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Author: Tim Keenan Publisher: Taylor & Francis ISBN: 1317064690 Category : Literary Criticism Languages : en Pages : 235
Book Description
Restoration Staging 1660–74 cuts through prevalent ideas of Restoration theatre and drama to read early plays in their original theatrical contexts. Tim Keenan argues that Restoration play texts contain far more information about their own performance than previously imagined. Focusing on specific productions and physical staging at the three theatres operating in the first years of the Restoration – Vere Street, Bridges Street and Lincoln’s Inn Fields – Keenan analyses stage directions, scene headings and other performance clues embedded in the play-texts themselves. These close readings shed new light on staging practices of the period, building a radical new model of early Restoration staging. Restoration Staging, 1660–74 takes account of all extant new plays written for or premiered at three of London’s early theatres, presenting a much-needed reassessment of early Restoration drama.
Author: Tim Keenan Publisher: Taylor & Francis ISBN: 1317064690 Category : Literary Criticism Languages : en Pages : 235
Book Description
Restoration Staging 1660–74 cuts through prevalent ideas of Restoration theatre and drama to read early plays in their original theatrical contexts. Tim Keenan argues that Restoration play texts contain far more information about their own performance than previously imagined. Focusing on specific productions and physical staging at the three theatres operating in the first years of the Restoration – Vere Street, Bridges Street and Lincoln’s Inn Fields – Keenan analyses stage directions, scene headings and other performance clues embedded in the play-texts themselves. These close readings shed new light on staging practices of the period, building a radical new model of early Restoration staging. Restoration Staging, 1660–74 takes account of all extant new plays written for or premiered at three of London’s early theatres, presenting a much-needed reassessment of early Restoration drama.
Author: Tim Keenan (Dr.) Publisher: ISBN: 9781315605883 Category : Literary Criticism Languages : en Pages : 219
Book Description
Restoration Staging 1660-74cuts through prevalent ideas of Restoration theatre and drama to read early plays in their original theatrical contexts. Tim Keenan argues that Restoration play texts contain far more information about their own performance than previously imagined. Focusing on specific productions and physical staging at the three theatres operating in the first years of the Restoration - Vere Street, Bridges Street and Lincoln's Inn Fields - Keenan analyses stage directions, scene headings and other performance clues embedded in the play-texts themselves. These close readings shed new light on staging practices of the period, building a radical new model of early Restoration staging. Restoration Staging, 1660-74takes account of all extant new plays written for or premiered at three of London's early theatres, presenting a much-needed reassessment of early Restoration drama.
Author: Amanda Eubanks Winkler Publisher: Cambridge University Press ISBN: 1009241249 Category : Literary Criticism Languages : en Pages : 245
Book Description
Performing Restoration Shakespeare embraces the performative and musical qualities of Restoration Shakespeare (1660–1714), drawing on the expertise of theatre historians, musicologists, literary critics, and - importantly - theatre and music practitioners. The volume advances methodological debates in theatre studies and musicology by advocating an alternative to performance practices aimed at reviving 'original' styles or conventions, adopting a dialectical process that situates past performances within their historical and aesthetic contexts, and then using that understanding to transform them into new performances for new audiences. By deploying these methodologies, the volume invites scholars from different disciplines to understand Restoration Shakespeare on its own terms, discarding inhibiting preconceptions that Restoration Shakespeare debased Shakespeare's precursor texts. It also equips scholars and practitioners in theatre and music with new - and much needed - methods for studying and reviving past performances of any kind, not just Shakespearean ones.
Author: Elizabeth Sauer Publisher: Cambridge University Press ISBN: 1108529941 Category : Literary Criticism Languages : en Pages : 816
Book Description
The years 1660 to 1714 represent a fraught transitional period, one caught between two now dominant periodization rubrics: early modern and the long eighteenth century. Containing narratives of disruption, restoration, and reconfiguration, Emergent Nation: Early Modern British Literature in Transition, 1660–1714 explores the conjunctions and disjunctions between historical and literary developments in this period, when the sociable, rivalrous textual world of letters registered and accelerated changes. Each of the volume's four parts highlights the relationship of various literary forms to a different kind of transformation - generic, ideological, cultural, or local. The five chapters in each section rigorously probe the conditions that affected the period's literary transformations, and interrogate the traditions that canonical and less established writers inherited, adapted, and often challenged. In making a case for an early mimetically produced English nation, this book, through its concentration on literary evidence and transitions also makes innovative contributions to an understanding of nationalism in the period.
