Author: M. Andrew Holowchak
Publisher: Lexington Books
ISBN: 1498561101
Category : Psychology
Languages : en
Pages : 175
Book Description
Repetition, the Compulsion to Repeat, and the Death Drive—a critical examination of Freud’s uses of repetition as they lead to the compulsion to repeat and his infamous death drive—is in effect the first scholarly attempt to ground Freudian psychoanalysis on the concept of repetition. Like perhaps no other concept, repetition drove Freud to an understanding of human behavior through development of models of the human mind and a method of treating neurotic behavior. This book comprises three parts. Part I, “Some Early Uses of ‘Repetition’ in Psychoanalysis,” examines repetition both in clinical therapy and in Freud’s use of phylogenetic explanation. Part II, composed of three chapters, outlines Freud’s journey to his vaunted death drive, examines Beyond the Pleasure Principle, and analyzes Freud’s use of compulsion to repeat and the death drive post 1920. Last, Part III is a critical analysis of Freud on repetition and the death drive, discusses why Freud was so wedded to his controversial death drive, and what can be salvaged from Freud’s observations and speculations. Here readers will find that Holowchak, qua philosopher, and Lavin, qua clinician, have different answers when it comes to the death drive.
Repetition, the Compulsion to Repeat, and the Death Drive
Author: M. Andrew Holowchak
Publisher: Lexington Books
ISBN: 1498561101
Category : Psychology
Languages : en
Pages : 175
Book Description
Repetition, the Compulsion to Repeat, and the Death Drive—a critical examination of Freud’s uses of repetition as they lead to the compulsion to repeat and his infamous death drive—is in effect the first scholarly attempt to ground Freudian psychoanalysis on the concept of repetition. Like perhaps no other concept, repetition drove Freud to an understanding of human behavior through development of models of the human mind and a method of treating neurotic behavior. This book comprises three parts. Part I, “Some Early Uses of ‘Repetition’ in Psychoanalysis,” examines repetition both in clinical therapy and in Freud’s use of phylogenetic explanation. Part II, composed of three chapters, outlines Freud’s journey to his vaunted death drive, examines Beyond the Pleasure Principle, and analyzes Freud’s use of compulsion to repeat and the death drive post 1920. Last, Part III is a critical analysis of Freud on repetition and the death drive, discusses why Freud was so wedded to his controversial death drive, and what can be salvaged from Freud’s observations and speculations. Here readers will find that Holowchak, qua philosopher, and Lavin, qua clinician, have different answers when it comes to the death drive.
Publisher: Lexington Books
ISBN: 1498561101
Category : Psychology
Languages : en
Pages : 175
Book Description
Repetition, the Compulsion to Repeat, and the Death Drive—a critical examination of Freud’s uses of repetition as they lead to the compulsion to repeat and his infamous death drive—is in effect the first scholarly attempt to ground Freudian psychoanalysis on the concept of repetition. Like perhaps no other concept, repetition drove Freud to an understanding of human behavior through development of models of the human mind and a method of treating neurotic behavior. This book comprises three parts. Part I, “Some Early Uses of ‘Repetition’ in Psychoanalysis,” examines repetition both in clinical therapy and in Freud’s use of phylogenetic explanation. Part II, composed of three chapters, outlines Freud’s journey to his vaunted death drive, examines Beyond the Pleasure Principle, and analyzes Freud’s use of compulsion to repeat and the death drive post 1920. Last, Part III is a critical analysis of Freud on repetition and the death drive, discusses why Freud was so wedded to his controversial death drive, and what can be salvaged from Freud’s observations and speculations. Here readers will find that Holowchak, qua philosopher, and Lavin, qua clinician, have different answers when it comes to the death drive.
Modern Classics Beyond the Pleasure Principle
Author: Sigmund Freud
Publisher: Penguin UK
ISBN: 0141184051
Category : Literary Collections
Languages : en
Pages : 323
Book Description
in Freud's view we are driven by the desire for pleasure as well as by the desire to avoid pain. But the pursuit of pleasure has never been a simple thing. Pleasure can be a form of fear, a form of memory and a way of avoiding reality. Above all, as these essays show with remarkable eloquence, pleasure is a way in which we repeat ourselves. The essays collected in this volume explore, in Freud's uniquely subtle and accessible style, the puzzles of pleasure and morality - the enigmas of human development.
