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Author: Matthew R. Boulter Publisher: Wipf and Stock Publishers ISBN: 1666718483 Category : Religion Languages : en Pages : 287
Book Description
Writing his Habilitationsschrift as a young man in the late 1950s, future Pontiff Joseph Ratzinger argues that, when St. Bonaventure composed his Collationes in Hexaemeron in the spring of 1273, not since St. Augustine's De Civitate Dei contra Paganos had the world seen such a ground-breaking work on the logos of history. Indeed, for Ratzinger's Bonaventure, history is "first philosophy." The thirteenth-century Franciscan rails against the widespread assumption, rooted the newly "rediscovered" Aristotle, of history's unintelligibility. For Bonaventure, mythos mediates the difference between science and history, yielding a non-positivistic approach to the latter. Building on the dynamics of Plato's Line, Boulter show that the days of creation, narrated by Bonaventure, structure both history and thought. Because, like a story, it has beginning and end, history as a whole can be grasped. Hence, eschatological knowledge of the end of the world is possible. Yet this work also shows how the false "progress myths" of modernity are counterfeit versions of true, spiritual advancement of the kind embodied by saints such as Francis and Bonaventure himself. What is the logos of history? It turns out that it is mythos.
Author: Matthew R. Boulter Publisher: Wipf and Stock Publishers ISBN: 1666718483 Category : Religion Languages : en Pages : 287
Book Description
Writing his Habilitationsschrift as a young man in the late 1950s, future Pontiff Joseph Ratzinger argues that, when St. Bonaventure composed his Collationes in Hexaemeron in the spring of 1273, not since St. Augustine's De Civitate Dei contra Paganos had the world seen such a ground-breaking work on the logos of history. Indeed, for Ratzinger's Bonaventure, history is "first philosophy." The thirteenth-century Franciscan rails against the widespread assumption, rooted the newly "rediscovered" Aristotle, of history's unintelligibility. For Bonaventure, mythos mediates the difference between science and history, yielding a non-positivistic approach to the latter. Building on the dynamics of Plato's Line, Boulter show that the days of creation, narrated by Bonaventure, structure both history and thought. Because, like a story, it has beginning and end, history as a whole can be grasped. Hence, eschatological knowledge of the end of the world is possible. Yet this work also shows how the false "progress myths" of modernity are counterfeit versions of true, spiritual advancement of the kind embodied by saints such as Francis and Bonaventure himself. What is the logos of history? It turns out that it is mythos.
Author: Matthew R. Boulter Publisher: Wipf and Stock Publishers ISBN: 1666718467 Category : Religion Languages : en Pages : 304
Book Description
Writing his Habilitationsschrift as a young man in the late 1950s, future Pontiff Joseph Ratzinger argues that, when St. Bonaventure composed his Collationes in Hexaëmeron in the spring of 1273, not since St. Augustine’s De Civitate Dei contra Paganos had the world seen such a ground-breaking work on the logos of history. Indeed, for Ratzinger’s Bonaventure, history is “first philosophy.” The thirteenth-century Franciscan rails against the widespread assumption, rooted the newly “rediscovered” Aristotle, of history’s unintelligibility. For Bonaventure, mythos mediates the difference between science and history, yielding a non-positivistic approach to the latter. Building on the dynamics of Plato’s Line, Boulter show that the days of creation, narrated by Bonaventure, structure both history and thought. Because, like a story, it has beginning and end, history as a whole can be grasped. Hence, eschatological knowledge of the end of the world is possible. Yet this work also shows how the false “progress myths” of modernity are counterfeit versions of true, spiritual advancement of the kind embodied by saints such as Francis and Bonaventure himself. What is the logos of history? It turns out that it is mythos.
Author: James Williams Publisher: Edinburgh University Press ISBN: 0748668950 Category : Philosophy Languages : en Pages : 273
Book Description
A new edition of this introduction to Deleuze's seminal work, Difference and Repetition, with new material on intensity, science and action and new engagements with Bryant, Sauvagnargues, Smith, Somers-Hall and de Beistegui.
Author: Nana Nkweti Publisher: Black Spot Books ISBN: 1911648349 Category : Fiction Languages : en Pages : 198
Book Description
A “boisterous and high-spirited debut” (Kirkus starred review)“that enthralls the reader through their every twist and turn” (Publishers Weekly starred review), named one of the Most Anticipated Books for Brittle Paper, The Millions, and The Rumpus, penned by a finalist for the AKO Caine PrizeIn her powerful, genre-bending debut story collection, Nana Nkweti's virtuosity is on full display as she mixes deft realism with clever inversions of genre. In the Caine Prize finalist story “It Takes a Village, Some Say,” Nkweti skewers racial prejudice and the practice of international adoption, delivering a sly tale about a teenage girl who leverages her adoptive parents to fast-track her fortunes. In “The Devil Is a Liar,” a pregnant pastor's wife struggles with the collision of western Christianity and her mother's traditional Cameroonian belief system as she worries about her unborn child.In other stories, Nkweti vaults past realism, upending genre expectations in a satirical romp about a jaded PR professional trying to spin a zombie outbreak in West Africa, and in a mermaid tale about a Mami Wata who forgoes her power by remaining faithful to a fisherman she loves.
Author: Gilles Deleuze Publisher: A&C Black ISBN: 1441180125 Category : Philosophy Languages : en Pages : 373
Book Description
img src="http://www.continuumbooks.com/pub/images/impactslogo.gif" align="left" Since its publication in 1968, "Difference and Repetition", an exposition of the critique of identity, has come to be considered a contemporary classic in philosophy and one of Deleuze's most important works. The text follows the development of two central concepts, those of pure difference and complex repetition. It shows how the two concepts are related, difference implying divergence and decentring, repetition being associated with displacement and disguising. The work moves deftly between Hegel, Kierkegaard, Freud, Althusser and Nietzsche to establish a fundamental critique of Western metaphysics, and has been a central text in initiating the shift in French thought - away from Hegel and Marx, towards Nietzsche and Freud.
Author: Gilles Deleuze Publisher: A&C Black ISBN: 9780826477156 Category : Philosophy Languages : en Pages : 442
Book Description
Since its publication in 1968, "Difference and Repetition", an exposition of the critique of identity, has come to be considered a contemporary classic in philosophy and one of Deleuze's most important works. The text follows the development of two central concepts, those of pure difference and complex repetition. It shows how the two concepts are related, difference implying divergence and decentring, repetition being associated with displacement and disguising. The work moves deftly between Hegel, Kierkegaard, Freud, Althusser and Nietzsche to establish a fundamental critique of Western metaphysics, and has been a central text in initiating the shift in French thought - away from Hegel and Marx, towards Nietzsche and Freud.
Author: Arne Melberg Publisher: Cambridge University Press ISBN: 9780521458566 Category : Literary Criticism Languages : en Pages : 204
Book Description
Mimesis, with its connecting concepts of imitation, simile, and similarity, has been cited since classical times in the exploration of the relationship between art and reality. In this major study Arne Melberg discusses the theory and history of mimesis through narratological analysis of texts by Plato, Cervantes, Rousseau, and Kierkegaard. Moving away from the relatively straightforward 'representation of reality' ideas in Erich Auerbach's Mimesis (1946), Melberg brings the concept of mimesis into the context of the literary theories of de Man and others. Theories of Mimesis is a strenuously argued account of language and time, charting the movement of mimesis from the Platonic philosophy of similarity to modern ideas of difference.