Author: Philip Major Publisher: Routledge ISBN: 1000712133 Category : Literary Criticism Languages : en Pages : 297
Book Description
Author of plays, love-lyrics, essays and, among other works, The Civil War, the Davideis and the Pindarique Odes, Abraham Cowley made a deep impression on seventeenth-century letters, attested by his extravagant funeral and his burial next to Chaucer and Spenser in Westminster Abbey. Ejected from Cambridge for his politics, he found refuge in royalist Oxford before seeing long service as secretary to Queen Henrietta Maria, and as a Crown agent, on the continent. In the mid-1650s he returned to England, was imprisoned and made an accommodation with the Cromwellian regime. This volume of essays provides the modern critical attention Cowley’s life and writings merit.
Author: Laura J. Rosenthal Publisher: Cornell University Press ISBN: 1501751603 Category : Literary Criticism Languages : en Pages : 329
Book Description
Ways of the World explores cosmopolitanism as it emerged during the Restoration and the role theater played in both memorializing and satirizing its implications and consequences. Rooted in the Stuart ambition to raise the status of England through two crucial investments—global traffic, including the slave trade, and cultural sophistication—this intensified global orientation led to the creation of global mercantile networks and to the rise of an urban British elite who drank Ethiopian coffee out of Asian porcelain at Ottoman-inspired coffeehouses. Restoration drama exposed cosmopolitanism's most embarrassing and troubling aspects, with such writers as Joseph Addison, Aphra Behn, John Dryden, and William Wycherley dramatizing the emotional and ethical dilemmas that imperial and commercial expansion brought to light. Altering standard narratives about Restoration drama, Laura J. Rosenthal shows how the reinvention of theater in this period—including technical innovations and the introduction of female performers—helped make possible performances that held the actions of the nation up for scrutiny, simultaneously indulging and ridiculing the violence and exploitation being perpetuated. In doing so, Ways of the World reveals an otherwise elusive consistency between Restoration genres (comedy, tragedy, heroic plays, and tragicomedy), disrupts conventional understandings of the rise and reception of early capitalism, and offers a fresh perspective on theatrical culture in the context of the shifting political realities of seventeenth- and eighteenth-century Britain.
Author: Andrew R. Walkling Publisher: Routledge ISBN: 1315524198 Category : Music Languages : en Pages : 415
Book Description
English Dramatick Opera, 1661–1706 is the first comprehensive examination of the distinctively English form known as "dramatick opera", which appeared on the London stage in the mid-1670s and lasted until its displacement by Italian through-composed opera in the first decade of the eighteenth century. Andrew Walkling argues that, while the musical elements of this form are crucial to its definition and history, the origins of the genre lie principally in a tradition of spectacular stagecraft that first manifested itself in England in the mid-1660s as part of a hitherto unidentified dramatic sub-genre, to which Walkling gives the name "spectacle-tragedy". Armed with this new understanding, the book explores a number of historical and interpretive issues, including the physical and rhetorical configurations of performative spectacle, the administrative maneuverings of the two "patent" theatre companies, the construction and deployment of the technologically advanced Dorset Garden Theatre in 1670–71, the critical response to generic, technical, and ideological developments in Restoration drama, and the shifting balance between machine spectacle and song-and-dance entertainment throughout the later decades of the seventeenth century, including in the dramatick operas of Henry Purcell. This study combines the materials and methodologies of music history, theatre history, literary studies, and bibliography to fashion an entirely new approach to the history of spectacular and musical drama on the English Restoration stage. This book serves as a companion to the Routledge publication Masque and Opera in England, 1656–1688 (2017).
Author: Christopher R. Wilson Publisher: Oxford University Press ISBN: 0190945141 Category : Drama Languages : en Pages : 1289
Book Description
"This compendium reflects the latest international research into the many and various uses of music in relation to Shakespeare's plays and poems, the contributors' lines of enquiry extending from the Bard's own time to the present day. The coverage is global in its scope, and includes studies of Shakespeare-related music in countries as diverse as China, the Czech Republic, France, Germany, India, Italy, Japan, Russia, South Africa, Sweden, and the Soviet Union, as well as the more familiar Anglophone musical and theatrical traditions of the UK and USA. The range of genres surveyed by the book's team of distinguished authors embraces music for theatre, opera, ballet, musicals, the concert hall, and film, in addition to Shakespeare's ongoing afterlives in folk music, jazz, and popular music. The authors take a range of diverse approaches: some investigate the evidence for performative practices in the Early Modern and later eras, while others offer detailed analyses of representative case studies, situating these firmly in their cultural contexts, or reflecting on the political and sociological ramifications of the music. As a whole, the volume provides a wide-ranging compendium of cutting-edge scholarship engaging with an extraordinarily rich body of music without parallel in the history of the global arts"--
Author: Tim Keenan
Author: Tim Keenan
Author: Tim Keenan (Dr.)
Author: Deborah C. Payne
Author: Amanda Eubanks Winkler
Author: David Roberts
Author: Elizabeth Sauer
Author: Philip Major
Author: Laura J. Rosenthal
Author: Andrew R. Walkling
Author: Christopher R. Wilson