Publisher: Penguin UK
ISBN: 0141184051
Category : Literary Collections
Languages : en
Pages : 323
Book Description
in Freud's view we are driven by the desire for pleasure as well as by the desire to avoid pain. But the pursuit of pleasure has never been a simple thing. Pleasure can be a form of fear, a form of memory and a way of avoiding reality. Above all, as these essays show with remarkable eloquence, pleasure is a way in which we repeat ourselves. The essays collected in this volume explore, in Freud's uniquely subtle and accessible style, the puzzles of pleasure and morality - the enigmas of human development.
Beyond the Pleasure Principle
Author: Sigmund Freud
Publisher: Penguin UK
ISBN: 0141931663
Category : Psychology
Languages : en
Pages : 320
Book Description
A collection of some of Freud's most famous essays, including ON THE INTRODUCTION OF NARCISSISM; REMEMBERING, REPEATING AND WORKING THROUGH; BEYOND THE PLEASURE PRINCIPLE; THE EGO AND THE ID and INHIBITION, SYMPTOM AND FEAR.
Publisher: Penguin UK
ISBN: 0141931663
Category : Psychology
Languages : en
Pages : 320
Book Description
A collection of some of Freud's most famous essays, including ON THE INTRODUCTION OF NARCISSISM; REMEMBERING, REPEATING AND WORKING THROUGH; BEYOND THE PLEASURE PRINCIPLE; THE EGO AND THE ID and INHIBITION, SYMPTOM AND FEAR.
What Freud Really Meant
Author: Susan Sugarman
Publisher: Cambridge University Press
ISBN: 1107116392
Category : Literary Criticism
Languages : en
Pages : 205
Book Description
This book presents Freud's theory of the mind as an organic whole, built from first principles and developing in sophistication over time.
Publisher: Cambridge University Press
ISBN: 1107116392
Category : Literary Criticism
Languages : en
Pages : 205
Book Description
This book presents Freud's theory of the mind as an organic whole, built from first principles and developing in sophistication over time.
Freud and the Scene of Trauma
Author: John Fletcher
Publisher: Fordham University Press
ISBN: 0823254623
Category : Psychology
Languages : en
Pages : 384
Book Description
This book argues that Freud’s mapping of trauma as a scene is central to both his clinical interpretation of his patients’ symptoms and his construction of successive theoretical models and concepts to explain the power of such scenes in his patients’ lives. This attention to the scenic form of trauma and its power in determining symptoms leads to Freud’s break from the neurological model of trauma he inherited from Charcot. It also helps to explain the affinity that Freud and many since him have felt between psychoanalysis and literature (and artistic production more generally), and the privileged role of literature at certain turning points in the development of his thought. It is Freud’s scenography of trauma and fantasy that speaks to the student of literature and painting. Overall, the book develops the thesis of Jean Laplanche that in Freud’s shift from a traumatic to a developmental model, along with the undoubted gains embodied in the theory of infantile sexuality, there were crucial losses: specifically, the recognition of the role of the adult other and the traumatic encounter with adult sexuality that is entailed in the ordinary nurture and formation of the infantile subject.
Publisher: Fordham University Press
ISBN: 0823254623
Category : Psychology
Languages : en
Pages : 384
Book Description
This book argues that Freud’s mapping of trauma as a scene is central to both his clinical interpretation of his patients’ symptoms and his construction of successive theoretical models and concepts to explain the power of such scenes in his patients’ lives. This attention to the scenic form of trauma and its power in determining symptoms leads to Freud’s break from the neurological model of trauma he inherited from Charcot. It also helps to explain the affinity that Freud and many since him have felt between psychoanalysis and literature (and artistic production more generally), and the privileged role of literature at certain turning points in the development of his thought. It is Freud’s scenography of trauma and fantasy that speaks to the student of literature and painting. Overall, the book develops the thesis of Jean Laplanche that in Freud’s shift from a traumatic to a developmental model, along with the undoubted gains embodied in the theory of infantile sexuality, there were crucial losses: specifically, the recognition of the role of the adult other and the traumatic encounter with adult sexuality that is entailed in the ordinary nurture and formation of the infantile subject.
Enjoying What We Don't Have
Author: Todd McGowan
Publisher: U of Nebraska Press
ISBN: 1496210522
Category : Philosophy
Languages : en
Pages : 458
Book Description
Although there have been many attempts to apply the ideas of psychoanalysis to political thought, this book is the first to identify the political project inherent in the fundamental tenets of psychoanalysis. And this political project, Todd McGowan contends, provides an avenue for emancipatory politics after the failure of Marxism in the twentieth century. Where others seeking the political import of psychoanalysis have looked to Freud's early work on sexuality, McGowan focuses on Freud's discovery of the death drive and Jacques Lacan's elaboration of this concept. He argues that the self-destruction occurring as a result of the death drive is the foundational act of emancipation around which we should construct our political philosophy. Psychoanalysis offers the possibility for thinking about emancipation not as an act of overcoming loss but as the embrace of loss. It is only through the embrace of loss, McGowan suggests, that we find the path to enjoyment, and enjoyment is the determinative factor in all political struggles--and only in a political project that embraces the centrality of loss will we find a viable alternative to global capitalism.
