Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Rembrandt's Changing Impressions PDF full book. Access full book title Rembrandt's Changing Impressions by Robert Fucci. Download full books in PDF and EPUB format.
Author: Robert Fucci Publisher: Walther Konig Verlag ISBN: 9783863358013 Category : Engraving, Dutch Languages : en Pages : 0
Book Description
Rembrandt van Rijn (1606–1669) manipulated his copperplates in unprecedented ways to achieve printed images that were often in flux. That many of the different results were circulated as finished works in their own right marked a new moment in the appreciation of printmaking and the collecting of prints in the seventeenth century.0Rembrandt was the first artist to treat the print medium as a means of crafting visibly changing images. He was also the first printmaker to fully explore the use of newly available Asian papers for their aesthetic and technical effects. Many of these variations were the outcome of Rembrandt’s intense and restless search for results that satisfied his artistic sense. 'Rembrandt’s Changing Impressions' highlights 18 of the artist’s most notably intriguing or dramatically altered prints. It gathers together 52 impressions from 14 different U.S. collections to best show the images in their circulated iterations. 0This is the first time in over 40 years that such an exhibition has been undertaken, and the new scholarship contributes much to a reinvigorated discussion. This publication reproduces all the works in the exhibition.00Exhibition: The Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New York (09.09.-12.12.2015).
Author: Robert Fucci Publisher: Walther Konig Verlag ISBN: 9783863358013 Category : Engraving, Dutch Languages : en Pages : 0
Book Description
Rembrandt van Rijn (1606–1669) manipulated his copperplates in unprecedented ways to achieve printed images that were often in flux. That many of the different results were circulated as finished works in their own right marked a new moment in the appreciation of printmaking and the collecting of prints in the seventeenth century.0Rembrandt was the first artist to treat the print medium as a means of crafting visibly changing images. He was also the first printmaker to fully explore the use of newly available Asian papers for their aesthetic and technical effects. Many of these variations were the outcome of Rembrandt’s intense and restless search for results that satisfied his artistic sense. 'Rembrandt’s Changing Impressions' highlights 18 of the artist’s most notably intriguing or dramatically altered prints. It gathers together 52 impressions from 14 different U.S. collections to best show the images in their circulated iterations. 0This is the first time in over 40 years that such an exhibition has been undertaken, and the new scholarship contributes much to a reinvigorated discussion. This publication reproduces all the works in the exhibition.00Exhibition: The Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New York (09.09.-12.12.2015).
Author: Roger Housden Publisher: Harmony ISBN: 1400082293 Category : Self-Help Languages : en Pages : 240
Book Description
Using the artist's self-portraits as a starting point, the author explains how Rembrandt exemplifies the ability to confront life with passion, honesty, and an uncompromising acceptance of who we are.
Author: Jaco Rutgers Publisher: Yale University Press ISBN: 0300234295 Category : Art Languages : en Pages : 185
Book Description
A compelling reconsideration of Rembrandt’s printed oeuvre based on new research into the artist’s life and work As a pioneering printmaker, Rembrandt van Rijn (1606–1669) stood apart from his contemporaries thanks to his innovative approach to composition and his skillful rendering of space and light. He worked with the medium as a vehicle for artistic expression and experimentation, causing many to proclaim him the greatest etcher of all time. Moreover, the dissemination of the artist’s prints outside of the Dutch Republic during his lifetime contributed greatly to establishing Rembrandt’s reputation throughout Europe. Sumptuously illustrated with comparative paintings and drawings as well as prints, this important volume draws on exciting new scholarship on Rembrandt's etchings. Authors Jaco Rutgers and Timothy J. Standring examine the artist’s prints from many angles. They reveal how Rembrandt intentionally varied the states of his etchings, printed them on exotic papers, and retouched prints by hand to create rarities for a clientele that valued unique impressions.
Author: Sir Joshua Reynolds Publisher: The Floating Press ISBN: 1877527327 Category : Art Languages : en Pages : 185
Book Description
In the past, the distinctions between art and science weren't as clear-cut as they are today, and philosophers, researchers, and artists often shared insights and ideas. It was in that heady atmosphere that Sir Joshua Reynolds first rose to prominence, initially through his "Grand Style" paintings, but later for his work as a promoter of scientific research and the president and co-founder of the famed Royal Society. This text outlines some of Reynolds' most groundbreaking ideas about art, scholarship, and the intersection between the two.
