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Author: Drago Momcilovic Publisher: Cambridge Scholars Publishing ISBN: 1527551482 Category : Music Languages : en Pages : 365
Book Description
The field of memory studies has long been preoccupied with the manner in which events from the past are commemorated, forgotten, re-fashioned, or worked through on both the individual and collective level. Yet in an age when various modes of artistic and cultural commemoration have begun to overlap with and respond to one another, the dynamics of cultural remembering and forgetting become bound up in an increasingly elaborate network of representations that operate both within and outside temporal, cultural, and national borders. As publicly circulating texts that straddle the line between cultural artifact and artistic object, both musical and literary works, both individually and often in conjunction with one another, help shape cultural memories and individual experiences of those events. Troping their cultural milieux through specific aesthetic and social forms, genres, and modes of dissemination, music and literature become part of a growing global panoply of raw materials upon which we might begin to pose questions regarding the way we remember, the consequences of sharing and passing on those memories, and the aesthetic and cultural pressures attendant upon the circulation and interpretation of texts that (re-)sound the past.
Author: Drago Momcilovic Publisher: Cambridge Scholars Publishing ISBN: 1527551482 Category : Music Languages : en Pages : 365
Book Description
The field of memory studies has long been preoccupied with the manner in which events from the past are commemorated, forgotten, re-fashioned, or worked through on both the individual and collective level. Yet in an age when various modes of artistic and cultural commemoration have begun to overlap with and respond to one another, the dynamics of cultural remembering and forgetting become bound up in an increasingly elaborate network of representations that operate both within and outside temporal, cultural, and national borders. As publicly circulating texts that straddle the line between cultural artifact and artistic object, both musical and literary works, both individually and often in conjunction with one another, help shape cultural memories and individual experiences of those events. Troping their cultural milieux through specific aesthetic and social forms, genres, and modes of dissemination, music and literature become part of a growing global panoply of raw materials upon which we might begin to pose questions regarding the way we remember, the consequences of sharing and passing on those memories, and the aesthetic and cultural pressures attendant upon the circulation and interpretation of texts that (re-)sound the past.
Author: Miranda Eva Stanyon Publisher: University of Pennsylvania Press ISBN: 0812253086 Category : Literary Collections Languages : en Pages : 286
Book Description
What does the sublime sound like? Miranda Stanyon traces competing varieties of the sublime, a crucial modern aesthetic category, as shaped by the antagonistic intimacies between music and language. In resounding the history of the sublime over the course of the long eighteenth century, she finds a phenomenon always already resonant.
Author: Cheryl Freier Publisher: AuthorHouse ISBN: 1496960289 Category : Fiction Languages : en Pages : 149
Book Description
In essence, the most important word one will ever understand is truth, but within those five letters is a timeless mystery that has confounded philosophers, theologians, and sages throughout the centuries. What is truth? Who defines it? Who protects it? What the Nazis did to in the last century cannot be changed, and day by day, new information challenges the worlds definition of truth in times of war. In 1943, when the Nazis came to take the Jews to camps during the siege of Slovakia, a man by the name of Joseph Frier arranged to have his four sons taken to a place of safety. There, the boys hid in fear for their very lives and were forced to make impossible decisions just to survive. Martin, the authors husband, was one of those boys. Against the overwhelming scale of human cruelty of those days, it is important to remember and celebrate smaller human stories of kindness, courage, and integrity. During the Nazi occupation of Europe, fearful and weak men and women traded their souls to the devil. In this pitch-black part of world history, there were men and women who became champions of the truth and became heroes in the eyes of G-d forever. In remembering those who perished during this war, we pray for their souls as we remember our forefathers, Abraham, Issac, and Jacob, and our women patriarchs Rebecca, Rachel, and Leah. Throughout human history, countless faceless champions emerged when needed. Sadly, for every hero, there were also those who succumbed to their baser, more cowardly impulses of self-preservation at any cost. Echoes Resounding from the Past celebrates the truth of what it means to be a hero.
