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Author: Tina Grette Poulsson Publisher: Archetype Publications ISBN: 9781904982135 Category : Archival materials Languages : en Pages : 0
Book Description
Retouching, the process employed by paper conservators to replace damaged or lost areas of media, is carried out directly on the original item or on paper infills. Interventive retouching on an original surface requires the consideration of several important ethical issues such as reversibility and authenticity. The use of retouching on infills, which could be termed non-interventive, is easier to accept, as it can always be made reversible and can normally be easily identified as a later addition to the original work. The focus of this book is on interventive retouching and the question of reconstruction, including digital reconstruction and facsimile reintegration. As artworks are intended to be seen, it can be argued that aesthetics are of paramount importance. Retouching may be used as a means to preserve the legibility and composition of the image for the viewer and as such it may be considered a necessary or unnecessary evil.
Author: Tina Grette Poulsson Publisher: Archetype Publications ISBN: 9781904982135 Category : Archival materials Languages : en Pages : 0
Book Description
Retouching, the process employed by paper conservators to replace damaged or lost areas of media, is carried out directly on the original item or on paper infills. Interventive retouching on an original surface requires the consideration of several important ethical issues such as reversibility and authenticity. The use of retouching on infills, which could be termed non-interventive, is easier to accept, as it can always be made reversible and can normally be easily identified as a later addition to the original work. The focus of this book is on interventive retouching and the question of reconstruction, including digital reconstruction and facsimile reintegration. As artworks are intended to be seen, it can be argued that aesthetics are of paramount importance. Retouching may be used as a means to preserve the legibility and composition of the image for the viewer and as such it may be considered a necessary or unnecessary evil.
Author: Carrie Beene Publisher: CRC Press ISBN: 1136088865 Category : Photography Languages : en Pages : 213
Book Description
From the perfect glossy pages of a magazine to the larger-than-life images floating on a billboard in the sky, image retouching has become a key component of today's digital photography world. Sometimes controversial but widely accepted, and even expected, excellent retouching skills are crucial to finding success in the field of digital imaging. As you work through the clear step-by-step instructions in the book using the images provided on the downloadable resources, you'll learn how to do real retouching jobs from start to finish, including each and every technical step along the way. You'll also get behind the scenes advice for talking to clients and establishing a workflow to ensure that your client gets the results they are looking for. If you're a student or aspiring professional just starting out in the world of retouching, the information found in this book can help you find work in the advertising/retouching industry. If you're already a working photographer, you'll be able to add retouching to your repertoire as an additional offering to your clients. Carrie Beene is a professional retoucher and educator who has worked with some of the world's most prestigious companies In this new book, she'll share the techniques she has learned and developed over the years to help you navigate the often mysterious world of image retouching.
Author: Max Schweidler Publisher: Getty Publications ISBN: 9780892368358 Category : Antiques & Collectibles Languages : en Pages : 320
Book Description
Ever since its original publication in Germany in 1938, Max Schweidler's Die Instandetzung von Kupferstichen, Zeichnungen, Buchern usw has been recognized as a seminal modern text on the conservation and restoration of works on paper. To address what he saw as a woeful dearth of relevant literature and in order to assist those who have 'set themselves the goal of preserving cultural treasures, ' the noted German restorer composed a thorough technical manual covering a wide range of specific techniques, including detailed instructions on how to execute structural repairs and alterations that, if skilfully done, can be virtually undetectable. By the mid-twentieth century, curators and conservators of graphic arts, discovering a nearly invisible repair in an old master print or drawing, might comment that the object had been 'Schweidlerized.' This volume, based on the authoritative revised German edition of 1949, makes Schweidler's work available in English for the first time, in a meticulously edited and annotated critical edition. The editor's introduction places the work in its historical context and probes the philosophical issues the book raises, while some two hundred annotati
Author: Margaret Holben Ellis Publisher: Getty Publications ISBN: 1606064320 Category : Art Languages : en Pages : 548
Book Description
This book is the seventh in the Readings in Conservation series, which gathers and publishes texts that have been influential in the development of thinking about the conservation of cultural heritage. The present volume provides a selection of more than ninety-five texts tracing the development of the conservation of works of art on paper. Comprehensive and thorough, the book relates how paper conservation has responded to the changing place of prints and drawings in society. The readings include a remarkable range of historical selections from texts such as Renaissance printmaker Ugo da Carpi’s sixteenth-century petition to the Venetian senate on his invention of chiaroscuro, Thomas Churchyard’s 1588 essay in verse “A Sparke of Frendship and Warme Goodwill,” and Robert Bell’s 1773 piece “Observations Relative to the Manufacture of Paper and Printed Books in the Province of Pennsylvania.” These are complemented by influential writings by such figures as A. H. Munsell, Walter Benjamin, and Jacques Derrida, along with a generous representation of recent scholarship. Each reading is introduced by short remarks explaining the rationale for its selection and the principal matters covered, and the book is supplemented with a helpful bibliography. This volume is an indispensable tool for museum curators, conservators, and students and teachers of the conservation of works of art on paper.
