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Author: Andy Thomas Publisher: Sacristy Press ISBN: 1789591147 Category : Music Languages : en Pages : 114
Book Description
This valuable book encourages music leaders to step-up and persevere in low-resource contexts, and challenges all those who lead music in worship to focus not just on producing musical results but on building Christlike communities.
Author: Andy Thomas Publisher: Sacristy Press ISBN: 1789591147 Category : Music Languages : en Pages : 114
Book Description
This valuable book encourages music leaders to step-up and persevere in low-resource contexts, and challenges all those who lead music in worship to focus not just on producing musical results but on building Christlike communities.
Author: Miranda Eva Stanyon Publisher: University of Pennsylvania Press ISBN: 0812253086 Category : Literary Collections Languages : en Pages : 286
Book Description
What does the sublime sound like? Miranda Stanyon traces competing varieties of the sublime, a crucial modern aesthetic category, as shaped by the antagonistic intimacies between music and language. In resounding the history of the sublime over the course of the long eighteenth century, she finds a phenomenon always already resonant.
Author: Samuel Kimbriel Publisher: James Clarke & Company ISBN: 0227905563 Category : Philosophy Languages : en Pages : 397
Book Description
It is surely not coincidental that the term 'soul' should mean not only the centre of a creature's life and consciousness, but also a thing or action characterised by intense vivacity ('that bike's got soul!'). It also seems far from coincidental that the same contemporary academic discussions that have largely cast aside the language of 'soul' in their quest to define the character of human mental life should themselves be so bloodless, or so lacking in soul. The Resounding Soul arises from the opposite premise: that the task of understanding human nature is bound up with the more critical task of learning to be fully human. The papers collected here are derived from a conference in Oxford sponsored by the Centre of Theology and Philosophy and explore the often surprising landscape that emerges when human consciousness is approached from this angle. Drawing upon literary, philosophical, theological, historical, and musical modes of analysis, these essays remind the reader of the power of the ancient language of soul over against contemporary impulses to reduce, fragment, and overly determine human selfhood.
Author: Tamara Roberts Publisher: Oxford University Press ISBN: 0199377421 Category : Music Languages : en Pages : 256
Book Description
Cultural hybridity is a celebrated hallmark of U.S. American music and identity. Yet hybrid music is all too often marked -and marketed - under a single racial label. Resounding Afro Asia examines music projects that counter this convention; these projects instead foreground racial mixture in players, audiences, and sound in the very face of the ghettoizing culture industry. Giving voice to four contemporary projects, author Tamara Roberts traces black/Asian engagements that reach across the United States and beyond: Funkadesi, Yoko Noge, Fred Ho and the Afro Asian Music Ensemble, and Red Baraat. From Indian funk & reggae, to Japanese folk & blues, to jazz in various Asian and African traditions, to Indian brass band and New Orleans second line, these artists live multiracial lives in which they inhabit - and yet exceed - multicultural frameworks built on essentialism and segregation. When these musicians collaborate, they generate and perform racially marked sounds that do not conform to their individual racial identities. The Afro Asian artists discussed in this book splinter the expectations of racial determinism, and through improvisation and composition, articulate new identities and subjectivities in conversation with each other. These dynamic social, aesthetic, and sonic practices construct a forum for the negotiation of racial and cultural difference and the formation of inter-minority solidarities. Resounding Afro Asia joins a growing body of literature that is writing Asian American artists back into U.S. popular music history, while highlighting interracial engagements that have fueled U.S. music making. The book will appeal to scholars of music, ethnomusicology, race theory, and politics, as well as those interested in race and popular music.
Author: Byron Hawk Publisher: University of Pittsburgh Press ISBN: 0822983478 Category : Language Arts & Disciplines Languages : en Pages : 417
Book Description
Resounding the Rhetorical offers an original critical and theoretical examination of composition as a quasi-object. As composition flourishes in multiple media (digital, sonic, visual, etc.), Byron Hawk seeks to connect new materialism with current composition scholarship and critical theory. Using sound and music as his examples, he demonstrates how a quasi-object can and does materialize for communicative and affective expression, and becomes a useful mechanism for the study and execution of composition as a discipline. Through careful readings of Serres, Latour, Deleuze, Heidegger, and others, Hawk reconstructs key concepts in the field including composition, process, research, collaboration, publics, and rhetoric. His work delivers a cutting-edge response to the state of the field, where it is headed, and the possibilities for postprocess and postwriting composition and rhetoric.
Author: Adriana Helbig Publisher: Oxford University Press ISBN: 0197631762 Category : Education Languages : en Pages : 241
Book Description
ReSounding Poverty: Romani Music and Development Aid engages with global scholarship on development, poverty, and applied research. It addresses the role of non-governmental organizations (NGOs) within postsocialist neoliberal processes and analyzes the economic structures within which Romani musics circulate. Specifically, ReSounding Poverty offers a micro ethnography of economic networks that impact the daily lives of Romani musicians on the borders of the former Soviet Union and the European Union. It argues that the development aid allotted to provide economic assistance to Romani communities, when analyzed from the perspective of the performance arts, continues to marginalize the poorest among them. Through their structure and programming, NGOs choose which segments of the population are the most vulnerable and in the greatest need of assistance. Drawing on ethnographic research in development contexts, ReSounding Poverty asks who speaks for whom within the Romani rights movement today. Framing the critique of development aid in musical terms, it engages with Romani marginalization and economic deprivation through a closer listening to vocal inflections, physical vocalizations of health and disease, and emotional affect. ReSounding Poverty brings us into the back rooms of saman, mud and straw brick, houses not visited by media reporters and politicians, amplifying the cultural expressions of the Romani poor, silenced in the business of development.
Author: Andy Thomas
Author: Andy Thomas
Author: Jeremy Begbie
Author: Miranda Eva Stanyon
Author: Samuel Kimbriel
Author: Alfredo Martino
Author: John Augustine Zahm
Author: Tamara Roberts
Author: Byron Hawk
Author: USA Patent Office
Author: Adriana Helbig