Author: Rachel Carroll Publisher: Routledge ISBN: 131710420X Category : Music Languages : en Pages : 258
Book Description
Bringing together exciting new interdisciplinary work from emerging and established scholars in the UK and beyond, Litpop addresses the question: how has writing past and present been influenced by popular music, and vice versa? Contributions explore how various forms of writing have had a crucial role to play in making popular music what it is, and how popular music informs ’literary’ writing in diverse ways. The collection features musicologists, literary critics, experts in cultural studies, and creative writers, organised in three themed sections. ’Making Litpop’ explores how hybrids of writing and popular music have been created by musicians and authors. ’Thinking Litpop’ considers what critical or intellectual frameworks help us to understand these hybrid cultural forms. Finally, ’Consuming Litpop’ examines how writers deal with music’s influence, how musicians engage with literary texts, and how audiences of music and writing understand their own role in making ’Litpop’ happen. Discussing a range of genres and periods of writing and popular music, this unique collection identifies, theorizes, and problematises connections between different forms of expression, making a vital contribution to popular musicology, and literary and cultural studies.
Author: Stephanie Tara Schwartz Publisher: Cambridge Scholars Publishing ISBN: 144382092X Category : History Languages : en Pages : 280
Book Description
Revolving around the theme of “counterpoint” extensively used by Edward Said as the interplay of diverse ideas and discrepant experiences, this book aims to explore Said’s contribution to the fields of comparative literature, literary criticism, postcolonial theory, exilic and transnational studies, and socio-political thought among many others. Overshadowed by his legitimate political positions in support to the Palestinian cause and at odds with Islamophobic hostilities, Said’s intellectual achievements in the fields of humanities and philosophical thinking should equally be acknowledged and celebrated. Said articulates his notion of counterpoints through a vivid description of the composition of Western classical music. In the counterpoint of Western classical music, various themes play off one another, with only a provisional privilege being given to any particular one; yet in the resulting polyphony there is concert and order, an organized interplay that derives from the themes, not from a rigorous melodic or formal principle outside the work. This book pays tribute to Said’s contrapuntal methodology as well as to his academic and humanistic legacy.
Author: Lila Ellen Gray Publisher: Duke University Press ISBN: 082237885X Category : Social Science Languages : en Pages : 334
Book Description
Fado, Portugal's most celebrated genre of popular music, can be heard in Lisbon clubs, concert halls, tourist sites, and neighborhood bars. Fado sounds traverse the globe, on internationally marketed recordings, as the "soul" of Lisbon. A fadista might sing until her throat hurts, the voice hovering on the break of a sob; in moments of sung beauty listeners sometimes cry. Providing an ethnographic account of Lisbon's fado scene, Lila Ellen Gray draws on research conducted with amateur fado musicians, fadistas, communities of listeners, poets, fans, and cultural brokers during the first decade of the twenty-first century. She demonstrates the power of music to transform history and place into feeling in a rapidly modernizing nation on Europe's periphery, a country no longer a dictatorship or an imperial power. Gray emphasizes the power of the genre to absorb sounds, memories, histories, and styles and transform them into new narratives of meaning and "soul."
Author: M.I. Franklin Publisher: Springer ISBN: 1137056177 Category : Political Science Languages : en Pages : 327
Book Description
This book explores a provocative area of inquiry for critical theory and research into world politics and popular culture: music. Not just because political science barely engages with anything musical, but also because it is clear that many opportunities for critical scholarship and reflection on global politics and economics are present in the spaces and relationships created by organized sound. It is easy to focus on the textual elements of music, but there is more at stake than just the words. Critical reflection on the intersections between music and politics also need to take into account the visceral and non-verbal elements such as counterpoint and harmony, polyphony and dissonance, noise, rhymes, rhythms, performance and the visual/aural dimensions to music-making.
Author: Drago Momcilovic
Author: Drago Momcilovic
Author: Miranda Eva Stanyon
Author: Jeremy Begbie
Author: Cheryl Freier
Author: Rachel Carroll
Author: Stephanie Tara Schwartz
Author: Lila Ellen Gray
Author: M.I. Franklin
Author: William Grimshaw
Author: William Grimshaw