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Author: Mary Fairclough Publisher: Cambridge University Press ISBN: 1139620444 Category : Literary Criticism Languages : en Pages : 311
Book Description
In the long eighteenth century, sympathy was understood not just as an emotional bond, but also as a physiological force, through which disruption in one part of the body produces instantaneous disruption in another. Building on this theory, Romantic writers explored sympathy as a disruptive social phenomenon, which functioned to spread disorder between individuals and even across nations like a 'contagion'. It thus accounted for the instinctive behaviour of people swept up in a crowd. During this era sympathy assumed a controversial political significance, as it came to be associated with both riotous political protest and the diffusion of information through the press. Mary Fairclough reads Edmund Burke, Mary Wollstonecraft, William Godwin, John Thelwall, William Hazlitt and Thomas De Quincey alongside contemporary political, medical and philosophical discourse. Many of their central questions about crowd behaviour still remain to be answered by the modern discourse of collective psychology.
Author: Mary Fairclough Publisher: Cambridge University Press ISBN: 1139620444 Category : Literary Criticism Languages : en Pages : 311
Book Description
In the long eighteenth century, sympathy was understood not just as an emotional bond, but also as a physiological force, through which disruption in one part of the body produces instantaneous disruption in another. Building on this theory, Romantic writers explored sympathy as a disruptive social phenomenon, which functioned to spread disorder between individuals and even across nations like a 'contagion'. It thus accounted for the instinctive behaviour of people swept up in a crowd. During this era sympathy assumed a controversial political significance, as it came to be associated with both riotous political protest and the diffusion of information through the press. Mary Fairclough reads Edmund Burke, Mary Wollstonecraft, William Godwin, John Thelwall, William Hazlitt and Thomas De Quincey alongside contemporary political, medical and philosophical discourse. Many of their central questions about crowd behaviour still remain to be answered by the modern discourse of collective psychology.
Author: Jon Mee Publisher: OUP Oxford ISBN: 0199591741 Category : Literary Criticism Languages : en Pages : 330
Book Description
Around 1700 a new commercial society was emerging that thought of its values as the product of exchanges between citizens. A welter of publications-periodical essays, novels, and poetry-enjoined the virtues of conversation and were enthusiastically discussed in book clubs and literary societies, creating their own conversable worlds.
Author: CRISTIAN ȘTEFAN VÎJEA Publisher: Editura Universității din București - Bucharest University Press ISBN: 6061612273 Category : Fiction Languages : en Pages : 402
Book Description
Studiul aduce o lumină nouă asupra operei lui Walter Scott, arătând relevanța ei în contextul contemporan. Combinând într-o abordare neo-formalistă teoriile lui Hayden White, Bogdan Ștefănescu și Mikhail Bakhtin, volumul de față demonstrează modul în care alteritatea, în ficțiunea lui Scott, aduce remediile necesare societății, dacă societatea permite existența alterității alături de ea, fără încercarea de a-i șterge diferențele. Importante sunt momentele de suspendare temporară a codurilor culturale, în stilul conservator al parodiei lui Bakhtin, permițând astfel o supapă de evacuare a tensiunilor sociale. Dincolo de jargonul tehnic, cartea pune în fața cititorului pasajele cele mai distractive din opera vastă a lui Scott, precum și un studiu interesant al iluminismului scoțian și al sferei publice care a reușit să încorporeze feedback-ul culturii populare, ajungând la început de secol XIX să exporte modelul său de succes în întreaga lume.
Author: Ruth Livesey Publisher: Oxford University Press ISBN: 0191082252 Category : Literary Criticism Languages : en Pages : 257
Book Description
Why is it that so many of the best-loved novels of the Victorian era take place not in the steam-powered railway present in which they were published, but in the very recent past? Most works by Dickens, Brontë, Eliot, and Hardy set action neither in the present nor in a definitively historical epoch but rather in a 'just' past of collective memory, a vanishing but still tangible world moving by stage and mail coach. It is easy to overlook the fact that Jane Eyre, Bleak House, and Middlemarch, for example, are in this sense historical novels, recreating places and times that are just slipping from the horizon of here and now. Ruth Livesey brings to the surface the historical consciousness of such novels of the 'just' past and explores how they convey an idea of a national belonging that can be experienced through a sense of local place. The journey by public coach had long been an analogy for the form of the novel as it took shape in the eighteenth century; smooth engineered roads and the rapid circulation of print was one means by which Britain was reimagined as a modern, peaceable, and communicative nation in the aftermath of the Napoleonic wars. But by the later 1840s the end of the stage coach was assured and that made it a highly charged figure of a lost national modernity. In its halts, relays, stops at inns, and crossing points, the stage and mail coach system offered a different experience of mobility and being-in-place—passages of flight and anchoring points—from the vectors of the railway that radiated out from industrial and urban centres. This book opens by examining the writing of the stage coach nation in Walter Scott's fiction and in the work of the radical journalists William Hazlitt and William Cobbett. Livesey suggests that in turning to the 'just' past of the stage coach imaginary, later novels by Dickens, Brontë, and Eliot reach out to the possibility of a nation knitted together by the affect of strongly felt local belonging. This vision is of a communicative nation at its liveliest when the smooth passage of characters and words are interrupted and overset, delivering readers and protagonists to local places, thick with the presence of history writ small.
