Author: Maria Taroutina
Publisher: Penn State Press
ISBN: 0271082577
Category : Art
Languages : en
Pages : 288
Book Description
In The Icon and the Square, Maria Taroutina examines how the traditional interests of institutions such as the crown, the church, and the Imperial Academy of Arts temporarily aligned with the radical, leftist, and revolutionary avant-garde at the turn of the twentieth century through a shared interest in the Byzantine past, offering a counternarrative to prevailing notions of Russian modernism. Focusing on the works of four different artists—Mikhail Vrubel, Vasily Kandinsky, Kazimir Malevich, and Vladimir Tatlin—Taroutina shows how engagement with medieval pictorial traditions drove each artist to transform his own practice, pushing beyond the established boundaries of his respective artistic and intellectual milieu. She also contextualizes and complements her study of the work of these artists with an examination of the activities of a number of important cultural associations and institutions over the course of several decades. As a result, The Icon and the Square gives a more complete picture of Russian modernism: one that attends to the dialogue between generations of artists, curators, collectors, critics, and theorists. The Icon and the Square retrieves a neglected but vital history that was deliberately suppressed by the atheist Soviet regime and subsequently ignored in favor of the secular formalism of mainstream modernist criticism. Taroutina’s timely study, which coincides with the centennial reassessments of Russian and Soviet modernism, is sure to invigorate conversation among scholars of art history, modernism, and Russian culture.
The Icon and the Square
Author: Maria Taroutina
Publisher: Penn State Press
ISBN: 0271082577
Category : Art
Languages : en
Pages : 288
Book Description
In The Icon and the Square, Maria Taroutina examines how the traditional interests of institutions such as the crown, the church, and the Imperial Academy of Arts temporarily aligned with the radical, leftist, and revolutionary avant-garde at the turn of the twentieth century through a shared interest in the Byzantine past, offering a counternarrative to prevailing notions of Russian modernism. Focusing on the works of four different artists—Mikhail Vrubel, Vasily Kandinsky, Kazimir Malevich, and Vladimir Tatlin—Taroutina shows how engagement with medieval pictorial traditions drove each artist to transform his own practice, pushing beyond the established boundaries of his respective artistic and intellectual milieu. She also contextualizes and complements her study of the work of these artists with an examination of the activities of a number of important cultural associations and institutions over the course of several decades. As a result, The Icon and the Square gives a more complete picture of Russian modernism: one that attends to the dialogue between generations of artists, curators, collectors, critics, and theorists. The Icon and the Square retrieves a neglected but vital history that was deliberately suppressed by the atheist Soviet regime and subsequently ignored in favor of the secular formalism of mainstream modernist criticism. Taroutina’s timely study, which coincides with the centennial reassessments of Russian and Soviet modernism, is sure to invigorate conversation among scholars of art history, modernism, and Russian culture.
Publisher: Penn State Press
ISBN: 0271082577
Category : Art
Languages : en
Pages : 288
Book Description
In The Icon and the Square, Maria Taroutina examines how the traditional interests of institutions such as the crown, the church, and the Imperial Academy of Arts temporarily aligned with the radical, leftist, and revolutionary avant-garde at the turn of the twentieth century through a shared interest in the Byzantine past, offering a counternarrative to prevailing notions of Russian modernism. Focusing on the works of four different artists—Mikhail Vrubel, Vasily Kandinsky, Kazimir Malevich, and Vladimir Tatlin—Taroutina shows how engagement with medieval pictorial traditions drove each artist to transform his own practice, pushing beyond the established boundaries of his respective artistic and intellectual milieu. She also contextualizes and complements her study of the work of these artists with an examination of the activities of a number of important cultural associations and institutions over the course of several decades. As a result, The Icon and the Square gives a more complete picture of Russian modernism: one that attends to the dialogue between generations of artists, curators, collectors, critics, and theorists. The Icon and the Square retrieves a neglected but vital history that was deliberately suppressed by the atheist Soviet regime and subsequently ignored in favor of the secular formalism of mainstream modernist criticism. Taroutina’s timely study, which coincides with the centennial reassessments of Russian and Soviet modernism, is sure to invigorate conversation among scholars of art history, modernism, and Russian culture.
The Three Grand Exhibitions of Man's Enmity to God
Author: David Thom
Publisher:
ISBN:
Category : Sin, Original
Languages : en
Pages : 608
Book Description
Publisher:
ISBN:
Category : Sin, Original
Languages : en
Pages : 608
Book Description
Signs and Symbols Illustrated and Explained, in a Course of Twelve Lectures on Freemasonry ... New Edition
The Freemason's Monthly Magazine
Universal Masonic Library
Author: Robert Macoy
Publisher:
ISBN:
Category : Freemasons
Languages : en
Pages : 442
Book Description
Publisher:
ISBN:
Category : Freemasons
Languages : en
Pages : 442
Book Description
The Book of the Lodge, Or Officer's Manual
Author: George Oliver (D.D., Rector of South Hykeham.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 250
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 250
Book Description
The Saddle and Show Horse Chronicle
Illustrations of Masonry ... The twelfth edition, with ... additions. With “A Collection of Odes, Anthems, and Songs,” and with a portrait
Author: William PRESTON (Master of the Masonic Lodge of Antiquity.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 602
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 602
Book Description
Institutes of Masonic Jurisprudence; Being an Exemplification of the English Book of Constitutions, Methodically Digested Under Appropriate Heads; Together with a Summary View of the Laws and Principles of the Royal Arch
Author: George Oliver
Publisher:
ISBN:
Category : Freemasonry
Languages : en
Pages : 544
Book Description
Publisher:
ISBN:
Category : Freemasonry
Languages : en
Pages : 544
Book Description