Publisher: U of Nebraska Press
ISBN: 1496210522
Category : Philosophy
Languages : en
Pages : 458
Book Description
Although there have been many attempts to apply the ideas of psychoanalysis to political thought, this book is the first to identify the political project inherent in the fundamental tenets of psychoanalysis. And this political project, Todd McGowan contends, provides an avenue for emancipatory politics after the failure of Marxism in the twentieth century. Where others seeking the political import of psychoanalysis have looked to Freud's early work on sexuality, McGowan focuses on Freud's discovery of the death drive and Jacques Lacan's elaboration of this concept. He argues that the self-destruction occurring as a result of the death drive is the foundational act of emancipation around which we should construct our political philosophy. Psychoanalysis offers the possibility for thinking about emancipation not as an act of overcoming loss but as the embrace of loss. It is only through the embrace of loss, McGowan suggests, that we find the path to enjoyment, and enjoyment is the determinative factor in all political struggles--and only in a political project that embraces the centrality of loss will we find a viable alternative to global capitalism.
Art, Death and Lacanian Psychoanalysis
Author: Efrat Biberman
Publisher: Routledge
ISBN: 1351698532
Category : Art
Languages : en
Pages : 279
Book Description
Art, Death and Lacanian Psychoanalysis examines the relationship between art and death from the perspective of Lacanian psychoanalysis. It takes a unique approach to the topic by making explicit reference to the death drive as manifest in theories of art and in artworks. Freud’s treatment of death focuses not on the moment of biological extinction but on the recurrent moments in life which he called "the death drive" or the "compulsion to repeat": the return precisely of what is most unbearable for the subject. Surprisingly, in some of its manifestations, this painful repetition turns out to be invigorating. It is this invigorating repetition that is the main concern of this book, which demonstrates the presence of its manifestations in painting and literature and in the theoretical discourse concerning them from the dawn of Western culture to the present. After unfolding the psychoanalytical and philosophical underpinnings for the return of the death drive as invigorating repetition in the sphere of the arts, the authors examine various aspects of this repetition through the works of Gerhard Richter, Jeff Wall, and contemporary Israeli artists Deganit Berest and Yitzhak Livneh, as well as through the writings of Virginia Woolf and James Joyce. First to articulate the stimulating aspect of the death drive in its relation to the arts and the conception of art as a varied repetition beyond a limit, Art, Death and Lacanian Psychoanalysis will be indispensable to psychoanalysts, scholars of art theory and aesthetics and those studying at the intersection of art and psychoanalysis.
Publisher: Routledge
ISBN: 1351698532
Category : Art
Languages : en
Pages : 279
Book Description
Art, Death and Lacanian Psychoanalysis examines the relationship between art and death from the perspective of Lacanian psychoanalysis. It takes a unique approach to the topic by making explicit reference to the death drive as manifest in theories of art and in artworks. Freud’s treatment of death focuses not on the moment of biological extinction but on the recurrent moments in life which he called "the death drive" or the "compulsion to repeat": the return precisely of what is most unbearable for the subject. Surprisingly, in some of its manifestations, this painful repetition turns out to be invigorating. It is this invigorating repetition that is the main concern of this book, which demonstrates the presence of its manifestations in painting and literature and in the theoretical discourse concerning them from the dawn of Western culture to the present. After unfolding the psychoanalytical and philosophical underpinnings for the return of the death drive as invigorating repetition in the sphere of the arts, the authors examine various aspects of this repetition through the works of Gerhard Richter, Jeff Wall, and contemporary Israeli artists Deganit Berest and Yitzhak Livneh, as well as through the writings of Virginia Woolf and James Joyce. First to articulate the stimulating aspect of the death drive in its relation to the arts and the conception of art as a varied repetition beyond a limit, Art, Death and Lacanian Psychoanalysis will be indispensable to psychoanalysts, scholars of art theory and aesthetics and those studying at the intersection of art and psychoanalysis.
