Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 202
Book Description
Report of the Enquiry Committee on Film Censorship
Author: Report of the Enquiry Committee on Film Censorship
Author: India. Ministry of Information and Broadcasting. Enquiry Committee on Film CensorshipPublisher:
ISBN:
Category : Censorship
Languages : en
Pages : 224
Book Description
Report of an Enquiry Into Film Censorship
Author: National Council of Women of Great BritainPublisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 15
Book Description
Report of the Committee on Obscenity and Film Censorship
Author: Great Britain. ParliamentPublisher:
ISBN:
Category :
Languages : en
Pages : 99
Book Description
Report of the Enquiry Committee on Film Censorship
Author: India. Ministry of Information and Broadcasting. Enquiry Committee on Film CensorshipPublisher:
ISBN:
Category : Censorship
Languages : en
Pages : 224
Book Description
Report of Select Committee on Film Censorship
Author: Kenya. Select Committee on Film CensorshipPublisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 8
Book Description
Report of the Committee on Obscenity and Film Censorship
Author: Great Britain. Committee on Obscenity and Film CensorshipPublisher:
ISBN:
Category : Law
Languages : en
Pages : 284
Book Description
Report
Author: India. Special Committee to Review the Working of the National Malaria Eradication Programme and to Recommend Measures for ImprovementPublisher:
ISBN:
Category : Labor
Languages : en
Pages : 224
Book Description
Censorship and Sexuality in Bombay Cinema
Author: Monika MehtaPublisher: University of Texas Press
ISBN: 0292742517
Category : Performing Arts
Languages : en
Pages : 319
Book Description
India produces an impressive number of films each year in a variety of languages. Here, Monika Mehta breaks new ground by analyzing Hindi films and exploring the censorship of gender and heterosexuality in Bombay cinema. She studies how film censorship on various levels makes the female body and female sexuality pivotal in constructing national identity, not just through the films themselves but also through the heated debates that occur in newspapers and other periodicals. The standard claim is that the state dictates censorship and various prohibitions, but Mehta explores how relationships among the state, the film industry, and the public illuminate censorship's role in identity formation, while also examining how desire, profits, and corruption are generated through the act of censoring. Committed to extending a feminist critique of mass culture in the global south, Mehta situates the story of censorship in a broad social context and traces the intriguing ways in which the heated debates on sexuality in Bombay cinema actually produce the very forms of sexuality they claim to regulate. She imagines afresh the theoretical field of censorship by combining textual analysis, archival research, and qualitative fieldwork. Her analysis reveals how central concepts of film studies, such as stardom, spectacle, genre, and sound, are employed and (re)configured within the ambit of state censorship, thereby expanding the scope of their application and impact.
Home Office. Report of the Committee on Obscenity and Film Censorship
Author: Great Britain. Parliament. House of CommonsPublisher:
ISBN:
Category :
Languages : en
Pages :
Book Description