Author: Joyce Hill Stoner Publisher: Routledge ISBN: 0429680961 Category : Art Languages : en Pages : 1394
Book Description
Conservation of Easel Paintings, Second Edition provides a much-anticipated update to the previous edition, which has come to be known internationally as an invaluable and comprehensive text on the history, philosophy and methods of the treatment of easel paintings. Including 49 chapters written by more than 90 respected authors from around the world, this volume offers the necessary background knowledge in technical art history, artists’ materials and scientific methods of examination and documentation. Later sections of the book provide information about the varying approaches and methods for treatment and issues of preventive conservation, as well as valuable reflections on storage, shipping, and exhibition. Including exciting developments that have taken place since the last edition was published, the book also covers new techniques of examination, especially MacroXRF scanning and Reflectance Transmission Imagery. Drawing on research presented at recent professional conferences, information about innovative methods for cleaning modern and contemporary paintings and insights into modern oil paints is also included. Incorporating the latest regulations and understanding of health and safety practices and integrating theory with practice throughout, Conservation of Easel Paintings, Second Edition will continue to be an indispensable reference for practicing conservators. It will also be an essential resource for students taking conservation courses around the world.
Author: Mark Fitzgerald Publisher: John Wiley & Sons ISBN: 0470915781 Category : Computers Languages : en Pages : 628
Book Description
Adobe Photoshop CS5 Restoration and Retouching For Digital Photographers Only is the complete guide to restoration and retouching. Whether you’re new to Photoshop, or if you’ve been using it for years, you’ll learn lots of new tricks that will help put the beauty back into cherished family photos, and turn new photos into frameable works of art. Follow Adobe Certified Photoshop Expert Mark Fitzgerald as he guides you through the restoration and retouching workflows. Begin by learning about basic concepts, such as proper tonal and color adjustment, selections, and masking. Then learn to master Photoshop’s retouching tools, like the Healing Brush, Patch Tool, and Clone Stamp. After you build a solid foundation, you’ll see how these tools and techniques come together to solve a wide range of restoration and retouching problems; from repairing a damaged print to removing braces and repairing glass glares. Explore the tools and techniques with step-by-step expert instructions for downloadable practice files. Experience the total workflow as you complete three projects along side Mark from start to finish: a restoration project, a portrait retouching project, and an architectural retouching project. This book is an update to Mark Fitzgerald’s popular book, Adobe Photoshop CS3 Restoration and Retouching Bible.
Author: Mitra Abbaspour Publisher: Museum of Modern Art, New York ISBN: 9780870709418 Category : Photography Languages : en Pages : 400
Book Description
OBJECT:PHOTO shifts the dialogue about modernist photography from an emphasis on the subject and the image to the actual photographic object, created by a certain artist at a particular time and present today in its unique physicality. This shift is especially significant for a study of the period during which photography developed a distinctive formal language. A growing awareness of the rarity of images made between the two world wars has altered historians' considerations, encouraging new approaches privileging the originality of each work and the density of references each contains. This richly illustrated publication culminates a four-year collaborative research endeavor between The Museum of Modern Art's Departments of Photography and Conservation, and nearly 30 visiting scholars, on the material and aesthetic evolution of avant-garde photography in the early twentieth century. The 341 modernist photographs known as The Thomas Walther Collection, a major museum acquisition made in 2001, is presented in its entirety, establishing a new standard of depth for the medium. Essays by curators, researchers, and conservators consider the history of collecting from this era to the present and how deepening knowledge has shifted the perspective on the medium; the material facts of the Walther pictures as a baseline for understanding the development of photographic materials in this era; and how the intellectual formation of the writers of critical photographic publications of the era and the societal and cultural pressures of that historical moment inflected the photography's sense of its own history. Together with thematic, object-based case studies of groups of pictures that demonstrate new approaches in specific, divergent examples, these contributions reanimate the dialogue on this formative era in photography.
Author: Mad Publishing Publisher: ISBN: 9781481924627 Category : Photography Languages : en Pages : 106
Book Description
This book will in detail explain the art of digital retouching in a darkroom that never goes out of style. Learn techniques of beauty, fashion and portrait photography and retouching using Photoshop. Master darkroom specialist Steve Anchell is back to prove it in this long-awaited third edition of his enormously successful Darkroom Cookbook. Packed with over 200 "recipes," some common and others rare gems, you'll discover something new every time you open this guide, whether you're new to the darkroom or have been making your own prints for years. In addition to the formulas, you'll find tons of useful information on developers, push-processing, where to get darkroom equipment, how to set up your own darkroom, how to work and play in your darkroom safely, and much more.
Author: Tina Grette Poulsson
Author: Tina Grette Poulsson
Author: Carrie Beene
Author: Max Schweidler
Author: Margaret Holben Ellis
Author: Clara Weisman
Author: Joyce Hill Stoner
Author: Mark Fitzgerald
Author: Mitra Abbaspour
Author: Robert Johnson
Author: Mad Publishing