The Four Fundamental Concepts of Psycho-Analysis
Author: Jacques Lacan
Publisher: Routledge
ISBN: 0429906595
Category : Psychology
Languages : en
Pages : 303
Book Description
The author's writings, and especially the seminars for which he has become famous, have provoked intense controversies in French analytic circles, requiring as they do a radical reappraisal of the legacy bequeathed by Freud. This volume is based on a year's seminar, which is of particular importance because he was addressing a larger, less specialist audience than ever before, amongst whom he could not assume familiarity with his work. For his listeners then, and for his readers now, he wanted "to introduce a certain coherence into the major concepts on which psycho-analysis is based", namely the unconscious, repetition, the transference and the drive. In re-defining these four concepts he explores the question that, as he puts it, moves from "Is psycho-analysis a science?" to "What is a science that includes psycho-analysis?"
Publisher: Routledge
ISBN: 0429906595
Category : Psychology
Languages : en
Pages : 303
Book Description
The author's writings, and especially the seminars for which he has become famous, have provoked intense controversies in French analytic circles, requiring as they do a radical reappraisal of the legacy bequeathed by Freud. This volume is based on a year's seminar, which is of particular importance because he was addressing a larger, less specialist audience than ever before, amongst whom he could not assume familiarity with his work. For his listeners then, and for his readers now, he wanted "to introduce a certain coherence into the major concepts on which psycho-analysis is based", namely the unconscious, repetition, the transference and the drive. In re-defining these four concepts he explores the question that, as he puts it, moves from "Is psycho-analysis a science?" to "What is a science that includes psycho-analysis?"
Lacan and Deleuze
Author: Bostjan Nedoh
Publisher: Edinburgh University Press
ISBN: 1474408303
Category : Philosophy
Languages : en
Pages : 240
Book Description
It is often said that Lacan is the most radical representative of structuralism, a thinker of negativity and alienation, whereas Deleuze is pictured as a great opponent of the structuralist project, a vitalist and a thinker of creative potentialities of desire. It seems the two cannot be further apart. This volume of 12 new essays breaks the myth of their foreignness (if not hostility) and places the two in a productive conversation. By taking on topics such as baroque, perversion, death drive, ontology/topology, face, linguistics and formalism the essays highlight key entry points for a discussion between Lacan's and Deleuze's respective thoughts. The proposed lines of investigation do not argue for a simple equation of their thoughts, but for a 'disjunctive synthesis', which acknowledges their differences, while insisting on their positive and mutually informed reading.
Publisher: Edinburgh University Press
ISBN: 1474408303
Category : Philosophy
Languages : en
Pages : 240
Book Description
It is often said that Lacan is the most radical representative of structuralism, a thinker of negativity and alienation, whereas Deleuze is pictured as a great opponent of the structuralist project, a vitalist and a thinker of creative potentialities of desire. It seems the two cannot be further apart. This volume of 12 new essays breaks the myth of their foreignness (if not hostility) and places the two in a productive conversation. By taking on topics such as baroque, perversion, death drive, ontology/topology, face, linguistics and formalism the essays highlight key entry points for a discussion between Lacan's and Deleuze's respective thoughts. The proposed lines of investigation do not argue for a simple equation of their thoughts, but for a 'disjunctive synthesis', which acknowledges their differences, while insisting on their positive and mutually informed reading.
Archive Fever
Author: Jacques Derrida
Publisher: University of Chicago Press
ISBN: 9780226143361
Category : Philosophy
Languages : en
Pages : 140
Book Description
As a depository of civic record and social history whose very name derives from the Greek word for town hall, the archive would seem to be a public entity, yet it is stocked with the personal, even intimate, artifacts of private lives. It is this inherent tension between public and private which inaugurates, for Derrida, an inquiry into the human impulse to preserve, through technology as well as tradition, both a historical and a psychic past. What emerges is a marvelous expansive work, engaging at once Judaic mythos, Freudian psychoanalysis, and Marxist materialism in a profound reflection on the real, the unreal, and the virtual.
Publisher: University of Chicago Press
ISBN: 9780226143361
Category : Philosophy
Languages : en
Pages : 140
Book Description
As a depository of civic record and social history whose very name derives from the Greek word for town hall, the archive would seem to be a public entity, yet it is stocked with the personal, even intimate, artifacts of private lives. It is this inherent tension between public and private which inaugurates, for Derrida, an inquiry into the human impulse to preserve, through technology as well as tradition, both a historical and a psychic past. What emerges is a marvelous expansive work, engaging at once Judaic mythos, Freudian psychoanalysis, and Marxist materialism in a profound reflection on the real, the unreal, and the virtual.