : 143
Book Description
Revolt of the Sage
The Revolt of The Public and the Crisis of Authority in the New Millennium
Author: Martin Gurri
Publisher: Stripe Press
ISBN: 1953953344
Category : Political Science
Languages : en
Pages : 465
Book Description
How insurgencies—enabled by digital devices and a vast information sphere—have mobilized millions of ordinary people around the world. In the words of economist and scholar Arnold Kling, Martin Gurri saw it coming. Technology has categorically reversed the information balance of power between the public and the elites who manage the great hierarchical institutions of the industrial age: government, political parties, the media. The Revolt of the Public tells the story of how insurgencies, enabled by digital devices and a vast information sphere, have mobilized millions of ordinary people around the world. Originally published in 2014, The Revolt of the Public is now available in an updated edition, which includes an extensive analysis of Donald Trump’s improbable rise to the presidency and the electoral triumphs of Brexit. The book concludes with a speculative look forward, pondering whether the current elite class can bring about a reformation of the democratic process and whether new organizing principles, adapted to a digital world, can arise out of the present political turbulence.
Publisher: Stripe Press
ISBN: 1953953344
Category : Political Science
Languages : en
Pages : 465
Book Description
How insurgencies—enabled by digital devices and a vast information sphere—have mobilized millions of ordinary people around the world. In the words of economist and scholar Arnold Kling, Martin Gurri saw it coming. Technology has categorically reversed the information balance of power between the public and the elites who manage the great hierarchical institutions of the industrial age: government, political parties, the media. The Revolt of the Public tells the story of how insurgencies, enabled by digital devices and a vast information sphere, have mobilized millions of ordinary people around the world. Originally published in 2014, The Revolt of the Public is now available in an updated edition, which includes an extensive analysis of Donald Trump’s improbable rise to the presidency and the electoral triumphs of Brexit. The book concludes with a speculative look forward, pondering whether the current elite class can bring about a reformation of the democratic process and whether new organizing principles, adapted to a digital world, can arise out of the present political turbulence.
A House of Her Own
Author: Judith D. Suther
Publisher: U of Nebraska Press
ISBN: 9780803242340
Category : Art
Languages : en
Pages : 380
Book Description
Born in 1989 to wealthy American parents in upstate New York, American Surrealist painter Kay Sage became a member of the Surrealist art movement in Paris in 1937. Along with an eloquent chronicle of Sage's life, Judith Suther shows how not only Sage's art but also the iconoclastic themes of her poetic works were related to Sage's lifelong revolt against social and artistic convention. 78 illustrations. 10 color plates.
Publisher: U of Nebraska Press
ISBN: 9780803242340
Category : Art
Languages : en
Pages : 380
Book Description
Born in 1989 to wealthy American parents in upstate New York, American Surrealist painter Kay Sage became a member of the Surrealist art movement in Paris in 1937. Along with an eloquent chronicle of Sage's life, Judith Suther shows how not only Sage's art but also the iconoclastic themes of her poetic works were related to Sage's lifelong revolt against social and artistic convention. 78 illustrations. 10 color plates.
Form as Revolt
Author: Sebastian Zeidler
Publisher: Cornell University Press
ISBN: 1501701894
Category : Art
Languages : en
Pages : 321
Book Description
The German writer and art critic Carl Einstein (1885–1940) has long been acknowledged as an important figure in the history of modern art, and yet he is often sidelined as an enigma. In Form as Revolt Sebastian Zeidler recovers Einstein’s multifaceted career, offering the first comprehensive intellectual biography of Einstein in English. Einstein first emerged as a writer of experimental prose through his involvement with the anarchist journal Die Aktion. After a few limited forays into art criticism, he burst onto the art scene in 1915 with his book Negro Sculpture, at once a formalist intervention into the contemporary theory and practice of European sculpture and a manifesto for the sophistication of African art. Einstein would go on to publish seminal texts on the cubist paintings of Georges Braque and Pablo Picasso. His contributions to the surrealist magazine Documents (which Einstein cofounded with Georges Bataille), including writings on Picasso and Paul Klee, remain unsurpassed in their depth and complexity. In a series of close visual analyses—illustrated with major works by Braque, Picasso, and Klee—Zeidler retrieves the theoretical resources that Einstein brought to bear on their art. Form as Revolt shows us that to rediscover Einstein’s art criticism is to see the work of great modernist artists anew through the eyes of one of the most gifted left-wing formalists of the twentieth century.
