Author: Lacie Ellen Glover
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Representations of Women in Casta Paintings of Colonial Mexico explores the power relations between men and women represented in casta paintings of the eighteenth century. I provide an overview of the genre of casta painting and its relation to the sistema de castas, the social arrangement based on lineages intended to sustain the power of the Spanish elite. I examine how casta scenes reinforce the authority of the Spanish male. The social construction of gender, separate spheres of men and women, and the notion of "true womanhood" are recurrent themes. I argue that casta scenes reinforced the expected norms of female behavior. Social codes of conduct varied by class, and I argue that elite, white women are portrayed as ideal women in contrast to mixed-race women. By focusing on gender, this thesis provides a new perspective on this genre, enriching our knowledge of the life experiences of women in colonial Mexico.
Representations of Women in Casta Paintings of Colonial Mexico
Author: Lacie Ellen Glover
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Representations of Women in Casta Paintings of Colonial Mexico explores the power relations between men and women represented in casta paintings of the eighteenth century. I provide an overview of the genre of casta painting and its relation to the sistema de castas, the social arrangement based on lineages intended to sustain the power of the Spanish elite. I examine how casta scenes reinforce the authority of the Spanish male. The social construction of gender, separate spheres of men and women, and the notion of "true womanhood" are recurrent themes. I argue that casta scenes reinforced the expected norms of female behavior. Social codes of conduct varied by class, and I argue that elite, white women are portrayed as ideal women in contrast to mixed-race women. By focusing on gender, this thesis provides a new perspective on this genre, enriching our knowledge of the life experiences of women in colonial Mexico.
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Representations of Women in Casta Paintings of Colonial Mexico explores the power relations between men and women represented in casta paintings of the eighteenth century. I provide an overview of the genre of casta painting and its relation to the sistema de castas, the social arrangement based on lineages intended to sustain the power of the Spanish elite. I examine how casta scenes reinforce the authority of the Spanish male. The social construction of gender, separate spheres of men and women, and the notion of "true womanhood" are recurrent themes. I argue that casta scenes reinforced the expected norms of female behavior. Social codes of conduct varied by class, and I argue that elite, white women are portrayed as ideal women in contrast to mixed-race women. By focusing on gender, this thesis provides a new perspective on this genre, enriching our knowledge of the life experiences of women in colonial Mexico.
Casta Painting
Author: Ilona Katzew
Publisher: Yale University Press
ISBN: 9780300109719
Category : Art
Languages : en
Pages : 262
Book Description
Casta painting is a distinctive Mexican genre that portrays racial mixing among the Indians, Spaniards & Africans who inhabited the colony, depicted in sets of consecutive images. Ilona Katzew places this art form in its social & historical context.
Publisher: Yale University Press
ISBN: 9780300109719
Category : Art
Languages : en
Pages : 262
Book Description
Casta painting is a distinctive Mexican genre that portrays racial mixing among the Indians, Spaniards & Africans who inhabited the colony, depicted in sets of consecutive images. Ilona Katzew places this art form in its social & historical context.
Imagining Identity in New Spain
Author: Magali M. Carrera
Publisher: University of Texas Press
ISBN: 9780292712454
Category : Art
Languages : en
Pages : 228
Book Description
Reacting to the rising numbers of mixed-blood (Spanish-Indian-Black African) people in its New Spain colony, the eighteenth-century Bourbon government of Spain attempted to categorize and control its colonial subjects through increasing social regulation of their bodies and the spaces they inhabited. The discourse of calidad(status) and raza(lineage) on which the regulations were based also found expression in the visual culture of New Spain, particularly in the unique genre of castapaintings, which purported to portray discrete categories of mixed-blood plebeians. Using an interdisciplinary approach that also considers legal, literary, and religious documents of the period, Magali Carrera focuses on eighteenth-century portraiture and castapaintings to understand how the people and spaces of New Spain were conceptualized and visualized. She explains how these visual practices emphasized a seeming realism that constructed colonial bodies--elite and non-elite--as knowable and visible. At the same time, however, she argues that the chaotic specificity of the lives and lived conditions in eighteenth-century New Spain belied the illusion of social orderliness and totality narrated in its visual art. Ultimately, she concludes, the inherent ambiguity of the colonial body and its spaces brought chaos to all dreams of order.
Publisher: University of Texas Press
ISBN: 9780292712454
Category : Art
Languages : en
Pages : 228
Book Description
Reacting to the rising numbers of mixed-blood (Spanish-Indian-Black African) people in its New Spain colony, the eighteenth-century Bourbon government of Spain attempted to categorize and control its colonial subjects through increasing social regulation of their bodies and the spaces they inhabited. The discourse of calidad(status) and raza(lineage) on which the regulations were based also found expression in the visual culture of New Spain, particularly in the unique genre of castapaintings, which purported to portray discrete categories of mixed-blood plebeians. Using an interdisciplinary approach that also considers legal, literary, and religious documents of the period, Magali Carrera focuses on eighteenth-century portraiture and castapaintings to understand how the people and spaces of New Spain were conceptualized and visualized. She explains how these visual practices emphasized a seeming realism that constructed colonial bodies--elite and non-elite--as knowable and visible. At the same time, however, she argues that the chaotic specificity of the lives and lived conditions in eighteenth-century New Spain belied the illusion of social orderliness and totality narrated in its visual art. Ultimately, she concludes, the inherent ambiguity of the colonial body and its spaces brought chaos to all dreams of order.