Author: Charles M. Rosenberg Publisher: Indiana University Press ISBN: 0253025907 Category : Art Languages : en Pages : 496
Book Description
A stunning catalogue of the seventy religious prints from the 2017 exhibition, featuring detailed background information on each piece. Rembrandt’s stunning religious prints stand as evidence of the Dutch master’s extraordinary skill as a technician and as a testament to his genius as a teller of tales. Here, several virtually unknown etchings, collected by the Feddersen family and now preserved for the ages at the University of Notre Dame, are made widely available in a lavishly illustrated volume. Building on the contributions of earlier Rembrandt scholars, noted art historian Charles M. Rosenberg illuminates each of the seventyreligious prints through detailed background information on the artist’s career as well as the historical, religious, and artistic impulses informing their creation. Readers will enjoy an impression of the earliest work, The Circumcision (1625-26); the famous Hundred Guilder Print; the enigmatic eighth state of Christ Presented to the People; one of a handful of examples of the very rare final posthumous state of The Three Crosses; and an impression and counterproof of The Triumph of Mordecai. From the joyous epiphany of the coming of the Messiah to the anguish of the betrayal of a father (Jacob) by his children, from choirs of angels waiting to receive the Virgin into heaven to the dog who defecates in the road by an ancient inn (The Good Samaritan), Rembrandt’s etchings offer a window into the nature of faith, aspiration, and human experience, ranging from the ecstatically divine to the worldly and mundane. Ultimately, these prints—modest, intimate, fragile objects—are great works of art which, like all masterpieces, reward us with fresh insights and discoveries at each new encounter. “Despite many reliable catalogues of Rembrandt etchings, very few have focused on the religious content of these prints. The outstanding range of the Feddersen Collection offers an excellent occasion for closer examination of Rembrandt’s development—as a printmaker but also as a spiritual devout Christian, especially evident from his thoughtful return to the same subjects across his career. Charles Rosenberg and his team at the Snite Museum deserve our thanks for fresh analysis of Rembrandt’s religious prints, combined with the latest scholarship on the artist and his etchings output. Rembrandt scholars but also all lovers of the artist will want to consult this important catalogue.” —Larry Silver, author (with Shelley Perlove) of Rembrandt’s Faith: Church and Temple in the Dutch Golden Age “Rembrandt’s etchings of religious themes capture the emotional heart of their subjects through a uniquely inventive approach to both technique and content. . . . The seventy prints gathered by Jack and Alfrieda Feddersen span the full range of Rembrandt’s production and offer an outstanding resource for appreciation and research. This catalogue tells the fascinating story of how the collection was formed and brings a fresh analysis to each print. Charles Rosenberg’s extensive catalogue entries will be useful reading for anyone interested in the history of European art and one of its most talented practitioners, Rembrandt van Rijn.” —Stephanie Dickey, Queen’s University
Author: Ralph Dekoninck Publisher: BRILL ISBN: 9004432264 Category : Art Languages : en Pages : 780
Book Description
This book examines how secret knowledge was represented visually in ways that both revealed and concealed the true nature of that knowledge, giving and yet impeding access to it.
Author: Erik Hinterding Publisher: ISBN: Category : Prints Languages : en Pages : 392
Book Description
"Rembrandt was the most original printmaker of all time. In no fewer than 300 images he covered the full range of styles and subjects for which he is celebrated, including self-portraits, scenes from the Bible, vignettes of everyday life and character studies. The well-known 'Hundred Guilder print', the 'Three Trees' and the 'Three Crosses' are among his most extraordinary creations. He was also famously experimental, often reworking and scratching at his copper plates to improve and extend their expressive power. The results can look startlingly modern, and continue to inspire artists today. This catalogue, compiled by three leading authorities on Rembrandt and printmaking, aims to illustrate a representative selection of his finest prints. Exciting new areas of research have opened up in recent years, making it possible not only to follow the progress of Rembrandt's work on each plate, but also revealing details of his practice of revising the images at various times during his life. The different papers he used will be studied and all the watermarks reproduced. The role played by Rembrandt's preparatory drawings is also now better understood, and all these new insights are presented to a wider public for the first time in this lavishly illustrated volume"--Provided by publisher.
Author: Stephanie Schrader Publisher: Getty Publications ISBN: 1606065521 Category : Art Languages : en Pages : 162
Book Description
This sumptuously illustrated volume examines the impact of Indian art and culture on Rembrandt (1606–1669) in the late 1650s. By pairing Rembrandt’s twenty-two extant drawings of Shah Jahan, Jahangir, Dara Shikoh, and other Mughal courtiers with Mughal paintings of similar compositions, the book critiques the prevailing notion that Rembrandt “brought life” to the static Mughal art. Written by scholars of both Dutch and Indian art, the essays in this volume instead demonstrate how Rembrandt’s contact with Mughal painting inspired him to draw in an entirely new, refined style on Asian paper—an approach that was shaped by the Dutch trade in Asia and prompted by the curiosity of a foreign culture. Seen in this light, Rembrandt’s engagement with India enriches our understanding of collecting in seventeenth-century Amsterdam, the Dutch global economy, and Rembrandt’s artistic self-fashioning. A close examination of the Mughal imperial workshop provides new insights into how Indian paintings came to Europe as well as how Dutch prints were incorporated into Mughal compositions.
Author: Andrew C. Weislogel Publisher: ISBN: 9781934260272 Category : Etching, Dutch Languages : en Pages : 224
Book Description
This exhibition catalogue highlights new research on initiatives that examine the enduring status of Rembrandt the printmaker and the multivalent nature of his works. It includes an overview of the history of Rembrandt prints in American academic collections, a documented account of Oberlin College?s secret guardianship of the Morgan Library & Museum?s Rembrandt etchings collection during World War II, and an introduction to Cornell University?s Watermark Identification in Rembrandt?s Etchings (WIRE) project, dedicated to digitally facilitating access to Rembrandt watermark scholarship.00Exhibition: Allen Memorial Art Museum, Ithaca (NY), USA (06.02.-13.05.2018).
Author: Robert Fucci
Author: Robert Fucci
Author: Roger Housden
Author: Jaco Rutgers
Author: Arthur Mayger Hind
Author: Sir Joshua Reynolds
Author: Charles M. Rosenberg
Author: Ralph Dekoninck
Author: Erik Hinterding
Author: Stephanie Schrader
Author: Andrew C. Weislogel