Author: Emma Major Publisher: Oxford University Press ISBN: 0199699372 Category : Art Languages : en Pages : 385
Book Description
Using Britannia as a central figure, this book explores the neglected relationship between women, church, and nation. Drawing on a wealth of manuscript, printed, and graphic material, Emma Major argues that Britannia became established as an emblem of nation from 1688 and gained in importance over the following century.
Author: E. Eger Publisher: Springer ISBN: 0230250505 Category : Language Arts & Disciplines Languages : en Pages : 289
Book Description
This studyargues that female networks of conversation, correspondenceand patronage formed the foundation for women's work in the 'higher' realms of Shakespeare criticism and poetry. Eger traces the transition between Enlightenment and Romantic culture, arguing for the relevance of rational argument in the history of women's writing.
Author: Madeleine Callaghan Publisher: Oxford University Press, USA ISBN: 0199558361 Category : History Languages : en Pages : 734
Book Description
The book is an authoritative and up-to-date collection of original essays on one of the greatest of all English poets, Percy Bysshe Shelley. It covers a wide range of topics, exploring Shelley's life and work from various angles.
Author: Dana Van Kooy Publisher: Routledge ISBN: 1317055500 Category : Literary Criticism Languages : en Pages : 367
Book Description
Dana Van Kooy draws critical attention to Percy Bysshe Shelley as a dramatist and argues that his dramas represent a critical paradigm of romanticism in which history is 'staged'. Reading Shelley's dramas as a series of radical stages - historical reenactments and theatrical reproductions - Van Kooy highlights the cultural significance of the drama and the theatre in shaping and contesting constructions of both the sovereign nation and the global empire in the post-Napoleonic era. This book is about the power of performance to challenge and reformulate cultural memories that were locked in historical narratives and in Britain's theatrical repertoire. It examines each of Shelley's dramas as a specific radical stage that reformulates the familiar cultural performances of war, revolution, slavery and domestic tyranny. Shelley's plays invite audiences to step away from these horrors and to imagine their lives as something other than a tragedy or a melodrama where characters are entrapped in cycles of violence or struck blind or silent by fear. Although Shelley's dramas are few in number they engage a larger cultural project of aesthetic and political reform that constituted a groundswell of activism that took place during the Romantic period.
Author: Felicity James Publisher: Cambridge University Press ISBN: 113950309X Category : Literary Criticism Languages : en Pages : 273
Book Description
Recent criticism is now fully appreciating the nuanced and complex contribution made by Dissenters to the culture and ideas of the eighteenth and nineteenth centuries in Britain. This is the first sustained study of a Dissenting family - the Aikins - from the 1740s to the 1860s. Essays by literary critics, historians of religion and science, and geographers explore and contextualize the achievements of this remarkable family, including John Aikin senior, tutor at the celebrated Warrington Academy, and his children, poet Anna Letitia Barbauld, and John Aikin junior, literary physician and editor. The latter's children in turn were leading professionals and writers in the early Victorian era. This study provides new perspectives on the social and cultural importance of the family and their circle - an untold story of collaboration and exchange, and a narrative which breaks down period boundaries to set Enlightenment and Victorian culture in dialogue.
Author: Lucy Aikin Publisher: Broadview Press ISBN: 1460403371 Category : Poetry Languages : en Pages : 214
Book Description
Henry James wrote of Lucy Aikin: “Clever, sagacious, shrewd ... and an accomplished writer, one wonders why her vigorous intellectual temperament has not attracted independent notice.” The most important long poem by a woman from the British Romantic era, Aikin’s Epistles on Women (1810) is the first text in English to re-write the entire history of western culture, from the creation story of Genesis through the eighteenth century, from a feminist perspective. Responding to Alexander Pope’s misogynistic “Epistle to a Lady,” Aikin argues that men’s degradation of women has hindered the growth of civilization, and provides historical and literary evidence for her claim that “man cannot degrade woman without degrading himself.” In addition to Epistles on Women, this Broadview Edition also includes a wide selection of poetry, historical writing, fiction, memoir, and literary criticism by Aikin, as well as letters, contemporary reviews, and other feminist historiographies.
Author: Mary Fairclough
Author: Mary Fairclough
Author: Jon Mee
Author: CRISTIAN ȘTEFAN VÎJEA
Author: Ruth Livesey
Author: Emma Major
Author: E. Eger
Author: Madeleine Callaghan
Author: Dana Van Kooy
Author: Felicity James
Author: Lucy Aikin