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Author: Publisher: powerHouse Books ISBN: 1576875598 Category : Photography Languages : en Pages : 283
Book Description
In 2010, Mexico observes two important anniversaries: the bicentennial of its independence from Spain and the centennial of the Mexican Revolution. These two milestones offer the country’s 111 million citizens and 30 million Mexican Americans an unprecedented opportunity to rediscover and celebrate their shared heritage. Revealing Mexico by John Mack and Susanne Steines is an astonishing new photographic portrait of the country. For a period of eight years, up-and-coming American photographer Mack and writer Steines crisscrossed Mexico photographing its vibrant city and rural life, its stunning architecture, striking landscapes, and captivating people. With roughly 200 images representing all 31 states, from the canyons of Chihuahua to the Myan ruins of Chiapas, from the indigenous communities of Oaxaca to the bustling port towns of the Yucatán, as well as the skyscrapers and thoroughfares of the Federal District, Revealing Mexico offers a poetic vista of Mexico’s landscape today. What’s more, Revealing Mexico also includes portraits of individuals from all walks of Mexican life—luminaries, authors, artists, academics, politicians, fisherman, business titans, street vendors, and farmers among others—many accompanied by their own words about what it is to be Mexican. Revealing Mexico is the photography book of the Mexican bicentennial worldwide: an exhibit of the photographs will be held at Antiguo Colegio San Ildefonso, Mexico City’s premier museum and cultural center; images will be displayed in the open-air gallery at Las Rejas de Chapultepec, Mexico City’s most heavily trafficked public space; and New York City will be holding its own Mexican bicentennial festivities in October, with similar celebrations to be held in Los Angeles, Dallas, Chicago, and Houston. In honor of the anniversary, images from Revealing Mexico will be displayed prominently at Rockefeller Center and in the lobby of The MoMA, as well as other blue-chip institutions worldwide.
Author: Publisher: powerHouse Books ISBN: 1576875598 Category : Photography Languages : en Pages : 283
Book Description
In 2010, Mexico observes two important anniversaries: the bicentennial of its independence from Spain and the centennial of the Mexican Revolution. These two milestones offer the country’s 111 million citizens and 30 million Mexican Americans an unprecedented opportunity to rediscover and celebrate their shared heritage. Revealing Mexico by John Mack and Susanne Steines is an astonishing new photographic portrait of the country. For a period of eight years, up-and-coming American photographer Mack and writer Steines crisscrossed Mexico photographing its vibrant city and rural life, its stunning architecture, striking landscapes, and captivating people. With roughly 200 images representing all 31 states, from the canyons of Chihuahua to the Myan ruins of Chiapas, from the indigenous communities of Oaxaca to the bustling port towns of the Yucatán, as well as the skyscrapers and thoroughfares of the Federal District, Revealing Mexico offers a poetic vista of Mexico’s landscape today. What’s more, Revealing Mexico also includes portraits of individuals from all walks of Mexican life—luminaries, authors, artists, academics, politicians, fisherman, business titans, street vendors, and farmers among others—many accompanied by their own words about what it is to be Mexican. Revealing Mexico is the photography book of the Mexican bicentennial worldwide: an exhibit of the photographs will be held at Antiguo Colegio San Ildefonso, Mexico City’s premier museum and cultural center; images will be displayed in the open-air gallery at Las Rejas de Chapultepec, Mexico City’s most heavily trafficked public space; and New York City will be holding its own Mexican bicentennial festivities in October, with similar celebrations to be held in Los Angeles, Dallas, Chicago, and Houston. In honor of the anniversary, images from Revealing Mexico will be displayed prominently at Rockefeller Center and in the lobby of The MoMA, as well as other blue-chip institutions worldwide.
Author: Shannon K. O'Neil Publisher: Oxford University Press ISBN: 0199898340 Category : Political Science Languages : en Pages : 260
Book Description
Five freshly decapitated human heads are thrown onto a crowded dance floor in western Mexico. A Mexican drug cartel dismembers the body of a rival and then stitches his face onto a soccer ball. These are the sorts of grisly tales that dominate the media, infiltrate movies and TV shows, and ultimately shape Americans' perception of Mexico as a dangerous and scary place, overrun by brutal drug lords. Without a doubt, the drug war is real. In the last six years, over 60,000 people have been murdered in narco-related crimes. But, there is far more to Mexico's story than this gruesome narrative would suggest. While thugs have been grabbing the headlines, Mexico has undergone an unprecedented and under-publicized political, economic, and social transformation. In her groundbreaking book, Two Nations Indivisible, Shannon K. O'Neil argues that the United States is making a grave mistake by focusing on the politics of antagonism toward Mexico. Rather, we should wake up to the revolution of prosperity now unfolding there. The news that isn't being reported is that, over the last decade, Mexico has become a real democracy, providing its citizens a greater voice and opportunities to succeed on their own side of the border. Armed with higher levels of education, upwardly-mobile men and women have been working their way out of poverty, building the largest, most stable middle class in Mexico's history. This is the Mexico Americans need to get to know. Now more than ever, the two countries are indivisible. It is past time for the U.S. to forge a new relationship with its southern neighbor. Because in no uncertain terms, our future depends on it.