Publisher: Cornell University Press
ISBN: 1501701894
Category : Art
Languages : en
Pages : 321
Book Description
The German writer and art critic Carl Einstein (1885–1940) has long been acknowledged as an important figure in the history of modern art, and yet he is often sidelined as an enigma. In Form as Revolt Sebastian Zeidler recovers Einstein’s multifaceted career, offering the first comprehensive intellectual biography of Einstein in English. Einstein first emerged as a writer of experimental prose through his involvement with the anarchist journal Die Aktion. After a few limited forays into art criticism, he burst onto the art scene in 1915 with his book Negro Sculpture, at once a formalist intervention into the contemporary theory and practice of European sculpture and a manifesto for the sophistication of African art. Einstein would go on to publish seminal texts on the cubist paintings of Georges Braque and Pablo Picasso. His contributions to the surrealist magazine Documents (which Einstein cofounded with Georges Bataille), including writings on Picasso and Paul Klee, remain unsurpassed in their depth and complexity. In a series of close visual analyses—illustrated with major works by Braque, Picasso, and Klee—Zeidler retrieves the theoretical resources that Einstein brought to bear on their art. Form as Revolt shows us that to rediscover Einstein’s art criticism is to see the work of great modernist artists anew through the eyes of one of the most gifted left-wing formalists of the twentieth century.
Rhetoric of Revolt
Author: Peter A. DeCaro
Publisher: Bloomsbury Publishing USA
ISBN: 0313056986
Category : History
Languages : en
Pages : 148
Book Description
The success of Vietnam's August Revolution of 1945 can be attributed in part to Ho Chi Minh's reconstitutive rhetoric, a form of rhetorical discourse that gave the Vietnamese people a new sense of identification. This reawakened identity in turn influenced a renewed demand for nationalism and independence. This study explores the reconstitutive rhetoric of Ho Chi Minh. In doing so, it advances rhetorical theory founded on nonWestern premises and examines the cultural differences responsible for creating a rhetoric whose focus is nonEurocentric. Most current thinking on reconstitutive discourse has focused on Western premises. Decaro challenges some of these premises and adds a new dimension to reconstitutive understanding. Ho Chi Minh utilized the cultural heritage of the Vietnamese people as a means of creating his persona—a powerful aspect of his ability to persuade. In understanding Ho Chi Minh's unique form of discourse, it is then possible to see how he was able to unify his country in order to sustain a protracted conflict with the goal of securing national independence.
Publisher: Bloomsbury Publishing USA
ISBN: 0313056986
Category : History
Languages : en
Pages : 148
Book Description
The success of Vietnam's August Revolution of 1945 can be attributed in part to Ho Chi Minh's reconstitutive rhetoric, a form of rhetorical discourse that gave the Vietnamese people a new sense of identification. This reawakened identity in turn influenced a renewed demand for nationalism and independence. This study explores the reconstitutive rhetoric of Ho Chi Minh. In doing so, it advances rhetorical theory founded on nonWestern premises and examines the cultural differences responsible for creating a rhetoric whose focus is nonEurocentric. Most current thinking on reconstitutive discourse has focused on Western premises. Decaro challenges some of these premises and adds a new dimension to reconstitutive understanding. Ho Chi Minh utilized the cultural heritage of the Vietnamese people as a means of creating his persona—a powerful aspect of his ability to persuade. In understanding Ho Chi Minh's unique form of discourse, it is then possible to see how he was able to unify his country in order to sustain a protracted conflict with the goal of securing national independence.
