Author: Samuel Blatchford
Publisher:
ISBN:
Category : Admiralty
Languages : en
Pages : 764
Book Description
Reports of Cases Argued and Determined in the Court of Chancery of the State of New York [1828-1845]
Author: New York (State). Court of Chancery
Publisher:
ISBN:
Category : Courts
Languages : en
Pages : 760
Book Description
Publisher:
ISBN:
Category : Courts
Languages : en
Pages : 760
Book Description
Reports of Cases Argued and Determined in the Superior Court of the City of New York
Author: John Duer
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 754
Book Description
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 754
Book Description
Legislative Documents, Comprising the Department and Other Reports Made to the Senate and House of Representatives of Pennsylvania During the Session of ...
Author: Pennsylvania
Publisher:
ISBN:
Category : Legislative journals
Languages : en
Pages : 810
Book Description
Publisher:
ISBN:
Category : Legislative journals
Languages : en
Pages : 810
Book Description
Catalogue of the Pennsylvania State Library. Compiled and Classified by W. De Witt
Author: Pennsylvania State Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 282
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 282
Book Description
Catalog of Copyright Entries
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1320
Book Description
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1320
Book Description
Report of the State Librarian
Author: Pennsylvania State Library
Publisher:
ISBN:
Category : Pennsylvania
Languages : en
Pages : 570
Book Description
Includes catalogs of accessions and special bibliographical supplements.
Publisher:
ISBN:
Category : Pennsylvania
Languages : en
Pages : 570
Book Description
Includes catalogs of accessions and special bibliographical supplements.
A Catalogue of Law Books
Author: Little, Brown and Company
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 136
Book Description
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 136
Book Description
Annual report
Author: New York State Library (Albany, NY)
Publisher:
ISBN:
Category :
Languages : en
Pages : 228
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 228
Book Description
Trübner's American and oriental literary record
The American Art-Union
Author: Kimberly A. Orcutt
Publisher: Fordham Univ Press
ISBN: 1531507018
Category : Art
Languages : en
Pages : 291
Book Description
The first comprehensive treatment in seventy years of the American Art-Union’s remarkable rise and fall For over a decade, the New York–based American Art-Union shaped art creation, display, and patronage nationwide. Boasting as many as 19,000 members from almost every state, its meteoric rise and its sudden and spectacular collapse still raise a crucial question: Why did such a successful and influential institution fail? The American Art-Union reveals a sprawling and fascinating account of the country’s first nationwide artistic phenomenon, creating a shared experience of visual culture, art news and criticism, and a direct experience with original works. For an annual fee of five dollars, members of the American Art-Union received an engraving after a painting by a notable US artist and the annual publication Transactions (1839–49) and later the monthly Bulletin (1848–53). Most importantly, members’ names were entered in a drawing for hundreds of original paintings and sculptures by most of the era’s best-known artists. Those artworks were displayed in its immensely popular Free Gallery. Unfortunately, the experiment was short-lived. Opposition grew, and a cascade of events led to an 1852 court case that proved to be the Art-Union’s downfall. Illuminating the workings of the American art market, this study fills a gaping lacuna in the history of nineteenth-century US art. Kimberly A. Orcutt draws from the American Art-Union’s records as well as in-depth contextual research to track the organization’s decisive impact that set the direction of the country’s paintings, sculpture, and engravings for well over a decade. Forged in cultural crosscurrents of utopianism and skepticism, the American Art-Union’s demise can be traced to its nature as an attempt to create and control the complex system that the early nineteenth-century art world represented. This study breaks the organization’s activities into their major components to offer a structural rather than chronological narrative that follows mounting tensions to their inevitable end. The institution was undone not by dramatic outward events or the character of its leadership but by the character of its utopianist plan.
Publisher: Fordham Univ Press
ISBN: 1531507018
Category : Art
Languages : en
Pages : 291
Book Description
The first comprehensive treatment in seventy years of the American Art-Union’s remarkable rise and fall For over a decade, the New York–based American Art-Union shaped art creation, display, and patronage nationwide. Boasting as many as 19,000 members from almost every state, its meteoric rise and its sudden and spectacular collapse still raise a crucial question: Why did such a successful and influential institution fail? The American Art-Union reveals a sprawling and fascinating account of the country’s first nationwide artistic phenomenon, creating a shared experience of visual culture, art news and criticism, and a direct experience with original works. For an annual fee of five dollars, members of the American Art-Union received an engraving after a painting by a notable US artist and the annual publication Transactions (1839–49) and later the monthly Bulletin (1848–53). Most importantly, members’ names were entered in a drawing for hundreds of original paintings and sculptures by most of the era’s best-known artists. Those artworks were displayed in its immensely popular Free Gallery. Unfortunately, the experiment was short-lived. Opposition grew, and a cascade of events led to an 1852 court case that proved to be the Art-Union’s downfall. Illuminating the workings of the American art market, this study fills a gaping lacuna in the history of nineteenth-century US art. Kimberly A. Orcutt draws from the American Art-Union’s records as well as in-depth contextual research to track the organization’s decisive impact that set the direction of the country’s paintings, sculpture, and engravings for well over a decade. Forged in cultural crosscurrents of utopianism and skepticism, the American Art-Union’s demise can be traced to its nature as an attempt to create and control the complex system that the early nineteenth-century art world represented. This study breaks the organization’s activities into their major components to offer a structural rather than chronological narrative that follows mounting tensions to their inevitable end. The institution was undone not by dramatic outward events or the character of its leadership but by the character of its utopianist plan.