Author: J. Rosenberg
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Rembrandt Vol 2
Complete Etchings of Rembrandt
Author: Rembrandt Harmenszoon van Rijn
Publisher:
ISBN:
Category :
Languages : en
Pages : 312
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 312
Book Description
Rembrandt, Vol. 2 of 2
Author: Emile Michel
Publisher: Forgotten Books
ISBN: 9780365259879
Category : Art
Languages : en
Pages : 424
Book Description
Excerpt from Rembrandt, Vol. 2 of 2: His Life, His Work, and His Time Rembrandt's versatility, and of the ease with which he now approached the most diverse subjects, preserving the essential character of each. The episode was one which specially attracted him, by the oppor tunity it afforded for the treatment of the nude. His technical equipment was now so complete, that he might, like so many others, have relied in future on the resources at his command, taking counsel with nature only when projecting or executing a picture. But we shall find him not only consulting realities at times of special need, but devoting himself unweariedly to studies, the one object of which was his further instruction and improvement. The numerous aca demies executed at this period witness to the delight he took in these disinterested studies. Several of these drawings from male and female models belong to the Louvre and the Bibliotheque Nationale, others to Mr. Heseltine and M. Le'on Bonnat. A model of frequent occur rence among them is a slender youth, whose long thin limbs have not attained their full development. Such a type was valuable as enabling the painter to observe the play of bones and muscles, and their exact positions in action. In the matter of feminine models, he had perforce to content himself with the few among that decorous nation who could be induced to pose in a studio. The types and forms available were therefore far from elegant, yet the master reproduced them with the most scrupulous exactitude, abating nothing of their ugliness. The sincerity of these studies is only to be equalled by their facility of execution. The figure is sketched in with a few strokes of the pen; a slight wash of sepia or Indian ink is then employed for the modelling, which is carried out with the utmost delicacy and precision, every inflection being carefully followed with extraordinary perception of values. Rembrandt had gradually acquired an absolute mastery of such effects the two etchings dated 1646, of which we give facsimiles (b. 193 and may be examined as typical examples of that close and nervous draughtsmanship, which enabled the master to indicate, not only the silhouette, but the structure and effects of 'a subject, with a few strokes of the point, and this with faultless accuracy and precision. Such Studies were not invariably sketched directly on the plate. One of the two etchings reproduced was preceded by a drawing from nature. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Forgotten Books
ISBN: 9780365259879
Category : Art
Languages : en
Pages : 424
Book Description
Excerpt from Rembrandt, Vol. 2 of 2: His Life, His Work, and His Time Rembrandt's versatility, and of the ease with which he now approached the most diverse subjects, preserving the essential character of each. The episode was one which specially attracted him, by the oppor tunity it afforded for the treatment of the nude. His technical equipment was now so complete, that he might, like so many others, have relied in future on the resources at his command, taking counsel with nature only when projecting or executing a picture. But we shall find him not only consulting realities at times of special need, but devoting himself unweariedly to studies, the one object of which was his further instruction and improvement. The numerous aca demies executed at this period witness to the delight he took in these disinterested studies. Several of these drawings from male and female models belong to the Louvre and the Bibliotheque Nationale, others to Mr. Heseltine and M. Le'on Bonnat. A model of frequent occur rence among them is a slender youth, whose long thin limbs have not attained their full development. Such a type was valuable as enabling the painter to observe the play of bones and muscles, and their exact positions in action. In the matter of feminine models, he had perforce to content himself with the few among that decorous nation who could be induced to pose in a studio. The types and forms available were therefore far from elegant, yet the master reproduced them with the most scrupulous exactitude, abating nothing of their ugliness. The sincerity of these studies is only to be equalled by their facility of execution. The figure is sketched in with a few strokes of the pen; a slight wash of sepia or Indian ink is then employed for the modelling, which is carried out with the utmost delicacy and precision, every inflection being carefully followed with extraordinary perception of values. Rembrandt had gradually acquired an absolute mastery of such effects the two etchings dated 1646, of which we give facsimiles (b. 193 and may be examined as typical examples of that close and nervous draughtsmanship, which enabled the master to indicate, not only the silhouette, but the structure and effects of 'a subject, with a few strokes of the point, and this with faultless accuracy and precision. Such Studies were not invariably sketched directly on the plate. One of the two etchings reproduced was preceded by a drawing from nature. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Rembrandt in America
Author: George S. Keyes
Publisher: Skira
ISBN: 9780847836857
Category : Art
Languages : en
Pages : 224
Book Description
"Published on the occasion of the exhibition Rembrandt in America, 30 October 2011-22 January 2012 at the North Carolina Museum of Art, 19 February-28 May 2012 at the Cleveland Museum of Art, and 24 June-16 September 2012 at the Minneapolis Institute of Arts"--T.p. verso.
