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Author: Gary A. Schmidt Publisher: Routledge ISBN: 1317066529 Category : Literary Criticism Languages : en Pages : 255
Book Description
In the first book-length study explicitly to connect the postcolonial trope of hybridity to Renaissance literature, Gary Schmidt examines how sixteenth- and seventeenth-century English authors, artists, explorers and statesmen exercised a concerted effort to frame questions of cultural and artistic heterogeneity. This book is unique in its exploration of how 'hybrid' literary genres emerge at particular historical moments as vehicles for negotiating other kinds of hybridity, including but not limited to cultural and political hybridity. In particular, Schmidt addresses three distinct manifestations of 'hybridity' in English literature and iconography during this period. The first category comprises literal hybrid creatures such as satyrs, centaurs, giants, and changelings; the second is cultural hybrids reflecting the mixed status of the nation; and the third is generic hybrids such as the Shakespearean 'problem play,' the volatile verse satires of Nashe, Hall and Marston, and the tragicomedies of Beaumont and Fletcher. In Renaissance Hybrids, Schmidt demonstrates 'postmodern' considerations not to be unique to our own critical milieu. Rather, they can fruitfully elucidate cultural and literary developments in the English Renaissance, forging a valuable link in the history of ideas and practices, and revealing a new dimension in the relation of early modern studies to the concerns of the present.
Author: Gary A. Schmidt Publisher: Routledge ISBN: 1317066529 Category : Literary Criticism Languages : en Pages : 255
Book Description
In the first book-length study explicitly to connect the postcolonial trope of hybridity to Renaissance literature, Gary Schmidt examines how sixteenth- and seventeenth-century English authors, artists, explorers and statesmen exercised a concerted effort to frame questions of cultural and artistic heterogeneity. This book is unique in its exploration of how 'hybrid' literary genres emerge at particular historical moments as vehicles for negotiating other kinds of hybridity, including but not limited to cultural and political hybridity. In particular, Schmidt addresses three distinct manifestations of 'hybridity' in English literature and iconography during this period. The first category comprises literal hybrid creatures such as satyrs, centaurs, giants, and changelings; the second is cultural hybrids reflecting the mixed status of the nation; and the third is generic hybrids such as the Shakespearean 'problem play,' the volatile verse satires of Nashe, Hall and Marston, and the tragicomedies of Beaumont and Fletcher. In Renaissance Hybrids, Schmidt demonstrates 'postmodern' considerations not to be unique to our own critical milieu. Rather, they can fruitfully elucidate cultural and literary developments in the English Renaissance, forging a valuable link in the history of ideas and practices, and revealing a new dimension in the relation of early modern studies to the concerns of the present.
Author: Peter Burke Publisher: Central European University Press ISBN: 9633860881 Category : Social Science Languages : en Pages : 284
Book Description
Hybrid Renaissance introduces the idea that the Renaissance in Italy, elsewhere in Europe, and in the world beyond Europe is an example of cultural hybridization. The two key concepts used in this book are “hybridization” and “Renaissance”. Roughly speaking, hybridity refers to something new that emerges from the combination of diverse older elements. (The term “hybridization” is preferable to “hybridity” because it refers to a process rather than to a state, and also because it encourages the writer and the readers alike to think in terms of degree: where there is more or less, rather than presence versus absence.) The book begins with a discussion of the concept of cultural hybridization and a cluster of other concepts related to it. Then comes a geography of cultural hybridization focusing on three locales: courts, major cities (whether ports or capitals) and frontiers. The following seven chapters describe the hybridity of the Renaissance in different fields: architecture, painting and sculpture, languages, literature, music, philosophy and law and finally religion. The essay concludes with a brief account of attempts to resist hybridization or to purify cultures or domains from what was already hybridized.
Author: Mr Gary A Schmidt Publisher: Ashgate Publishing, Ltd. ISBN: 1472403967 Category : Literary Criticism Languages : en Pages : 385
Book Description
In the first book-length study explicitly to connect the postcolonial trope of hybridity to Renaissance literature, Gary Schmidt examines how sixteenth- and seventeenth-century English authors, artists, explorers and statesmen exercised a concerted effort to frame questions of cultural and artistic heterogeneity. This book is unique in its exploration of how 'hybrid' literary genres emerge at particular historical moments as vehicles for negotiating other kinds of hybridity, including but not limited to cultural and political hybridity. In particular, Schmidt addresses three distinct manifestations of 'hybridity' in English literature and iconography during this period. The first category comprises literal hybrid creatures such as satyrs, centaurs, giants, and changelings; the second is cultural hybrids reflecting the mixed status of the nation; and the third is generic hybrids such as the Shakespearean 'problem play,' the volatile verse satires of Nashe, Hall and Marston, and the tragicomedies of Beaumont and Fletcher. In Renaissance Hybrids, Schmidt demonstrates 'postmodern' considerations not to be unique to our own critical milieu. Rather, they can fruitfully elucidate cultural and literary developments in the English Renaissance, forging a valuable link in the history of ideas and practices, and revealing a new dimension in the relation of early modern studies to the concerns of the present.