Yeats, Coleridge and the Romantic Sage
Author: M. Gibson
Publisher: Springer
ISBN: 0230286496
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
This work explores an aspect of Yeats's writing largely ignored until now: namely, his wide-ranging absorption in S.T. Coleridge. Gibson explores the consistent and densely woven allusions to Coleridge in Yeats's prose and poetry, often in conjunction with other Romantic figures, arguing that the earlier poet provided him with both a model of philosopher - 'the sage' - and an interpretation of metaphysical ideas which were to have a resounding effect on his later poetry, and upon his rewriting of A Vision.
Publisher: Springer
ISBN: 0230286496
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
This work explores an aspect of Yeats's writing largely ignored until now: namely, his wide-ranging absorption in S.T. Coleridge. Gibson explores the consistent and densely woven allusions to Coleridge in Yeats's prose and poetry, often in conjunction with other Romantic figures, arguing that the earlier poet provided him with both a model of philosopher - 'the sage' - and an interpretation of metaphysical ideas which were to have a resounding effect on his later poetry, and upon his rewriting of A Vision.
What Caused the Pueblo Revolt of 1680?
Author: David J. Weber
Publisher: Bedford/St. Martin's
ISBN: 9780312191740
Category : History
Languages : en
Pages : 132
Book Description
What caused the Pueblo revolt of 1680? This now-famous revolt marked the end of 80 years of peaceful coexistence between Spaniards and Pueblos; historians have long struggled to understand the complex reasons for the sudden and dramatic breakdown of relations. In this volume, 5 historians examine the factors that led to the unprecedented collaboration among tribes separated by distance, language, and historic rivalries that resulted in the destruction of Spain's New Mexico colony. Searching through what little remains of the written record, the essays present a variety of interpretations, with different emphases on culture, religion, and race.
Publisher: Bedford/St. Martin's
ISBN: 9780312191740
Category : History
Languages : en
Pages : 132
Book Description
What caused the Pueblo revolt of 1680? This now-famous revolt marked the end of 80 years of peaceful coexistence between Spaniards and Pueblos; historians have long struggled to understand the complex reasons for the sudden and dramatic breakdown of relations. In this volume, 5 historians examine the factors that led to the unprecedented collaboration among tribes separated by distance, language, and historic rivalries that resulted in the destruction of Spain's New Mexico colony. Searching through what little remains of the written record, the essays present a variety of interpretations, with different emphases on culture, religion, and race.
Order and Revolt
Author: Wayne Cristaudo
Publisher: Transaction Publishers
ISBN: 1626430055
Category : Religion
Languages : en
Pages : 164
Book Description
These original essays debate two ways of theorizing social life. One way is the integrative or holistic model of thought typified in the writings of Confucius. The other, the revolutionary tradition, is suspicious of holism and harmony as principles of social thought because harmony is seen as something that can genuinely occur only when a society has rectified deeply ingrained injustice. This volume evaluates the alternative priorities of order and revolt, harmony and spontaneity, in social life.
Publisher: Transaction Publishers
ISBN: 1626430055
Category : Religion
Languages : en
Pages : 164
Book Description
These original essays debate two ways of theorizing social life. One way is the integrative or holistic model of thought typified in the writings of Confucius. The other, the revolutionary tradition, is suspicious of holism and harmony as principles of social thought because harmony is seen as something that can genuinely occur only when a society has rectified deeply ingrained injustice. This volume evaluates the alternative priorities of order and revolt, harmony and spontaneity, in social life.