Author: Susan M. Gauss Publisher: Penn State Press ISBN: 0271074450 Category : History Languages : en Pages : 189
Book Description
The experiment with neoliberal market-oriented economic policy in Latin America, popularly known as the Washington Consensus, has run its course. With left-wing and populist regimes now in power in many countries, there is much debate about what direction economic policy should be taking, and there are those who believe that state-led development might be worth trying again. Susan Gauss’s study of the process by which Mexico transformed from a largely agrarian society into an urban, industrialized one in the two decades following the end of the Revolution is especially timely and may have lessons to offer to policy makers today. The image of a strong, centralized corporatist state led by the Partido Revolucionario Institucional (PRI) from the 1940s conceals what was actually a prolonged, messy process of debate and negotiation among the postrevolutionary state, labor, and regionally based industrial elites to define the nationalist project. Made in Mexico focuses on the distinctive nature of what happened in the four regions studied in detail: Guadalajara, Mexico City, Monterrey, and Puebla. It shows how industrialism enabled recalcitrant elites to maintain a regionally grounded preserve of local authority outside of formal ruling-party institutions, balancing the tensions among centralization, consolidation of growth, and Mexico’s deep legacies of regional authority.
Author: Gladys I. McCormick Publisher: UNC Press Books ISBN: 1469627752 Category : History Languages : en Pages : 301
Book Description
In this political history of twentieth-century Mexico, Gladys McCormick argues that the key to understanding the immense power of the long-ruling Partido Revolucionario Institucional (PRI) is to be found in the countryside. Using newly available sources, including declassified secret police files and oral histories, McCormick looks at large-scale sugar cooperatives in Morelos and Puebla, two major agricultural regions that serve as microcosms of events across the nation. She argues that Mexico's rural peoples, despite shouldering much of the financial burden of modernization policies, formed the PRI regime's most fervent base of support. McCormick demonstrates how the PRI exploited this support, using key parts of the countryside to test and refine instruments of control--including the regulation of protest, manipulation of collective memories of rural communities, and selective application of violence against critics--that it later employed in other areas, both rural and urban. With three peasant leaders, brothers named Ruben, Porfirio, and Antonio Jaramillo, at the heart of her story, McCormick draws a capacious picture of peasant activism, disillusion, and compromise in state formation, revealing the basis for an enduring political culture dominated by the PRI. On a broader level, McCormick demonstrates the connections among modern state building in Latin America, the consolidation of new forms of authoritarian rule, and the deployment of violence on all sides.
Author: Stephanie J. Smith Publisher: UNC Press Books ISBN: 1469635690 Category : History Languages : en Pages : 293
Book Description
Stephanie J. Smith brings Mexican politics and art together, chronicling the turbulent relations between radical artists and the postrevolutionary Mexican state. The revolution opened space for new political ideas, but by the late 1920s many government officials argued that consolidating the nation required coercive measures toward dissenters. While artists and intellectuals, some of them professed Communists, sought free expression in matters both artistic and political, Smith reveals how they simultaneously learned the fine art of negotiation with the increasingly authoritarian government in order to secure clout and financial patronage. But the government, Smith shows, also had reason to accommodate artists, and a surprising and volatile interdependence grew between the artists and the politicians. Involving well-known artists such as Frida Kahlo, Diego Rivera, and David Alfaro Siqueiros, as well as some less well known, including Tina Modotti, Leopoldo Mendez, and Aurora Reyes, politicians began to appropriate the artists' nationalistic visual images as weapons in a national propaganda war. High-stakes negotiating and co-opting took place between the two camps as they sparred over the production of generally accepted notions and representations of the revolution's legacy—and what it meant to be authentically Mexican.
Author: Josefina Zoraida Vazquez Publisher: University of Chicago Press ISBN: 9780226852058 Category : History Languages : en Pages : 238
Book Description
Josefina Zoraida Vazquez and Lorenzo Meyer recreate, from a distinctly Mexican perspective, the dramatic story of how one country's politics, economy, and culture have been influenced by its neighbor. Throughout, the authors emphasize the predominance of the United States, the defensive position of Mexico, and the impact of the United States on internal Mexican developments.