New World Orders
Author: Ilona Katzew
Publisher: America's Society Art Gallery
ISBN:
Category : Art
Languages : es
Pages : 164
Book Description
Publisher: America's Society Art Gallery
ISBN:
Category : Art
Languages : es
Pages : 164
Book Description
Mexican Costumbrismo
Author: Mey-Yen Moriuchi
Publisher: Penn State University Press
ISBN: 9780271079073
Category : Art
Languages : en
Pages : 0
Book Description
Focuses on costumbrismo, a cultural trend in Latin America and Spain toward representing local customs, types, and scenes of everyday life in the visual arts and literature, to examine the shifting terms of Mexican identity in the nineteenth century.
Publisher: Penn State University Press
ISBN: 9780271079073
Category : Art
Languages : en
Pages : 0
Book Description
Focuses on costumbrismo, a cultural trend in Latin America and Spain toward representing local customs, types, and scenes of everyday life in the visual arts and literature, to examine the shifting terms of Mexican identity in the nineteenth century.
Genealogical Fictions
Author: María Elena Martínez
Publisher: Stanford University Press
ISBN: 0804756481
Category : History
Languages : en
Pages : 425
Book Description
Genealogical Fictions examines how the state, church, Inquisition, and other institutions in colonial Mexico used the Spanish notion of limpieza de sangre (purity of blood) over time and how the concept's enduring religious, genealogical, and gendered meanings came to shape the region's patriotic and racial ideologies.
Publisher: Stanford University Press
ISBN: 0804756481
Category : History
Languages : en
Pages : 425
Book Description
Genealogical Fictions examines how the state, church, Inquisition, and other institutions in colonial Mexico used the Spanish notion of limpieza de sangre (purity of blood) over time and how the concept's enduring religious, genealogical, and gendered meanings came to shape the region's patriotic and racial ideologies.
Anglo-American Women Writers and Representations of Indianness, 1629-1824
Author: Cathy Rex
Publisher: Routledge
ISBN: 1317180976
Category : Literary Criticism
Languages : en
Pages : 206
Book Description
Examining the appropriations and revisions of Indian identity first carried out by Anglo-American engravers and later by early Anglo-American women writers, Cathy Rex shows the ways in which iconic images of Native figures inform not only an emerging colonial/early republican American identity but also the authorial identity of white women writers. Women such as Mary Rowlandson, Ann Eliza Bleecker, Lydia Maria Child, and the pseudonymous Unca Eliza Winkfield of The Female American, Rex argues, co-opted and revised images of Indianness such as those found in the Massachusetts Bay Colony seal and the numerous variations of Pocahontas’s image based on Simon Van de Passe’s original 1616 engraving. Doing so allowed them to posit their own identities and presumed superiority as American women writers. Sometimes ugly, occasionally problematic, and often patently racist, the Indian writings of these women nevertheless question the masculinist and Eurocentric discourses governing an American identity that has always had Indianness at its core. Rather than treating early American images and icons as ancillary to literary works, Rex places them in conversation with one another, suggesting that these well-known narratives and images are mutually constitutive. The result is a new, more textually inclusive perspective on the field of early American studies.
Publisher: Routledge
ISBN: 1317180976
Category : Literary Criticism
Languages : en
Pages : 206
Book Description
Examining the appropriations and revisions of Indian identity first carried out by Anglo-American engravers and later by early Anglo-American women writers, Cathy Rex shows the ways in which iconic images of Native figures inform not only an emerging colonial/early republican American identity but also the authorial identity of white women writers. Women such as Mary Rowlandson, Ann Eliza Bleecker, Lydia Maria Child, and the pseudonymous Unca Eliza Winkfield of The Female American, Rex argues, co-opted and revised images of Indianness such as those found in the Massachusetts Bay Colony seal and the numerous variations of Pocahontas’s image based on Simon Van de Passe’s original 1616 engraving. Doing so allowed them to posit their own identities and presumed superiority as American women writers. Sometimes ugly, occasionally problematic, and often patently racist, the Indian writings of these women nevertheless question the masculinist and Eurocentric discourses governing an American identity that has always had Indianness at its core. Rather than treating early American images and icons as ancillary to literary works, Rex places them in conversation with one another, suggesting that these well-known narratives and images are mutually constitutive. The result is a new, more textually inclusive perspective on the field of early American studies.