The Sagebrush Rebellion
Author: William Coons
Publisher:
ISBN:
Category : Public lands
Languages : en
Pages : 26
Book Description
Publisher:
ISBN:
Category : Public lands
Languages : en
Pages : 26
Book Description
Revolt of the Filmmakers
Author: George Faraday
Publisher: Penn State Press
ISBN: 9780271042466
Category : Business & Economics
Languages : en
Pages : 270
Book Description
One of the many unforeseen consequences of the fall of the Soviet Union has been the sudden collapse of the domestic film industry, probably the most privileged mass cultural medium of the Soviet Union. By the mid-1980s, some 150 feature films were produced annually for audiences numbering nearly four billion per year. Since 1991, however, cinema attendance has plummeted by a factor of at least one hundred, and the remnants of the once huge audiences now watch an overwhelming number of imported, mostly American, films. Revolt of the Filmmakers is the first account of Russia's film industry since this disastrous decline. According to Faraday, who was film correspondent for The Moscow Times during the mid-1990s, the turning point came during the years of perestroika, when Russian filmmakers achieved an unprecedented degree of freedom from managerial control. They immediately used their newfound liberty to dismantle the industry's central administrative structures in the name of artistic autonomy. Filmmakers were at last free to follow their own aesthetic criteria, and many began to orient their work entirely toward critical acclaim at festivals. But the unintended result of this revolution in the name of art was the alienation of the mass Russian audience. Today some filmmakers are attempting to regain a mass audience by celebrating and mythologizing national cultural identity, but the Russian film industry has never fully recovered from the "revolt" of the filmmakers. For this book Faraday has interviewed Russian filmgoers, critics, directors, and other industry insiders. Among those directors whose work he considers are Alexei Balabanov (The Castle), Nikita Mikhalkov (Burnt by the Sun), Karen Shaknazarov (American Daughter), Pyotr Todorovsky (Moscow Country Nights), and Marina Tsurtsumia (Only Death Comes for Sure). He also draws upon documentary evidence, including the Russian press and the diaries of Andrei Tarkovsky (The Sacrifice, Solaris). Few predicted that the loosening of state ideological and institutional controls would threaten the survival of Russia's once-mighty film industry. Even today Lenin's often-quoted, if apocryphal, declaration that "cinema is the most important of all the arts" remains emblazoned over the gateway to Mosfilm studios--but its relevance is in doubt at the start of a new millennium.
Publisher: Penn State Press
ISBN: 9780271042466
Category : Business & Economics
Languages : en
Pages : 270
Book Description
One of the many unforeseen consequences of the fall of the Soviet Union has been the sudden collapse of the domestic film industry, probably the most privileged mass cultural medium of the Soviet Union. By the mid-1980s, some 150 feature films were produced annually for audiences numbering nearly four billion per year. Since 1991, however, cinema attendance has plummeted by a factor of at least one hundred, and the remnants of the once huge audiences now watch an overwhelming number of imported, mostly American, films. Revolt of the Filmmakers is the first account of Russia's film industry since this disastrous decline. According to Faraday, who was film correspondent for The Moscow Times during the mid-1990s, the turning point came during the years of perestroika, when Russian filmmakers achieved an unprecedented degree of freedom from managerial control. They immediately used their newfound liberty to dismantle the industry's central administrative structures in the name of artistic autonomy. Filmmakers were at last free to follow their own aesthetic criteria, and many began to orient their work entirely toward critical acclaim at festivals. But the unintended result of this revolution in the name of art was the alienation of the mass Russian audience. Today some filmmakers are attempting to regain a mass audience by celebrating and mythologizing national cultural identity, but the Russian film industry has never fully recovered from the "revolt" of the filmmakers. For this book Faraday has interviewed Russian filmgoers, critics, directors, and other industry insiders. Among those directors whose work he considers are Alexei Balabanov (The Castle), Nikita Mikhalkov (Burnt by the Sun), Karen Shaknazarov (American Daughter), Pyotr Todorovsky (Moscow Country Nights), and Marina Tsurtsumia (Only Death Comes for Sure). He also draws upon documentary evidence, including the Russian press and the diaries of Andrei Tarkovsky (The Sacrifice, Solaris). Few predicted that the loosening of state ideological and institutional controls would threaten the survival of Russia's once-mighty film industry. Even today Lenin's often-quoted, if apocryphal, declaration that "cinema is the most important of all the arts" remains emblazoned over the gateway to Mosfilm studios--but its relevance is in doubt at the start of a new millennium.