Publisher: Skira
ISBN: 9780847836857
Category : Art
Languages : en
Pages : 224
Book Description
"Published on the occasion of the exhibition Rembrandt in America, 30 October 2011-22 January 2012 at the North Carolina Museum of Art, 19 February-28 May 2012 at the Cleveland Museum of Art, and 24 June-16 September 2012 at the Minneapolis Institute of Arts"--T.p. verso.
Portraits
Author: John Berger
Publisher: Verso Books
ISBN: 1784781789
Category : Art
Languages : en
Pages : 676
Book Description
John Berger, one of the world's most celebrated storytellers and writers on art, tells a personal history of art from the prehistoric paintings of the Chauvet caves to 21st century conceptual artists. Berger presents entirely new ways of thinking about artists both canonized and obscure, from Rembrandt to Henry Moore, Jackson Pollock to Picasso. Throughout, Berger maintains the essential connection between politics, art and the wider study of culture. The result is an illuminating walk through many centuries of visual culture, from one of the contemporary world's most incisive critical voices.
Publisher: Verso Books
ISBN: 1784781789
Category : Art
Languages : en
Pages : 676
Book Description
John Berger, one of the world's most celebrated storytellers and writers on art, tells a personal history of art from the prehistoric paintings of the Chauvet caves to 21st century conceptual artists. Berger presents entirely new ways of thinking about artists both canonized and obscure, from Rembrandt to Henry Moore, Jackson Pollock to Picasso. Throughout, Berger maintains the essential connection between politics, art and the wider study of culture. The result is an illuminating walk through many centuries of visual culture, from one of the contemporary world's most incisive critical voices.
A Corpus of Rembrandt Paintings
Author: J. Bruyn
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 736
Book Description
1. 1625-1631 2. 1631-1634 3. 1635-1642 4. "The self-portraits" 5. Small-scale history paintings, 1642-1669 6. Rembrandt's paintings revisited : a complete survey
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 736
Book Description
1. 1625-1631 2. 1631-1634 3. 1635-1642 4. "The self-portraits" 5. Small-scale history paintings, 1642-1669 6. Rembrandt's paintings revisited : a complete survey
Rembrandt and the Inspiration of India
Author: Stephanie Schrader
Publisher: Getty Publications
ISBN: 1606065521
Category : Art
Languages : en
Pages : 162
Book Description
This sumptuously illustrated volume examines the impact of Indian art and culture on Rembrandt (1606–1669) in the late 1650s. By pairing Rembrandt’s twenty-two extant drawings of Shah Jahan, Jahangir, Dara Shikoh, and other Mughal courtiers with Mughal paintings of similar compositions, the book critiques the prevailing notion that Rembrandt “brought life” to the static Mughal art. Written by scholars of both Dutch and Indian art, the essays in this volume instead demonstrate how Rembrandt’s contact with Mughal painting inspired him to draw in an entirely new, refined style on Asian paper—an approach that was shaped by the Dutch trade in Asia and prompted by the curiosity of a foreign culture. Seen in this light, Rembrandt’s engagement with India enriches our understanding of collecting in seventeenth-century Amsterdam, the Dutch global economy, and Rembrandt’s artistic self-fashioning. A close examination of the Mughal imperial workshop provides new insights into how Indian paintings came to Europe as well as how Dutch prints were incorporated into Mughal compositions.