Contemporary Casta Portraiture
Author:
Publisher: Arte Publico Press
ISBN: 9781558858459
Category : Art
Languages : en
Pages : 0
Book Description
Photographer and artist Delilah Montoya investigates the ethnic roots of contemporary families living in New Mexico and Texas in this thought-provoking collection. Featuring sixteen present-day photographic group portraits along with a DNA study for each clan, Montoya mimics and explores the Latin American art tradition of casta paintings that traced the complex racial mixing of the people of New Spain in the eighteenth and early nineteenth centuries. Typically presented as a group of sixteen portraits, the casta paintings illustrated the social hierarchy of the times, with the "pure blood" Spaniards at the top and mixed-race mestizos and mulattos at the bottom. Like the colonial-era casta paintings, Montoya's photographs capture her subjects at home and include material objects, furnishings and even pets. But instead of using eighteenth-century terminology, the ethno-racial composition is represented with a DNA study of the matrilineal and patrilineal global ancestral migration to provide additional information about the family's origins. The artist investigates the cultural and biological forms of hybridity and seeks to understand the impact of class structures on social, economic and aesthetic choices in America. Contemporary Casta Portraiture includes an artist statement and essays about Montoya's work. In her introduction, Surpik Angelini says Montoya's work surpasses "nationalist, ethnic categories to suggest instead the making of a cosmic race." Ultimately, this intriguing volume confirms that none of us are very different from each other.
Publisher: Arte Publico Press
ISBN: 9781558858459
Category : Art
Languages : en
Pages : 0
Book Description
Photographer and artist Delilah Montoya investigates the ethnic roots of contemporary families living in New Mexico and Texas in this thought-provoking collection. Featuring sixteen present-day photographic group portraits along with a DNA study for each clan, Montoya mimics and explores the Latin American art tradition of casta paintings that traced the complex racial mixing of the people of New Spain in the eighteenth and early nineteenth centuries. Typically presented as a group of sixteen portraits, the casta paintings illustrated the social hierarchy of the times, with the "pure blood" Spaniards at the top and mixed-race mestizos and mulattos at the bottom. Like the colonial-era casta paintings, Montoya's photographs capture her subjects at home and include material objects, furnishings and even pets. But instead of using eighteenth-century terminology, the ethno-racial composition is represented with a DNA study of the matrilineal and patrilineal global ancestral migration to provide additional information about the family's origins. The artist investigates the cultural and biological forms of hybridity and seeks to understand the impact of class structures on social, economic and aesthetic choices in America. Contemporary Casta Portraiture includes an artist statement and essays about Montoya's work. In her introduction, Surpik Angelini says Montoya's work surpasses "nationalist, ethnic categories to suggest instead the making of a cosmic race." Ultimately, this intriguing volume confirms that none of us are very different from each other.
Envisioning Others: Race, Color, and the Visual in Iberia and Latin America
Author:
Publisher: BRILL
ISBN: 9004302158
Category : History
Languages : en
Pages : 382
Book Description
Envisioning Others offers a multidisciplinary view of the relationship between race and visual culture in the Spanish- and Portuguese-speaking world, from the kingdoms of Spain and Portugal to colonial Peru and Colombia, post-Independence Mexico, and the pre-Emancipation United States. Contributed by specialists in Latin American and Iberian art history, literature, history, and cultural studies, its ten chapters take a transnational view of what ‘race’ meant, and how visual culture supported and shaped this meaning, within the Ibero-American sphere from the late Middle Ages to the modern era. Case studies and regionally-focused essays are balanced by historiographical and theoretical offerings for a fresh perspective that challenges the reader to discern broad intersections of race, color, and the visual throughout the Iberian world. Contributors are Beatriz Balanta, Charlene Villaseñor Black, Larissa Brewer-García, Ananda Cohen Suarez, Elisa Foster, Grace Harpster, Ilona Katzew, Matilde Mateo, Mey-Yen Moriuchi, and Erin Kathleen Rowe.
Publisher: BRILL
ISBN: 9004302158
Category : History
Languages : en
Pages : 382
Book Description
Envisioning Others offers a multidisciplinary view of the relationship between race and visual culture in the Spanish- and Portuguese-speaking world, from the kingdoms of Spain and Portugal to colonial Peru and Colombia, post-Independence Mexico, and the pre-Emancipation United States. Contributed by specialists in Latin American and Iberian art history, literature, history, and cultural studies, its ten chapters take a transnational view of what ‘race’ meant, and how visual culture supported and shaped this meaning, within the Ibero-American sphere from the late Middle Ages to the modern era. Case studies and regionally-focused essays are balanced by historiographical and theoretical offerings for a fresh perspective that challenges the reader to discern broad intersections of race, color, and the visual throughout the Iberian world. Contributors are Beatriz Balanta, Charlene Villaseñor Black, Larissa Brewer-García, Ananda Cohen Suarez, Elisa Foster, Grace Harpster, Ilona Katzew, Matilde Mateo, Mey-Yen Moriuchi, and Erin Kathleen Rowe.
Woman And Art in Early Modern Latin America
Author: Kellen Kee MacIntyre
Publisher: BRILL
ISBN: 9004153926
Category : Art
Languages : en
Pages : 470
Book Description
This illustrated anthology brings together for the first time a collection of essays that explore the position of women and the contributions made by them to the arts and architecture of early modern Latin America.
Publisher: BRILL
ISBN: 9004153926
Category : Art
Languages : en
Pages : 470
Book Description
This illustrated anthology brings together for the first time a collection of essays that explore the position of women and the contributions made by them to the arts and architecture of early modern Latin America.