Author: Fred Duval Publisher: Europe Comics ISBN: Category : Comics & Graphic Novels Languages : en Pages : 58
Book Description
History is made with the first human expedition to another galaxy, under the guidance of Renaissance. Meanwhile, back on Earth, Liz explores the foothills of the Andes in a desperate search for Swänn, hoping to find him in one piece. An ocean away, in London, Hélène and Sätie follow the trail of a forbidden experiment: the creation of human-Näkän hybrids. Three expeditions, three paths that will lead to the discovery of the greatest threat ever orchestrated against humanity and Renaissance...
Author: Daniel Cadman Publisher: Manchester University Press ISBN: 1526138271 Category : Performing Arts Languages : en Pages : 255
Book Description
These twelve new essays show the variety and versatility of Renaissance tragedy and highlight the issues it explores. Each chapter defines a particular kind of Renaissance tragedy and offers new research on a particularly striking example. Collectively the essays offer a critical overview of Renaissance tragedy as a genre.
Author: Jonathan Glancey Publisher: Penguin ISBN: 0756644828 Category : Architecture Languages : en Pages : 514
Book Description
Explore the world''s greatest buildings! Architecture is filled with amazing illustrations and photographs that take you to the heart of the world''s landmark buildings. Get the opportunity to look beyond the facade. Examine materials and technology that shape buildings, and identify thekey elements and decorative features of each architectural style. This is the best definitive visual guide on architecture; it covers 5,000 years of architectural design, style, and construction from airports to ziggurats. Dissects architectural wonders inside and out Includes palaces, great temples, cathedrals and towering modern skyscrapers
Author: Richard M. Hogg Publisher: Cambridge University Press ISBN: 9780521264761 Category : Language Arts & Disciplines Languages : en Pages : 812
Book Description
This volume of the Cambridge History of the English Language covers the period 1476-1776, beginning at the time of the establishment of Caxton's first press in England and concluding with the American Declaration of Independence, the notional birth of the first (non-insular) extraterritorial English. It encompasses three centuries which saw immense cultural change over the whole of Europe: the late middle ages, the renaissance, the reformation, the enlightenment, and the beginnings of romanticism. During this time, Middle English became Early Modern English and then developed into the early stages of indisputably 'modern', if somewhat old-fashioned, English. In this book, the distinguished team of six contributors traces these developments, covering orthography and punctuation, phonology and morphology, syntax, lexis and semantics, regional and social variation, and the literary language. The volume also contains a glossary of linguistic terms and an extensive bibliography.
Author: Elisabeth Dutton Publisher: Narr Francke Attempto Verlag ISBN: 3823379682 Category : Literary Criticism Languages : en Pages : 310
Book Description
This wide-ranging volume explores relationships between drama and pedagogy in the medieval and early modern periods, with contributions from an international ?eld of scholars including a number of leading authorities. Across the medieval and early modern periods, drama is seen to be a way of dissemi-nating theological and philosophical ideas. In medieval England, when literacy was low and the liturgy in Latin, drama translated and transformed spiritual truths, embodying them for a wider audience than could be reached by books alone. In Tudor England, humanist belief in the validity and potential of drama as a pedagogical tool informs the interlude, and examples of dramatized instruction abound on early modern stages. Academic drama is a particularly preg -nant locus for the exploration of drama and peda-gogy: universities and the Inns of Court trained some of the leading playwrights of the early theatre, but also supplied methods and materials that shaped professional playhouse compositions.
Author: Tudor Parfitt Publisher: Oxford University Press ISBN: 0190083352 Category : History Languages : en Pages : 305
Book Description
Hybrid Hate is the first book to study the conflation of antisemitism and anti-Black racism. As objects of racism, Jews and Blacks have been linked together for centuries as peoples apart from the general run of humanity. In this book, Tudor Parfitt investigates the development of antisemitism, anti-Black racism, and race theory in the West from the Renaissance to the Second World War. Parfitt explains how Jews were often perceived as Black in medieval Europe, and the conflation of Jews and Blacks continued throughout the period of the Enlightenment. With the discovery of a community of Black Jews in Loango in West Africa in 1777, and later of Black Jews in India, the Middle East, and other parts of Africa, the notion of multiracial Jews was born. Over the following centuries, the figure of the hybrid Black Jew was drawn into the maelstrom of evolving theories about race hierarchies and taxonomies. Parfitt analyses how Jews and Blacks were increasingly conflated in a racist discourse from the mid-nineteenth century to the period of the Third Reich, as the two fundamental prejudices of the West were combined. Hybrid Hate offers a new interpretation of the rise of antisemitism and anti-Black racism in Europe, and casts light on contemporary racist discourses in the United States and Europe.
Author: Gary A. Schmidt
Author: Gary A. Schmidt
Author: Peter Burke
Author: Mr Gary A Schmidt
Author: Erika E. Hess
Author: Fred Duval
Author: Daniel Cadman
Author: Jonathan Glancey
Author: Richard M. Hogg
Author: Elisabeth Dutton
Author: Tudor Parfitt