Author: Ruth Hellier-Tinoco Publisher: Oxford University Press ISBN: 0199790817 Category : Business & Economics Languages : en Pages : 354
Book Description
Exploring the role of performance in tourist and nationalist contexts, Embodying Mexico analyzes the making of icons in twentieth-century Mexico, as local dance, music, and ritual practices are transformed into national and global spectacles. Drawing on extensive ethnographic, archival, and participatory experience this interdisciplinary study makes an important contribution to an understanding of Mexican cultural politics.
Author: Anabel Hernandez Publisher: Verso Books ISBN: 1788731506 Category : True Crime Languages : en Pages : 419
Book Description
On September 26, 2014, 43 male students from the Ayotzinapa Rural Teachers' College went missing in Iguala, Guerrero, Mexico. On route to a protest, local police intercepted the students and a confrontation ensued. By the morning, they had disappeared without a trace. Hernández reconstructs almost minute-by-minute the events of those nights in late September 2014, giving us what is surely the most complete picture available: her sources are unparalleled, since she has secured access to internal government documents that have not been made public, and to video surveillance footage the government has tried to hide and destroy. Hernández demolishes the Mexican state’s official version, which the Peña Nieto government cynically dubbed the “historic truth”. As her research shows, state officials at all levels, from police and prosecutors to the upper echelons of the PRI administration, conspired to put together a fake case, concealing or manipulating evidence, and arresting and torturing dozens of “suspects” who then obliged with full “confessions” that matched the official lie. By following the role of the various Mexican state agencies through the events in such remarkable detail, Massacre in Mexico shows with exacting precision who is responsible for which component of this monumental crime.
Author: Esther Gabara Publisher: Duke University Press ISBN: 0822389398 Category : Photography Languages : en Pages : 381
Book Description
Making a vital contribution to the understanding of Latin American modernism, Esther Gabara rethinks the role of photography in the Brazilian and Mexican avant-garde movements of the 1920s and 1930s. During these decades, intellectuals in Mexico and Brazil were deeply engaged with photography. Authors who are now canonical figures in the two countries’ literary traditions looked at modern life through the camera in a variety of ways. Mário de Andrade, known as the “pope” of Brazilian modernism, took and collected hundreds of photographs. Salvador Novo, a major Mexican writer, meditated on the medium’s aesthetic potential as “the prodigal daughter of the fine arts.” Intellectuals acted as tourists and ethnographers, and their images and texts circulated in popular mass media, sharing the page with photographs of the New Woman. In this richly illustrated study, Gabara introduces the concept of a modernist “ethos” to illuminate the intertwining of aesthetic innovation and ethical concerns in the work of leading Brazilian and Mexican literary figures, who were also photographers, art critics, and contributors to illustrated magazines during the 1920s and 1930s. Gabara argues that Brazilian and Mexican modernists deliberately made photography err: they made this privileged medium of modern representation simultaneously wander and work against its apparent perfection. They flouted the conventions of mainstream modernism so that their aesthetics registered an ethical dimension. Their photographic modernism strayed, dragging along the baggage of modernity lived in a postcolonial site. Through their “errant modernism,” avant-garde writers and photographers critiqued the colonial history of Latin America and its twentieth-century formations.
Author: Jocelyn H. Olcott Publisher: Duke University Press ISBN: 0822387352 Category : History Languages : en Pages : 349
Book Description
Revolutionary Women in Postrevolutionary Mexico is an empirically rich history of women’s political organizing during a critical stage of regime consolidation. Rebutting the image of Mexican women as conservative and antirevolutionary, Jocelyn Olcott shows women activists challenging prevailing beliefs about the masculine foundations of citizenship. Piecing together material from national and regional archives, popular journalism, and oral histories, Olcott examines how women inhabited the conventionally manly role of citizen by weaving together its quotidian and formal traditions, drawing strategies from local political struggles and competing gender ideologies. Olcott demonstrates an extraordinary grasp of the complexity of postrevolutionary Mexican politics, exploring the goals and outcomes of women’s organizing in Mexico City and the port city of Acapulco as well as in three rural locations: the southeastern state of Yucatán, the central state of Michoacán, and the northern region of the Comarca Lagunera. Combining the strengths of national and regional approaches, this comparative perspective sets in relief the specificities of citizenship as a lived experience.
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Author: 
Author: Shannon K. O'Neil
Author: Susan M. Gauss
Author: Gladys I. McCormick
Author: Stephanie J. Smith
Author: Josefina Zoraida Vazquez
Author: Ruth Hellier-Tinoco
Author: Anabel Hernandez
Author: Esther Gabara
Author: Jocelyn H. Olcott