Author: Publisher:
ISBN:
Category : Music appreciation
Languages : en
Pages : 52
Book Description
Revised Lesson Outlines for Music Appreciation With the Victrola for Children With New Orthophonic Recordings
Author: Music Appreciation with the Victrola for Children
Author: Victor Talking Machine CompanyPublisher:
ISBN:
Category : Music
Languages : en
Pages : 298
Book Description
"Our former book, 'Music appreciation for little children.' was designed to present music to children of the first three grades, but it has seemed wise to incorporate into one volume the entire work for the elementary schools."- Foreword, signed: Francis Elliott Clark.
Music Appreciation with the Victrola for Children, etc
Author: Frances Elliott ClarkPublisher:
ISBN:
Category :
Languages : en
Pages : 288
Book Description
Music Appreciation with the Victrola for Children
Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 228
Book Description
A discussion of music appreciation, touching topics as rhythm, song, instrumentation, as well as the correlation of music with other arts and branches of study, such as visual arts, nature study, and history, among other topics.
Music Appreciation Lessons : with Victor Orthophonic Records
Author: Rich, MabelPublisher: Montéal : Educational Department, Victor Talking Machine Company of Canada
ISBN:
Category :
Languages : en
Pages : 35
Book Description
Vinyl Theory
Author: Jeffrey R. Di LeoPublisher: Lever Press
ISBN: 1643150154
Category : Philosophy
Languages : en
Pages : 169
Book Description
Why are vinyl records making a comeback? How is their resurgence connected to the political economy of music? Vinyl Theory responds to these and other questions by exploring the intersection of vinyl records with critical theory. In the process, it asks how the political economy of music might be connected with the philosophy of the record. The young critical theorist and composer Theodor Adorno’s work on the philosophy of the record and the political economy of music of the contemporary French public intellectual, Jacques Attali, are brought together with the work of other theorists to in order to understand the fall and resurrection of vinyl records. The major argument of Vinyl Theory is that the very existence of vinyl records may be central to understanding the resiliency of neoliberalism. This argument is made by examining the work of Adorno, Attali, Friedrich Nietzsche, and others on music through the lens of Michel Foucault’s biopolitics.
Encyclopedia of Recorded Sound in the United States
Author: Guy A. MarcoPublisher: New York : Garland Pub.
ISBN:
Category : Music
Languages : en
Pages : 978
Book Description
This alphabetical reference covers the entire spectrum of the recording of sound, from Edison's experimental cylinders to contemporary high technology. The major focus is on the recorded sound industry in the US, with additional material on Canada, Europe, Australia, and New Zealand. The coverage is particularly strong on the earliest periods of recorded sound history--1877-1948, the 78 rpm era and 1949-1982, the LP era. In addition to performers and their work, entries also cover important commercial organizations, individuals who made significant technical contributions, societies and associations, sound archives and libraries, magazines, catalogs, award winners, technical topics, special and foreign terms, copyright laws, and other areas of interest. Annotation copyright by Book News, Inc., Portland, OR
The Mighty Music Box
Author: Thomas A. DeLongPublisher: Sasco Associates
ISBN:
Category : Music
Languages : en
Pages : 402
Book Description
The E.M.G. Story
Author: Francis JamesPublisher: Conran Octopus
ISBN:
Category : Phonograph
Languages : en
Pages : 148
Book Description
The History of Music Production
Author: Richard James BurgessPublisher: Oxford University Press, USA
ISBN: 019935717X
Category : Business & Economics
Languages : en
Pages : 265
Book Description
The History of Music Production offers an authoritative, concise, and accessible overview of nearly 140 years of production of recorded music. It describes what role the music producer has played in shaping the creation, perception, propagation, business, and use of music, and discusses the future of the music production industry.