Renaissance and Renascences in Western Art PDF Download

Author: Erwin Panofsky
Publisher:
ISBN:
Category :
Languages : en
Pages : 53

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Author: B. Schildgen
Publisher: Springer
ISBN: 0230601898
Category : Literary Criticism
Languages : en
Pages : 315

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Book Description
Other Renaissances is a collection of twelve essays discussing renaissances outside the Italian and Italian prompted European Renaissance of the fifteenth and sixteenth centuries. The collection proposes an approach to reframing the Renaissance in which the European Renaissance becomes an imaginative idea, rather than a particular moment in time

Author: Jack Goody
Publisher: Cambridge University Press
ISBN: 9780521745161
Category : History
Languages : en
Pages : 0

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Book Description
One of the most distinguished social scientists in the world addresses one of the central historical questions of the past millennium: does the European Renaissance deserve its unique status at the very heart of our notions of modernity? Jack Goody scrutinises the European model in relation to parallel renaissances that have taken place in other cultural areas, primarily Islam and China, and emphasises what Europe owed to non-European influences. Renaissances continues that strand of historical analysis critical of Eurocentrism that Goody has developed in recent works like The East and the West (1996) or The Theft of History (2006). This book is wide-ranging, powerful, deftly argued, and draws upon the author's long experience of working in Africa and elsewhere. Not since Toynbee in The Study of History has anybody attempted quite what Jack Goody is undertaking in Renaissances, and the result is as accessible as it is ambitious.

Author: Victoria University (Toronto, Ont.). Centre for Reformation and Renaissance Studies
Publisher: Centre for Reformation and Renaissance Studies
ISBN: 9780772720191
Category : Art
Languages : en
Pages : 320

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Book Description
The nineteenth century witnessed rapid economic and social developments, profound political and intellectual upheaval, and startling innovations in art and literature. As Europeans peered into an uncertain future, they drew upon the Renaissance for meaning, precedents, and identity. Many claimed to find inspiration or models in the Renaissance, but as we move across the continent's borders and through the century's decades, we find that the Renaissance was many different things to many different people. This collection brings together the work of sixteen authors who examine the many Renaissances conceived by European novelists and poets, artists and composers, architects and city planners, political theorists and politicians, businessmen and advertisers. The essays fall into three groups: "Aesthetic Recoveries of Strategic Pasts"; "The Renaissance in Nineteenth-Century Culture Wars"; and "Material Culture and Manufactured Memories."

Author: David Scott Wilson-Okamura
Publisher: Cambridge University Press
ISBN: 0521198127
Category : History
Languages : en
Pages : 315

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The disciplines of classical scholarship were established in their modern form between 1300 and 1600, and Virgil was a test case for many of them. This book is concerned with what became of Virgil in this period, how he was understood, and how his poems were recycled. What did readers assume about Virgil in the long decades between Dante and Sidney, Petrarch and Spenser, Boccaccio and Ariosto? Which commentators had the most influence? What story, if any, was Virgil's Eclogues supposed to tell? What was the status of his Georgics? Which parts of his epic attracted the most imitators? Building on specialized scholarship of the last hundred years, this book provides a panoramic synthesis of what scholars and poets from across Europe believed they could know about Virgil's life and poetry.

Author: Thomas Maissen
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110576392
Category : History
Languages : en
Pages : 258

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Concepts of historical progress or decline and the idea of a cycle of historical movement have existed in many civilizations. In spite of claims that they be transnational or even universal, periodization schemes invariably reveal specific social and cultural predispositions. Our dialogue, which brings together a Sinologist and a scholar of early modern History in Europe, considers periodization as a historical phenomenon, studying the case of the “Renaissance.” Understood in the tradition of J. Burckhardt, who referred back to ideas voiced by the humanists of the 14th and 15th centuries, and focusing on the particularities of humanist dialogue which informed the making of the “Renaissance” in Italy, our discussion highlights elements that distinguish it from other movements that have proclaimed themselves as “r/Renaissances,” studying, in particular, the Chinese Renaissance in the early 20th century. While disagreeing on several fundamental issues, we suggest that interdisciplinary and interregional dialogue is a format useful to addressing some of the more far-reaching questions in global history, e.g. whether and when a periodization scheme such as “Renaissance” can fruitfully be applied to describe non-European experiences.

Author: Thomas Nash
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 274

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Author: Michael Wyatt
Publisher: Cambridge University Press
ISBN: 0521876060
Category : History
Languages : en
Pages : 471

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Leading international contributors present a lively and interdisciplinary panorama of the Italian Renaissance as it has developed in recent decades.

Author: Susan Wise Bauer
Publisher: W. W. Norton & Company
ISBN: 0393059766
Category : History
Languages : en
Pages : 816

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Book Description
A chronicle of the years between 1100 and 1453 describes the Crusades, the Inquisition, the emergence of the Ottomans, the rise of the Mongols, and the invention of new currencies, weapons, and schools of thought.

Author: Tracy Mishkin
Publisher:
ISBN: 9780813016115
Category : Literary Criticism
Languages : en
Pages : 127

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Book Description
From the foreword: "A sensitive recuperation of a past cultural moment and a contribution to our current one, Mishkin's study both participates in our present national conversation and prepares the way for future ones." "Looks at literary movements on two different continents and from two different periods . . . and finds significant parallels and interrelations between them. The effect is to illuminate both. There is no other study like it, on this scale."--Richard Bizot, University of North Florida Drawing fascinating comparisons between two literary movements for social justice, Tracy Mishkin explores the link between the Irish Renaissance that began in the 1880s and the African-American movement of the 1920s known as the Harlem Renaissance. Starting with evidence that Ireland's Abbey Theatre tours of the United States before World War I influenced such African-Americans as Alain Locke and James Weldon Johnson, Mishkin offers the first full-scale discussion of the historical similarities and differences of the two movements. Both rose from the ashes of history--from people suffering years of oppression during which their native languages were lost or stolen--to confront issues of language and identity; and both had to combat negative mainstream representation of their people, all the while debating how to create their own literature. Included throughout is the work of women who participated in both movements but who often have been marginalized in their histories. Going beyond national boundaries, Mishkin takes the study of interracial literary influence across the Atlantic and establishes important parallels between the Harlem and Irish Renaissances. Tracy Mishkin is assistant professor of English at Georgia College and State University in Milledgeville, and editor of Literary Influence and African-American Writers.