Publisher: Getty Publications
ISBN: 1606065521
Category : Art
Languages : en
Pages : 162
Book Description
This sumptuously illustrated volume examines the impact of Indian art and culture on Rembrandt (1606–1669) in the late 1650s. By pairing Rembrandt’s twenty-two extant drawings of Shah Jahan, Jahangir, Dara Shikoh, and other Mughal courtiers with Mughal paintings of similar compositions, the book critiques the prevailing notion that Rembrandt “brought life” to the static Mughal art. Written by scholars of both Dutch and Indian art, the essays in this volume instead demonstrate how Rembrandt’s contact with Mughal painting inspired him to draw in an entirely new, refined style on Asian paper—an approach that was shaped by the Dutch trade in Asia and prompted by the curiosity of a foreign culture. Seen in this light, Rembrandt’s engagement with India enriches our understanding of collecting in seventeenth-century Amsterdam, the Dutch global economy, and Rembrandt’s artistic self-fashioning. A close examination of the Mughal imperial workshop provides new insights into how Indian paintings came to Europe as well as how Dutch prints were incorporated into Mughal compositions.
Rembrandt
Our Artists at War
Author: Richard Arndt
Publisher: Two Morrows Publishing
ISBN: 9781605491080
Category : Comics & Graphic Novels
Languages : en
Pages : 160
Book Description
OUR ARTISTS AT WAR is the first book ever published in the US that solely examines War Comics published in America. It covers the talented writers and artists who supplied the finest, most compelling stories in the War Comics genre, which has long been neglected in the annals of comics history. Through the critical analysis of authors RICHARD J. ARNDT and STEVEN FEARS, this overlooked treasure trove is explored in-depth, finally giving it the respect it deserves! Included are pivotal series from EC Comics (Two-Fisted Tales and Frontline Combat), DC Comics (Enemy Ace and the Big Five war books: All American Men of War, G.I. Combat, Our Fighting Forces, Our Army at War, and Star-Spangled War Stories), Warren Publishing (Blazing Combat), Charlton (Willy Schultz and the Iron Corporal) and more! Featuring the work of HARVEY KURTZMAN, JOHN SEVERIN, JACK DAVIS, WALLACE WOOD, JOE KUBERT, SAM GLANZMAN, JACK KIRBY, WILL ELDER, GENE COLAN, RUSS HEATH, ALEX TOTH, MORT DRUCKER, and many others. Introduction by ROY THOMAS, Foreword by WILLI FRANZ. Cover by JOE KUBERT.
Publisher: Two Morrows Publishing
ISBN: 9781605491080
Category : Comics & Graphic Novels
Languages : en
Pages : 160
Book Description
OUR ARTISTS AT WAR is the first book ever published in the US that solely examines War Comics published in America. It covers the talented writers and artists who supplied the finest, most compelling stories in the War Comics genre, which has long been neglected in the annals of comics history. Through the critical analysis of authors RICHARD J. ARNDT and STEVEN FEARS, this overlooked treasure trove is explored in-depth, finally giving it the respect it deserves! Included are pivotal series from EC Comics (Two-Fisted Tales and Frontline Combat), DC Comics (Enemy Ace and the Big Five war books: All American Men of War, G.I. Combat, Our Fighting Forces, Our Army at War, and Star-Spangled War Stories), Warren Publishing (Blazing Combat), Charlton (Willy Schultz and the Iron Corporal) and more! Featuring the work of HARVEY KURTZMAN, JOHN SEVERIN, JACK DAVIS, WALLACE WOOD, JOE KUBERT, SAM GLANZMAN, JACK KIRBY, WILL ELDER, GENE COLAN, RUSS HEATH, ALEX TOTH, MORT DRUCKER, and many others. Introduction by ROY THOMAS, Foreword by WILLI FRANZ. Cover by JOE KUBERT.
A Catalogue of Rembrandt's Etchings
Author: Arthur Mayger Hind
Publisher:
ISBN:
Category : Etching
Languages : en
Pages : 182
Book Description
Publisher:
ISBN:
Category : Etching
Languages : en
Pages : 182
Book Description